Showing posts with label style: natural wine. Show all posts
Showing posts with label style: natural wine. Show all posts

September 14, 2017

Juhfark

One of the greatest treasures of Hungarian wine is one that is not very well-known outside the Hungarian borders. No, it's not Tokaji wine – that is probably the greatest treasure in Hungary, but you have to remember that it is also a Slovak wine as well, as the borders of the Tokaj wine region extend to Slovakia as well. The wine I have in my mind is instead something very Hungarian, but also something so scarce you might have difficulties finding it – even in Hungary!

This treasure I speak of is – of course – Juhfark! That spectacular white grape variety that holds its spiritual home in the Somlói hills, capable of producing some stunning, world-class wines!

Juhfark, you say? Somló? Uh-huh. I think a little introduction might be in order here?

Do you know why the Rieslings from Rangen Grand Cru are so much more tightly-knit than those of other Grands Crus of Alsace? Do you know why Soave Classicos feel so much more focused and mineral compared to the wines from the surrounding Soave region? Do you know the saline tang in Canary Island wines or the Assyrtikos from Santorini? Do you know that piercing texture you can find in reds and whites of Etna? These aforementioned characteristics have very little to nothing to do with the vineyard slope, grape clones or winemaking techniques. What is the common denominator in these regions is the volcanic soil: vines grown on volcanic soil just tend to produce grapes with much more mineral, acid-driven and tight-textured – at times even austere – character.

Nagy-Somló or just Somló (pronounced shomlo) is one of the rare spots in Europe – along with the aforementioned regions – where you can find vines planted on purely volcanic soil. This wine region consists mainly of a dome-shaped hill, Somlóhegy, rising in isolation from the vast expanse of Pannonian plain like a colossal (1,5 km long; 1 km across) potato cut in half. This is because millions of years ago the basin, in which this hill is located, was a shallow Pannonian Sea and what currently is the Somló hill used to be an underwater volcanic vent, spewing volcanic matter out from the earth. What little geological contours the seabed – or the plain that followed as the sea dried up – have eroded away with time, but the harder volcanic soil of Somló has resisted erosion, still rising more than 400 meters above the surrounding plain. There are also smaller volcanic hills of Sághegy and Kissomlyó nearby that belong to the Somlói wine region, but all the wine produced in these lesser-known hills is sold through cellar doors and consumed locally.

Vines have been cultivated on the Somló hill for close to 2000 years with documents describing specific grape varieties to the region dating back to the 8th century, so the reputation of the wines from this unique region isn't exactly a new thing. The vines are planted all over the hill, with the southern vineyards getting more sun exposure, producing fleshier wines, and the northern vineyards producing lighter and more acid-driven wines. The region currently consists of no more than 820 hectares (2050 acres) but these vineyards are farmed by a whopping 1200 farmers – a huge number of them only very small producers, selling their crop to the bigger producers. The biggest producers here are Kreinbacher (40 ha / 100 acres) and Tornai (50 ha / 125 acres), together owning more than 10% of the plantings in Somló and purchasing grapes from a further 20-40 ha farmed by local small growers. Out of the more than a thousand growers, there are only some 50 who own more than a hectare (2,5 acres) of vineyards and only 42 are actually registered to sell bottled wine.

Historically there have been numerous grape varieties grown on the Somló hill – up to 46 different varieties – and the traditional way of making wine was to make precisely calculated, interplanted field blends of these different varieties so that a vineyard could consist of up to 40 different varieties per hectare. The old-school way of making so-called Somlai Bor was to harvest these field blends together and age the resulting wine for a long time (several years) in large oak vats. However, this style was lost upon the arrival of phylloxera and the remaining local varieties were lost forever when the remaining vineyards were uprooted under the communist rule and replanted with higher-yielding varieties. Today most of the low-quality varieties have been once again uprooted and replanted with the varieties traditionally grown in the region: Furming, Hárslevelű, Olaszrizling, Tramini, and – our theme variety of this post – Juhfark.

Juhfark (yuh-farck) is said to be one of the rather few varieties that are capable of expressing the terroir remarkably well, along with such classic (and often very mineral and high-acid) varieties such as Chenin Blanc, Nebbiolo, Pinot Noir and Riesling. It is hard to say how true this is, as there are only 170 hectares (430 acres) of Juhfark in existence, a great majority (150 hectares / 380 acres) of that in Hungary, with a lion's share located in Somló. This means that Juhfark might be very terroir-specific variety, but finding any Juhfark outside the terroirs of Somló for a comparative tasting can turn out to be a most difficult task. However, if the Juhfarks of Somló, aka. Somlói Juhfark are considered to be the best examples of this variety, I really don't think there is no need to really search for examples from elsewhere.

What makes these wines so unique is the aforementioned volcanic soil of Somló, which gives the wines both high acidity (which is evident if compared to the duller, lower-acid wines made from the grapes grown in the plains around the Somló hill) and very noticeable mineral character, giving the wines of Somló – especially Juhfark – tremendous structure and stunning aging capability. Although Hungarian white wines can often be high in acidity, this is all too often the result of a very early harvest. Instead in Somló, the grapes can be harvested much later, resulting in wines which have higher potential alcohol, higher level of ripeness and much more body with no loss of acidity. This, combined with the traditional – sometimes even quite rustic – winemaking practices, even including some degree of skin contact, can lead to wines with lots of power, mineral bitterness and noticeable amount of dry extract. These kinds of wines can be forbiddingly harsh and robust while they are young, but they often come together if given enough cellar age. It is no wonder that Somlói wines were so popular centuries ago: wines with this much structure and acidity could actually survive transportation across Europe, whereas the other Hungarian white wines could barely survive transportation beyond the neighboring village. Historically the traditional Somlói wine was one that was aged for years in old oak casks (still before the World War II the minimum aging dictated by the law was 5 years in oak) which not only contributed to the body and richness of the wine, but also gave them good defense against premature aging through slow, controlled oxidation. Such long aging regimes most likely gave the wines slightly oxidative – perhaps even a bit Sherry-like – character, but also tremendous cellaring potential. Unfortunately such wines are not made any longer, as stainless steel tanks and small, new oak barrels have replaced the big oak casks and the long cellaring is now at the hands of the consumer, not the producer.

Finally, a few anecdotes about Juhfark before moving on to the wines. First of all, "Juhfark" translates to "sheep's tail" – this is because the conical grape bunches supposedly are reminiscent of a sheep's tail. Secondly, the Somlói wine – and Juhfark in particular – have been thought to have various medicinal properties including help for blood pressure or stomach problems. The wines are also widely known as "wedding night wines" because of the belief that the wine helps in conceiving a baby boy.

Here is a small selection of different Juhfark wines that I have tasted, in no particular order:

Royal Somló Nagy-Somló J 2011
  • Royal Somló
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 5900 HUF (19,15€) / 0,75
  • Tasted on: 16th of September, 2016
The Royal Somló winery was founded in 2006 by Omar and Peter Csizmadia-Honigh when they purchased a 1 ha (2,5 acres) plot on the southern slope of Somló. Although these two Dutch-Hungarian guys live in London, they help with the viticultural tasks when needed. The winery itself is run by Peter's father, Károly Czismadia, who takes care of the winery and the vineyards year round. The Juhfark plot they own is still quite young and normally it produces enough fruit for 500-1,500 bottles of wine. However, in less-than-optimal vintages no wine is released. The winemaking is pretty hands-off and natural in style.

The "J" in the name stands for Juhfark. The grapes are normally harvested between late September and mid-October, depending on the vintage – in 2011 the grapes were harvested on 24th of September. The must had brief skin contact after the crush, followed by a transfer to three, old neutral oak barrels of 800, 630 and 150 litres, in which the wines were fermented with natural yeasts. The wines were bottled in July 2012, after 10 months of barrel aging.

Slightly grassy neon-green color.

Steely, green and somewhat vegetal – even musty – nose with somewhat funky aromas of beet, sheepish and slightly Chenin-esque notes of lanolin and wool socks, some unripe green apple and a vague hint of something waxy. Overall the nose doesn't feel that attractive.

The wine is surprisingly light-bodied, lively and vibrant on the palate, yet showing surprisingly much richness and concentration, contradicting the overall light feel of the wine. There are really bright and youthful, yet still quite neutral flavors of steely minerality, ripe green apples, some bitterness, a little bit of leesy yeast character and a hint of pithy grapefruit flesh with an overarching streak of woolly lanolin. Overall this kind of wine epitomizes the mineral neutrality of Somlói wines.

The finish is long, juicy and somewhat neutral with a woolly lanolin note and flavors of tangy green apples, steely minerality, wet stones, some smoke and a hint of bitterness.

Even though Royal Somló is a newcomer in the Somló wine scene, their wine is pretty much a typical example of Somlói Juhfark: the wine is steely, very mineral and somewhat very neutral while still being almost an antithesis to austere, with its obvious sense of concentration. What's noticeable, though, is that even after 5 years the wine seems very youthful with some noticeable sense of concentration.

86/100
Summary: Despite being a very classic, structured and mineral example of Somlói Juhfark, I was pretty put off by those rather sheepish aromas of lanolin and wool socks. In Chenin Blancs they can be quite attractive, but I've had some older Chablis wines with that same note and it can be quite off-putting is it too prominent. It really didn't make this wine unapproachable, but it certainly detracted from its enjoyability. This is a good wine, but definitely not in the top tier.

***

Spiegelberg Nagy-Somlói Juhfark 2012
  • Borpince István Spiegelberg
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 5900 HUF (19,15€) / 0,75
  • Tasted on: 16th of September, 2016
István Spiegelberg is as unique a producer as you can find in Somló. In his previous life this German-born Hungarian fellow was a DJ and a test driver for BWV. In 1993 his parents bought a farm in Somló for a summer cottage and Spiegelberg started making wine from the grapes grown on the property for a hobby. However, in 2007 Spiegelberg moved from Germany to this old farmhouse (with 2 hectares (5 acres) of vineyards but no electricity or running water) for good, just to make wine. He has studied under Béla Fekete, the Grand Old man of Somló, and makes his wines in somewhat similar ways: Spiegelberg's wines are made in a very non-interventionist fashion in Hungarian 500-liter oak barrels. The wines are fermented spontaneously with the aid of natural yeasts and aged for a long time in these oak barrels. The long aging period is pretty much a requirement, as Spiegelberg aims for a dry style, but as his cellars are cool and the natural yeasts can be finicky, the fermentation times can sometimes go well into spring, even take a whole year. During the aging Spiegelberg plays Gregorian chant music for the wine 24/7, as he believes this benefits the wine.

True to Spiegelberg's tyle, this wine is fermented with natural yeasts and aged for some 16 months in used 500-liter Hungarian oak barrels to the tunes of Gregorian chant music. 12,4% alcohol, 1,4 g/l of residual sugar and 5,1 g/l acidity. Only 1330 bottles produced.

Pale lemon yellow color.

Ripe, rich and perfumed nose with attractive, juicy aromatics of sweet florals, beeswax and some understated exotic fruit – yet the nose seems to suggest high acidity, cool climate and steeliness.

Ripe, rich and succulent in the mouth with flavors of lemon marmalade, steely minerality, some sweet exotic fruits, a little salinity, hints of honeydew melon and a touch of white peach. Quite full body with lots of intensity, moderate acidity and almost oily mouthfeel.

Quite long and lively finish with sweet flavors of ripe apple, some honey, hints of exotic spices and a touch of salinity.

A delightful, concentrated example of Juhfark from a warm vintage – and it shows. This wine is almost atypical in its abundance of ripe, sweet and yellow fruit in the stead of high acid and minerality. Yet these more austere characteristics show as well, giving the wine impressive structure and freshness. Still I can't help but thinking that this wine would be even more attractive with less ripeness and higher acidity.

92/100
Summary: Drinking wonderfully now, this wine will keep easily for some years – probably even for a decade. Worth its price at 19€, recommended.

***

Tornai Top Selection Grófi Juhfark 2013
  • Tornai Pincészet
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 4600 HUF (14,93€) / 0,75
  • Tasted on: 16th of September, 2016
At 50 hectares, Tornai is the biggest producer of Somlói wines. Founded in 1946, it is one of the very few private wineries to survive the communist rule. Often Tornai's wines are described as being very well-made and balanced, but perhaps a bit commercial and, thus, uninteresting if compared to the more traditionalist examples offered by the smaller producers. Tornai produces numerous varietal and blended wines at various tiers of quality; this Top Selection Grófi Juhfark is their flagship Juhfark wine produced only from their best Juhfark plot in minuscule quantities. The vintage of 2013 produced quite weighty and concentrated wines in Somló; this wine is rather powerful at 14,76% alcohol with 7,8 g/l of residual sugar and 7,6 g/l of acidity. The grapes were harvested as late as the end of October and the wine was aged for more than a year in 500-liter oak barrels. Bottled in early March 2015. Total production 3,650 bottles.

Medium-deep yellow color with faint green highlights.

The nose feels quite powerful, concentrated and complex with layered, kaleidoscopic aromas of star fruit, ripe peaches and apricots, stony minerality, some trebly vegetal overtones, a little bit of waxy character and creaminess from the barrel aging, light tropical fruit characteristics (that remind me of Austrian Zierfandler and Rotgipfler wines), a hint of nuttiness and a touch of sweet smoke. An impressive mélange of aromas.

The wine feels – as one would expect – rich, full-bodied and weighty with concentrated, almost chewy mouthfeel and intense flavors of stony minerality, star fruit, sour yellow plums, some nuttiness, a little bit of bright citrus fruits, a hint of dried pineapple and a touch of saline tang. Despite the oak aging, the wine really does not taste of oak; the barrel seems to have granted the wine lovely creamy and nutty undertones without becoming too overwhelming. True to the variety, the wine is remarkably high in acidity and, thus, very structured – despite coming across as noticeably ripe and weighty.

The finish is lively, long and rich with quite waxy character and complex flavors of stony minerality, dried apricots, some sweet smoke, a little bit of blood orange and a hint of nutty spice.

Although Tornai might get bad rap for making reductively made commercial and fruit-forward wines, this is anything but. The waxy, ever-so-slightly oxidative and impressively weighty flavors of the wine show perfectly how Juhfark can get very ripe yet still retain very impressive acid structure that shows no signs of faltering under such weight.

93/100
Summary: Although there are some delicate tertiary characteristics in the wine, the wine is still now, at 3 years of age, still a baby and obviously a long way away from its apogee. With its rich, weighty fruit, bright acidity and a balancing touch of residual sugar, it is easy to promise good aging potential for the wine. Expect this one change into something very Burgundian with a volcanic twist after 7-10 years of cellaring. Quite expensive for a Somló wine at 14,93€, but still a steal. Very highly recommended.

***

Fekete Somlói Juhfark 2009
  • Fekete Pince
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 6500 HUF (21,10€) / 0,75
  • Tasted on: 26th of August, 2016
Béla Fekete, born in 1926 and over 90 years old at the time of writing, is considered to be the godfather of Somló. He has been making wine since the late 1960's from purchased must and running his own winery since the early 70's, always with traditional methods. He has both increased his vineyard holdings (now at 3,5 hectares / 9 acres) and changed a bit his winemaking techniques with time – for example by introducing stainless steel tanks to the winery – but never at the expense of the classic style of his wines. The key characteristics of his wines are late harvest, natural fermentation and long aging regimes. Fekete made practically all the vineyard work by himself, only occasionally getting help from his son, until he retired in 2014 and sold his winery to three promising producers who have no intentions of changing the style mastered by Fekete.

The wine is made from specially selected grapes which are fermented spontaneously in old 1100-liter Hungarian oak casks with the help natural of natural yeasts. The wines are racked off their lees and left to age in these casks for 18 months, after which they are transferred to stainless steel tanks to avoid further oxidation and aged for a further 18 months. The wines are released to the market 3½ years after the vintage. 13,1% alcohol; 0,3 g/l of residual sugar; 5,7 g/l acidity; pH 3,22. Total production 4220 bottles.

Medium-deep golden yellow color.

Ripe, opulent and concentrated nose, although showing a light undertone of something green and grassy. Although the nose is more nuanced and subtle than intense and expressive, the overall feeling you get is very aromatic with really complex aromas of honeydew melon, ripe apple, some wizened yellow stone fruits, a little sappy greenness, a touch of dark cherry and a hint of mature oxidation giving the bouquet a slightly nutty edge..

The nose creates expectations of a big, full-bodied and heavy wine, but on the palate the wine is – as Juhfark so often is – ridiculously mineral and tightly-knit with piercing steely character, quite noticeable bitterness and bracing acidity. There are intense flavors of dried peach, iron, some stone dust, a little bit of aged waxy character and a hint of saline tang. The juicy flavors contrast the tightly-knit texture very nicely, although they get pretty much overwhelmed by the racy acidity and minerality.

The finish is really crisp, steely and sharp with pronounced, electric acidity and tangy flavors of stony, volcanic minerality, lemony citrus fruits, a little bit honeyed beeswax and hints of dried stone fruits.

A textbook example of a volcanic wine: the wine is a real acid powerhouse and almost quinine in its steely, mineral bitterness. However, very sharp and tightly-knit it may be, the wine still isn't austere and undrinkable. On the contrary, the ripeness and sense of concentration balance the structure very nicely – although the acid and minerality are still in the lead for now.

95/100
Summary: True to the Fekete style, this wine is still almost forbiddingly tightly wound and structure driven – even at almost 7 years of age – and will need years more to realize its full potential. This is something like drinking a 1er Cru Classé Bordeaux or a Champagne Prestige Cuvée right after it is released; it might be interesting, but you can get only a tiny glimpse of the potential the wine holds. If you really want to understand the Fekete wines fully, you need to start stocking them now and start drinking them not earlier than a decade into the future. These wines are spectacular, but definitely not for instant enjoyment.

***

Fekete Somlói Juhfark 2011
  • Fekete Pince
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 3500 HUF (13,36€) / 0,75
  • Tasted on: 16th of September, 2016
This wine is one of the last vintages ever made by Béla Fekete, the Grand Old Man of Somló. The wine is made from specially selected grapes which are fermented spontaneously in old 1100-liter Hungarian oak casks with the help natural of natural yeasts. The wines are racked off their lees and left to age in these casks for 18 months, after which they are transferred to stainless steel tanks to avoid further oxidation and aged for a further 18 months. The wines are released to the market 4 years after the vintage. 14,56% alcohol; 2,5 g/l of residual sugar; 5,7 g/l acidity; pH 3,55. Total production 3950 bottles.

Medium-deep yellow color with faint green highlights.

The nose is ridiculously complex with a stunning array of aromas, ranging from ripe and sweet notes of dried stone fruits, pineapple, banana and apricots to more complex aromas of smoky volcanic character, rhubarb jam and light hints of mushroomy earth.

Contrasting the sweet nose, the wine feels ridiculously tightly-knit, stern and mineral on the palate with bracing acidity and piercing steely minerality. Despite its harsh and almost austere texture, the wine still feels obviously very ripe with slightly oily mouthfeel and somewhat concentrated flavors of dried peach, green apples, subtle and complex spiciness, a little bit of salinity and a hint of candied lemon zest. The wine feels as tight as a piano wire.

Just like the midpalate, the finish is as steely, mineral and tightly-knit with austere texture and contrasting flavors of ripe yellow fruits, some beeswax, a little bit of ripe citrus fruits and a hint of saline tang.

You can often read how Fekete Juhfarks can be forbiddingly austere, rustic and almost aggressive when they are young, but you really have to taste one to believe. And they sure are. The wine is a stunning juxtaposition of acid-and-mineral-driven freshness and ridiculously complex, weighty ripeness. Even though it is quite hard to appreciate a wine this tightly wound, it doesn't take a genius to realize there is something otherworldly here.

95/100
Summary: This is a stunning wine by any standards, but it is and will be unapproachable for years. A wine like this needs years – perhaps even decades – to unwind, let the structure resolve and release the tertiary notes underneath. If opened now, the wine will need copious amounts of decanting to coax some fruit out. In a nutshell, this is one of the greatest Hungarian dry wines I've ever tasted, but will need extended cellaring to fully realize its potential. Ridiculous value at only 13,36€.

***

Kolonics Pinceszet Somlói Juhfark 2013
  • Kolonics Pinceszet
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 3200 HUF (10,35€) / 0,75
  • Tasted on: 22nd of March, 2017
I really had hard time looking for information on Kolonics, because the winery's home pages tell so very little. Basically all I could find out that this is a family winery, led by the 4th generation grower Károly Kolonics, they cultivate 3 hectares (7,5 acres) – of which 0,5 hectares (1,3 acres) is Juhfark – and they produce their wines in the traditional way: fermenting the wines with indigenous yeasts and aging them for prolonged periods of time (up to 3 years) in old oak and acacia barrels.

Apparently Kolonics makes several different bottlings of Juhfark – based on the information found on their website – but I really found no other way to distinguish these wines from each other, other than the faint, vertically repeating pictures left to the text in the bottle's label. I didn't find any information on how the wines differ from each other. This wine has 13% of alcohol and it was served blind to me.

Quite intense lime green color.

The nose is definitely characterful, yet also somewhat stuffy, with most curious aromas of steely minerality, lanolin, some wet wool socks, a little bit of wizened yellow fruits, a hint of spices and a touch of lager beer-like herbal character. First I think that this might be older Chenin Blanc or Chablis (the wool!), but then I remember that Royal Somló wine I had had a year earlier.

The wine feels medium-to-moderately full-bodied, powerful and remarkably concentrated with intense flavors of steely minerality, wool socks, wet stones, ripe apples, some dried peach and a hint of smoke. The wine is bone-dry and rather high in acidity. At this point I'm fairly sure this is Juhfark, because so very few Chenin and Chablis wines can reproduce such power and concentration – the odds are for Juhfark.

The finish is crisp, intense and very acid-driven with long flavors of stony minerality, some dried peach, a little bit of sandy soil and a hint of creaminess suggesting oak aging.

My first guess was correct: I said that this is pretty likely from Hungary, most likely from Somló and quite certainly a Juhfark, if my previous guesses were correct. The person who presented me this wine only said "correct", and seemingly unsurprised, revealed the bottle to be this Kolonics Juhfark. The other people, on the other hand, went completely wild on my deduction, because their guesses had been all the time completely wrong and, to add to their surprise, they had never heard of Somló, let alone of Juhfark.

88/100
Summary: All in all this wine is very similar to the Royal Somló J 2011 I mentioned earlier – only this time the woolly notes weren't as dominating and the wine came across more complex, balanced and interesting. Still I'd say that this wine was far behind those greatest Juhfarks I've had – although it might be just a matter of age. So many producers say Juhfark is not a wine meant to be enjoyed young, so maybe this was just too young and in dire need of cellaring? If I had a bottle of this, I'd play it sure and open it not earlier than after 5 more years of further aging.

Our tasting of Somlói wines; three Juhfarks to the fore.


If these wines didn't say it clearly enough, Juhfark has been a true revelation to me. I had been hearing a lot of positive things about this rare, magical variety for many years, but it wasn't until in 2016 when I finally got to taste one! Well, several.

However, as it is often said about Juhfark, it truly seems like a variety that really needs age. Based on the examples above, when young, the less impressive examples of Juhfark can be quite austere in their pronounced, stony minerality so that they offer very little enjoyment, whereas the better examples tend to be so freakishly tightly-knit and structured that they can be quite forbidding and aggressive. Although the styles can differ from wine to wine, all the wines seem to share some common traits: rather high acidity; very pronounced mineral character; and texture and structure that really screams for cellar aging!

After having tasted through these different wines I'm all the more convinced that I need to start sourcing some Juhfark bottles into my cellar and start aging them patiently. These wines finally showed me a world I had heard of before and now I need to go deeper and see what it really has to offer! Seeing how hard it is to find even young Juhfark wines, I really don't expect to come across an aged bottle – that's why I need to start taking some action if I ever want to taste an older Juhfark myself.

I strongly recommend you to follow my example.

July 4, 2017

Vertical of the month: Château Musar 2000-2009

As my Vertical of the Month post on white Musar proved to be such a popular piece, it wasn't hard to decide writing a similar post on red Musar as well. However, I wanted a more concise theme this time so I decided on concentrating solely on the vintages of the 00's instead of a huge post on every red Musar I had tasted. The problem was that the belated vintage 2006 was yet to hit the market. However, in the late March 2017 the 2006 Musars finally arrived to the market, so all I needed to do was to acquire a bottle, taste it and write a piece on the 10 first Musars of this millennium. It took me a few more months to do this arduous task, but here we finally are.

Our lineup from 28th of May, 2016
Lebanese Château Musar (often written without the circumflex as Chateau Musar) is by far the best-known winery in the Levant and also among the best-known wineries in the natural wine movement. Unlike so many wineries of the modern natural wine movement who have started to produce wines more naturally around or after the turn of the millennium, Château Musar has produced their wines with minimal intervention since 1977, predating the vast majority of natural wine producers by a decade or a lot more. The method of production is quite simple at Château Musar: the grapes are crushed and left to ferment on the natural yeasts. No yeast inoculations, nutrients or other additives are used and the use of sulfur is kept at minimum, letting the nature go its course without winemaker's manipulation. The resulting wines are very often rustic and exhibiting characteristics like brettanomyces or pronounced volatile acidity – traits often considered as unwanted, even faults – yet also remarkably balanced and capable of aging easily for decades.

Chateau Musar is the top tier of the winery's range, above the simple, early-drinking Musar Jeune range and the single-vineyard Hochar Pére et Fils. Out of the wines in the Chateau Musar range, the red one comprises the great majority of production (from a third to almost half of the winery's total production of some 700–800,000 bottles), whereas the white's production normally hovers around the 10–30,000 bottle mark . The rosé is by far the rarest wine in the Chateau Musar range as it is not made every year – and in those years when it is made, the amount of bottles produced is only some thousands.

What is remarkable in Musar wines is that they have always been produced in a geopolitically highly volatile area, where tensions and shoot-outs are not uncommon. Despite these difficulties, the wines were produced systematically even during the Lebanese civil war (1975–1990), when tensions were at their highest and bombshells were exploding all the way from Beirut, where the winery is located, to Beqaa valley, where the vineyards lie, and even in the vineyards. However, occasionally the grapes could not be transported directly via roads (some 70 km / 45 miles) from the Beqaa valley to the winery due to the unstable situations; in some cases the grapes had to be transported by taking a longer (250 km / 150 miles) detour, and once even by driving to the seaside and shipping them from port to port. Against all odds, there have been only two vintages that have not been released to this date:
  • The vintage of 1976 was lost due to the civil war: unstable situations prevented the workers to reach the vineyards and the crop was lost.
  • The vintage of 1984 was made, but there were great difficulties reaching the vineyards and transporting the fruit back to the winery – as it was impossible to reach the winery by land due to roads being closed, it was necessary to ship the fruit by sea. Due to this, the grapes were very overripe and started fermenting on their own before the winery was reached. The wine was practically undrinkable due to heavy flaws for years, even decades, but recent tastings have confirmed that the wine has changed into something remarkable after having been cellared for more than 30 years. The wine, however, still remains unreleased at the time of writing.

If you are interested on reading more in-depth introduction to the history and philosophy of Château Musar, I highly suggest you to read my other Vertical of the Month on Musar Blanc 1991–2007.

Chateau Musar
  • Château Musar
  • Country: Lebanon
  • Region: Beqaa
  • Grape(s): Cabernet Sauvignon (1/3), Carignan (1/3), Cinsaut (1/3)






The red Musar is the wine this winery is best known for. It is traditionally a blend of Cabernet Sauvignon, Carignan and Cinsaut in more or less equal proportions, left to ferment in cement tanks on indigenous yeasts. After the fermentation, the wine is aged for 1 year in oak barrels (approx. 25–35% new), after which the wine is normally blended together and then returned back to marry in the concrete vats. After a suitable period of aging (1–2 years) the wine blend is bottled without any fining or filtration. What makes this wine so unique is that according to the winery's philosophy it is not released until the winery deems it ready, a process which normally takes 7–10 years – the vintage 2006 was released only after the vintage 2009, after more than ten years of aging! Furthermore, Musar normally keeps up to 25% of the annual production stored in their cellars for later release.

Chateau Musar 2009
  • Price: 35,70€ / 0,75
  • Tasted on: 20th of January, 2017

The 2009 vintage was particularly good, remaining quite dry through the whole growing season and keeping all the difficulties at bay. The only particularly wet moment before the harvest was in the late March, giving the vines much-needed water after the dry first three months. Due to the hot summer, the harvest was brought on exceptionally early, starting on the 2nd of September with Cabernet Sauvignon and finishing on the 8th of September with Cinsaut. The wines were blended together only after 3 years of aging. 14% alcohol.

The color seems rather concentrated with dark, almost black red color showing only very little translucency. There are initial aromas of ripe, sunny fruit and lighter, sweeter VA notes of nail polish on the nose, with more subtle notes of very dark forest berries, some raisined fruit, a little hint of sweet oak spice and a touch of Assam tea. On the palate this full-bodied wine feels very youthful, quite dry and rather fruit-forward with flavors of ripe red berries, exotic spices, some strawberry sweetness, light meaty notes and a hint of savory wood. The typical animal and barnyard notes of Musar are practically nonexistent and even the volatility feels quite restrained. There is a sense of firmness along with good structure resulting from the relatively noticeable tannins and moderately high acidity. The finish is opulent and juicy with ripe, plummy flavors of sunny dark and red fruits, some cassis notes, light Middle Eastern spice hints and a touch of dry, savory wood. The tannins give the sweet, supple finish some positive sense of grip and grit.

Lovely balance, structure and focus here. Although I often enjoy purity of fruit in wines, this vintage of Musar feels remarkably polished and fruit-forward, making me miss some of those more quirky characteristics of some of the older vintages.

92/100
Summary: Overall this is a really juicy and supple red Musar where the warm, sunny growing conditions are very obvious and which is lacking those rustic and funky notes typical of Musar. Nevertheless, the wine shows good aging potential and hopefully it will gain some more complexity and more interesting characteristics with age. Recommended, especially for cellaring.

***

Chateau Musar 2008
  • Price: 23,00€ / 0,75
  • Tasted on: 28th of May, 2016

The first few months of 2008 weren't particularly good with rain and snow, but after the late February no rains reached Beqaa for the rest of the season. The March was moderate followed by sunny spring, keeping the humidity (and the amount of weeds) very low. In mid-August a heat wave arrived, making the grapes reach maturity at the same moment, creating some logistical problems on the harvesting of grape varieties – normally the grapes mature at different times, so there is no need to worry whether some varieties would turn overripe while picking the others. Especially Cinsaut seemed to only benefit from the heat wave. The wines were blended together after 3 years of aging. 14% alcohol.

Youthful, dark, almost black cherry color with faint purple hues and moderate translucency. Lovely, complex and wild nose so typical of Musar: sweet volatile notes, rich kirsch-driven fruit, ripe and succulent red berries, sunny dark fruit, some acetone, a little prune and a hint of bretty funk. Very intense, structured and quite full-bodied palate with surprisingly concentrated flavors of ripe dark berries, toasted spices, some sweet plummy fruit, a little sour cherry and a hint of acetaldehyde salinity – all counterpointed by moderately pronounced bitterness. The wine is held together beautifully with moderate acidity and quite chewy, grainy tannins. The wine finishes on a moderately long, spicy and slightly bitter note with a bit of alcohol warmth and flavors of sour cherry, tart lingonberry and a hint of salinity in the aftertaste.

This vintage is a surprisingly concentrated and structured for a Musar, which is nice change after the weaker and somewhat disappointing 2007.

93/100
Summary: The wine feels very imposing with its brooding, dark-toned fruit and those typical volatile-and-funky Musar notes; although promising, it seems to be in a bit awkward phase right now. Currently it requires easily more than just 2 hours of decanting which we had; however, I recommend giving the wine at least a decade more before opening it. Very, very recommended; definitely one of the most promising Musars in a while with good possibility of hitting a much higher score with age.

***

Chateau Musar 2007
  • Price: 35,70€ / 0,75
  • Tasted on: 28th of January, 2016
2007 was an uneven vintage with a sudden spring frost disturbing the growth cycle, cloudy and rainy May preventing 30% of flowering and a three-week heat wave in August hastening the ripening process before the harvest. All the three grape varieties matured very quickly and at the same time, creating some logistical problems to and in the winery. 14% alcohol.

Quite opaque, dark cherry color with figgy purple overtones. Slightly reticent and quite dry nose with slight greenness that lacks the typical sweeter sunny fruit character of Musar; there are aromas of ripe red berries, slightly unripe blue- and blackberries, some vaguely off-putting, chemical VA aromas, a little bit of cedary wood and hints of raisined fruit. Medium-to-full-bodied on the palate, coming across as quite austere and tannic for a Musar. There are youthful, but more dry than sweet flavors of ripe dark fruit, juicy yet bitter red forest berries, some volatility and a hint of sour cherry. Although the acidity is modest at best, the wine seems both quite tightly wound and a bit muted, even backward. The rather pronounced bitterness gives the wine some sense of structure, but also emphasizes the tannins in a not altogether pleasant way. Quite long, bitter and complex finish with juicy flavors of ripe dark berries, peppery spice and some tannic astringency with a bit of alcohol heat.

This might be an enjoyable and drinkable Musar, but compared to the usual house style, the wine seems rather austere, unresolved and backward. Although I'm a big fan of Musar, this time it just doesn't make the cut. I am not sure whether the wine is in some very awkward phase, or if it is just an off vintage.

87/100
Summary: Definitely a hard fellow now in its youth, but also seeming to lack focus and balance: there is a lot of structure – especially tannin-wise – and also some pronounced bitterness, but very little fruit to balance them out. I hope that the wine is in an awkward phase and it will resolve beautifully, but it can be that this is just an off vintage and it will never turn out to be anything truly memorable. Quite good and interesting for a red wine, but a disappointment for a young Musar. I'm keeping my fingers crossed for the 2007's I have in my cellar.

***

Chateau Musar 2006
  • Price: 31,95€ / 0,75
  • Tasted on: 23rd of June, 2017

A very difficult vintage, but not that much because of the climatic conditions – which were remarkable by themselves, feeling like a never-ending spring with only 10 days of summer weather – but due to the conflict between Hezbollah and Israel. Although it seemed that there wouldn't be a harvest at all, everybody still carried on normally despite the volatile conditions and fortunately a ceasefire came before the harvest. However, unlike the vintages that normally feel ready to be released after 7 years of aging, this wine was still in shambles in 2013, which is why the winery decided to postpone the release for a year. And then another. And yet another. Finally, the wine was ready for release in the spring of 2017. 14% alcohol.

Somewhat translucent dark cherry color that doesn't look that youthful anymore, but doesn't betray the +10 years of age either. Quite opulent, ripe and juicy nose which isn't that funky, but showing some acetic VA notes along with aromas of very ripe plums, even prunes, overripe blackberries, some sun-baked earth and hints of raisined fruit. Full-bodied on the palate with moderately high acidity but rather mellow tannins. There are flavors of fresh blackberries, overripe dark plums, exotic spice, some blackcurrant jam and hints of acetic volatility. Although the wine tastes quite dry, notes of dried prunes and raisins create an illusion of sweetness, giving the wine more juiciness and rounding its corners. The finish is medium-long with supple flavors of ripe and sweet dark forest fruits, black cherries, some plums, a bit of tannic bitterness and hints of peppery spice. The acidity makes the wine finish on a more tart lingonberry note along with a lightly gritty tannic grip.

A vintage that was anticipated for a long time, but which ultimately fails to captivate upon release. The wine might be quite balanced and enjoyable, but it is also quite mellow and rather tame effort for a Musar with a surprisingly noticeable raisiny character, especially given the cooler vintage.

90/100
Summary: Overall this wine feels, quite surprisingly, like a lighter take on those very ripe, raisiny and high-alcohol Plavac Mali wines grown in the southern Croatia. This soon after release the wine doesn't feel a remarkable vintage, but neither is this a disappointment like the 2007. Perhaps – and hopefully – the wine will gain some welcome complexity with age.

***

Chateau Musar 2005
  • Price: 35,90€ / 0,75
  • Tasted on: 28th of January, 2016

Unlike in most European wine countries, the 2005 was an atypically cool and humid vintage in Lebanon, resulting in harvest delayed more than a week from normal schedule (the harvest of red varieties was finished on 18th of September) and with wines showing lower than average alcohol and higher acidity. 14% alcohol.

Slightly translucent dark cherry color. Opulent, complex and ever so slightly volatile nose with lovely richness. Sweet, sunny aromas of plummy fruit, ripe figs, lilac, some red cherry, mature floral nuances, a little acetone VA and a touch of funky brett – although the succulent fruit tends to drown out the bretty barnyard character. Supple, full-bodied palate with good tannin structure and balanced, moderately high acidity. Ripe, succulent flavors of ripe plums, sweet figs, some rustic, bretty character, a little sun-baked earth, hints of jammy dark-skinned berries and a touch of dried prunes and raisins. Surprisingly robust and bold effort for a Musar, yet with fruit and body to match. Long and complex finish with a bit rustic and slightly astringent aftertaste of leather, bitter spices, ripe plummy fruit, some dried dark berries and a hint of bretty barnyard notes.

Overall 2005 feels a remarkable vintage for a red Musar (and white as well) resulting in a stunning combination of robust structure of both acidity and tannins and ripe, succulent fruit.

95/100
Summary: Lacking the finesse and delicate balance of the finer vintages, the red 2005 is all about power, intensity and – above all – cellaring potential. With fruit, body and structure as remarkable as these, I have no doubts that the wine wouldn't survive at least a quarter of a century in a good wine cellar. Drinking this wine now would be a travesty – try to get this stuff as many as you can and open the first one only after a decade. It will be worthwhile.

***

Chateau Musar 2004
  • Tasted on: 28th of January, 2016

A very cool vintage: snow didn't melt until March, spring lasted until June and the ripening period was slowed down by constant cooler breezes. The grapes never developed much acidity and the first grapes arriving to the winery were rather low in sugar as well. However, a two-week heat wave that arrived during the harvest boosted the sugar levels in the remaining grapes. The wine was made in the traditional method: 9 months of aging in cement vats, 1 year in oak barrels, blending and maturation for 9 months in cement vats, finished with bottling and extended bottle aging before release. 14% alcohol.

Almost black cherry color with slightly maroon rim and only a little translucency. Ripe and sunny yet a bit understated nose with a bit sweet aromas of crushed ripe forest berries, some succulent plummy fruit and a hint of car paint volatility. Moderately full-bodied and velvety palate with soft medium acidity. Rich, opulent flavors of sweet dark cherries, dark-skinned berries, some kirsch and a hint of acetic volatility. Moderately tannic, but still showing suave smoothness without any coarse character. Long, complex and a bit grippy finish with quite light flavors of peppery spice and allspice and turmeric, ripe dark cherry, some tart lingonberry, alittle bit of sour cherry bitterness and a hint of dusty earthiness.

A smooth and classy Musar with hints of sweetness and less emphasis on the tannic structure. Shows hints of volatility, but is far from the funkiest end of Musars.

91/100
Summary: Not as open and expressive as many vintages before and after this, but that isn't necessarily a bad thing; also, the wine seems to have resolved from the clunky phase it was earlier this year (January 2016). Drinking nicely now, will keep easily for many years. Not the most typical Musar with its sweet, fruit-forward character and rather low acidity, but still very beautiful. Recommended.

***

Chateau Musar 2003
  • Price: 31,40€ / 0,75
  • Tasted on: 15th of February, 2013

The winter of 2003 was the rainiest in 15 years in Beqaa, but after April, no rain fell. A long heat wave in May decreased yields by 30%, concentrating the acidity and sugar levels in the remaining grapes substantially. However, July and August were cooler than normal, delaying the ripening process. Still, the harvest was carried out by normal schedule. The maceration was carried out over 3 weeks with maceration, resulting in firm, structured wines. The wines were aged for 9 months in cement vats, 12 months in Nevers oak barrels, blended together and matured for a further 6 months in cement vats before bottling. First released in 2010. 14% alcohol.

Quite translucent, dark ruby color with a slightly maroon hue. Very rich, expressive and aromatic nose with complex and even somewhat animal aromas of leather, tobacco, dried figs, wizened dark berries, some barnyard funk and a hint of sunny dark fruit. With some air, the bouquet gains also some nuances of floral perfume, licorice root and the faintest touch of cedar. The wine is quite rich, full-bodied and powerful on the palate with ripe, slightly sweet and intense flavors of sunny dark fruit, roasted spices, ripe red cherries, figs, some tobacco, a little sweaty saddle leather and a hint of cigar box. Though the flavors are quite sweet, overall the wine still tastes dry and relatively robust. The structure relies mainly on good, bright acidity, as the ample but fine tannins are rather mellow and friendly, giving the wine more sense of firmness than noticeable grip. Only the high-ish alcohol shows a little through. The finish is very long, complex and quite powerful with flavors of leather, cedar, dried figs, some dark chocolate chips, a hint of tobacco and a touch of rough animal funk.

This is truly a textbook example of a superb vintage Musar. Although starting to show some developed character at 10 years of age, this vintage has still a lot more to go before reaching its peak. At only 31,40€ this wine shows incredible value.

95/100
Summary: Even by Musar standards this vintage shines above its peers, being an incredibly attractive, complex and elegant effort. Not challenging by any means, but still showing quite much of that hallmark funk of the house – although this was not overtly dirty or super-volatile, it showed more of that attractive leathery and animal character than your average Musar. Still a baby with plenty of miles ahead, so no need to open this now – this'll age gracefully for decades.

***

Chateau Musar 2002
  • Tasted on: 28th of January, 2016

In 2002 long, cold and rainy weather pushed the ends of the winter and the spring back, all the way into late June, followed by a mild July and, suddenly, hot August. The ripening process was delayed accordingly, the harvest starting two weeks behind the normal schedule, starting on 15th of September. The maturity of grapes was extremely varied from vineyard to vineyard, so instead of picking the varieties one by one, the harvest had to be done vineyard by vineyard, according to the maturity. The fermentation and maceration times were much longer than normal this year. After 6 months of aging in concrete vats, the wines were racked into oak barrels for one year. After the oak aging the wines were blended together and matured for a further year in oak casks before bottling. 14% alcohol.

Rather translucent, yet a bit hazy, dark cherry color with some orange bricking towards the rim. A bit restrained nose with delicate aromas of sweet, dark-skinned berries, figs, some car paint VA, something a little biscuity, a hint of plum marmalade and prunes with a whiff of powdery oak. Ripe, medium-bodied and surprisingly acid-driven palate with complex, savory flavors of ripe plummy fruit, dark-skinned forest berries, peppery, bitter spiciness, some aromatic and sweet clove spice, a little balsamic volatility and a hint of sweet red cherry. Quite soft and ripe but firm enough tannins. The lengthy finish carries the bitter, spicy note while turning the fruity notes into something more earthy and savory; along with the flavors of ripe and sweet dark-skinned berries, complex flavors of clove, funky brett, some sun-baked earth and hints of sweaty leather become more pronounced.

This vintage is a bit atypical for Musar, but still in a lovely way: the wine is not that open and expressive as some, yet still it shows lots of those typical, Musary notes of sunny fruit, animal, volatility and earth. It is actually surprisingly delicate and sophisticated in its expression compared to many other, more voluminous vintages with bigger fruit, yet still sporting a surprisingly pronounced wild-and-funky side as well.

92/100
Summary: Perhaps this is not a vintage that'll keep for several decades like the best ones – although I wouldn't be that surprised even if it actually did! At least the wine is not showing any real signs of maturity now, only some depth and complexity that the wine gains with bottle age, giving the wine good cellaring potential for at least a decade more. An attractive example of a more subtle expression of Musar.

***

Chateau Musar 2001
  • Tasted on: 28th of January, 2016

A very hot and dry vintage: by mid-February the weather turned to much more warmer than usual with almost nonexistent rains. After relatively normal weather during the flowering, the weather turned hotter than normal for July and August, resulting in 15% reduction in yield. The harvest was carried ahead of the schedule, starting already on 3rd of September. The Cinsaut suffered from the hot weather, losing some of its color; thus, the percentage of Cinsaut is somewhat lower in this year's blend compared to other vintages. As normal, the wine was fermented and aged in cement vats for 9 months, aged in oak for 12 months, blended together and matured for a further year in cement vats before bottling. 13,5% alcohol.

Rather translucent dark cherry color with some orange bricking towards the almost clear rim. Lovely and attractive nose, with lovely depth and complexity – although the volatile acidity aromas so typical of Musar seem to be more pungent, chemical and glue-like instead of those sweeter, nuanced balsamico notes more typical of the house. Modestly developed aromas of savory dark berries, tart red berries, sunny dark fruit and some dark cherry with a little earthy sous-bois and a hint of dried, dusty leather. On the palate the wine is a lot sweeter, rich and suave than the nose suggests, with a supple, full body. Ripe, complex and dark-toned flavors of plummy fruit, aromatic spice, some fig, a little cherry, hints of leathery brett and a touch of paint thinner VA – intermingled with juicy, meaty notes. Moderately grippy, firm, dusty tannins and relatively high acidity give the wine good structure. Rich, quite robust and slightly grippy finish with savory flavors of ripe, dark-toned fruit, sour cherry, bitterness, some leather, a little salty acetaldehyde tang and a slightest touch of herbal greenness.

This is a delightful and surprisingly imposing – even somewhat brooding – vintage of Musar with surprisingly powerful structure and lots of depth and complexity but very little of that bretty barnyard funk.

93/100
Overall the 2001 does not seem as elegant and sophisticated as some vintages (some might consider calling a wine as wild and funky as Musar as "sophisticated" or "elegant" a travesty) with its roughness, occasionally slightly glue-like and more off-putting than attractive VA characteristics and slight greenness, but it still manages to hit many sweet spots with its combination of mature nuances and powerful, grippy character. Although starting to show some more developed notes, the structure seems quite unresolved even after 15 years – this is definitely a keeper with possibility for a higher score with more age. Tasty stuff now with right food, but a wine to be aged a lot more if enjoyed on its own. Very recommended.

***

Chateau Musar 2000
  • Tasted on: 28th of January, 2016

A warm and dry summer with hot July and temperatures above average in August. Released in 2007, alcohol 13,5%.

Translucent, medium deep red color tending to maroon. Rather reticent and restrained, but also nicely matured and savory nose with aromas of cherry, roasted spices, pencil shavings, dusty sun-baked earth, some developed and wizened dark fruit, a hint of reductive gunpowder smoke and a whiff of bretty funk. Full-bodied, noticeably spicy and structured palate with moderately developed, ripe and savory flavors of dark forest fruits, ripe red cherry, sweet sunny fruit, aromatic spices, some dried fig, a little pipe tobacco and a hint of bitter, sour cherry. The midpalate has a slightly pungent, saline streak giving the wine a bright, aldehydic Fino Sherry-esque overtone, supported by moderately high acidity. The wine has firm, ripe and slightly grippy tannins, giving it sense of firmness and good structure. The long, complex and generous finish is full of layered, interweaving notes of roasted spices, bitter sour cherry, dark sunny fruit, some dusty earth and a hint of dried figs. In the end, there is a lovely, slightly saline acetaldehyde lift.

Somehow this vintage of Musar seems a bit difficult one with atypical smoky and saline notes, yet still the wine does not come across as awkward or clumsy, but very delightful and tasty. Although these atypical notes give the wine some unique complexity, they also distract a little bit from the honest Musary core of sunny dark fruit and nuanced, earthy tones. Additionally, this is one of the less bretty and volatile vintages, with almost none of those leathery, barnyardy and balsamico notes apparent.

91/100
Summary: A Musar that is starting to exhibit some aged complexity in addition to the primary, fruity characteristics. The wine will most likely keep for a good while, but I'm not 100% sure whether it'll keep for a decade more – structure-wise there is a lot of aging potential, but the wine seems to lack focus and I hope it will not start to fall apart with more age. Despite of its lack of typicity, still recommended. This is a good and enjoyable Musar, but not among the great vintages.

***

For long I had a mnemonic for Musar vintages that odd ones are the ones you want to keep and even ones the ones you'll probably want to skip. Not that you'd want to skip any vintage of Musar, but pushed to make a choice over two vintages, I'd go for an odd vintage.

However, 2007 and 2008 changed this pattern: having tasted the 2007 in three different occasions over a six-month time span I must admit, it has turned out to be a disappointment of sorts. 2008, on the contrary, was a really tightly-knit and promising one, feeling almost too young but still full of cellaring potential. Most likely both of them will get better with age, but I expect a lot more from 2008 than from 2007 now.

The vintages 2009 and 2006 that followed, in that order, followed the logic of my mnemonic; although not as impressive as the vintages 2003 or 2005 were, the 2009 was still more lush and opulent effort, whereas the 2006 felt a bit more restrained and underwhelming, true to the even-numbered vintage style – which was also a bit disappointing, seeing how every Musarophile was waiting for its release for more than three years after it wasn't released according to the normal release schedule of Musar.

Our lineup from 28th of January, 2016
All in all, I hope that this guide through a decade of Musars will be of some help if you ever come across of multiple vintages of Musars and you are pressed to choose only one or some among them. Overall the first 10 years of the 21st century seem to have produced some very attractive and delightful wines, practically all of them capable of surviving at least 10 years of cellaring, some of them even multiple decades. Only the vintage 2007 seems to be a bit of an underachiever now, but perhaps with some age it can turn out all right. Practically all the other vintages are more or less safe bets: some are drinking nicely now and some only after some years, even a decade in the cellar, but most of the wines are actually really lovely now yet they sport remarkable cellaring potential – true to the classic Musar style.

February 25, 2017

Morenillo

One of the most intriguing discoveries I've done during the past few years is Morenillo, which I was introduced to during a trip to the wine region of Terra Alta, Catalonia. This is a variety so unheard of that even the most recent version of Wine Grapes by Jancis Robinson et al. doesn't include it! However, I don't blame them, because currently the variety is on the brink of extinction with only some 15 ha (37 acres) in cultivation. Please note that despite the similarity in the name, Morenillo is not the same thing as Morellino, which is a synonym for Sangiovese in DOC Morellino di Scansano, Tuscany.

Morenillo is most likely a native variety from Terra Alta, where it has been cultivated for centuries. However, it fell out of favor during the 20th century, because the variety is relatively difficult to cultivate compared to the local favorites Garnatxa Negra (aka. Grenache) and Garnatxa Blanca (aka. Grenache Blanc) and normally it produces thin wines of pale color compared in comparison to the wines produced from other local red varieties. You have to remember, of course, that this was during the time when the determining quality factors of red wine were its color and concentration.

Juanjo Galcera Piñol of Celler Piñol, from the small village of Batea, Terra Alta, introduced us to this unknown variety during our visit to the winery in 2014. Historically the variety was widely cultivated, but now it is cultivated only by a handful of winegrowers – their number somewhere between 10 and 20 – and there is an even small number producers actually making Morenillo wines. Some of them use Morenillo in wine blends, whereas others make varietal wines. The reason behind the diminishing number of Morenillo producers is the local Consejo Regulador of DO Terra Alta, having decreed that Morenillo isn't only a non-recommended grape variety in the wine appellation of Terra Alta, but also an unauthorized variety as well. This means that there can't be no new plantings of Morenillo anywhere, nor has there been any for the past decades. All this is because the appellation consortium regards Morenillo an inferior variety and they try their best to keep the quality of the wine region up, emphasizing especially the high-quality white variety of the region Garnatxa Blanca.

Based on the Morenillo wines I've tasted I've realized how wrong the consortium is.

When Juanjo introduced us to Morenillo, he likened it to Pinot Noir. This is because both of these varieties have thin skins, resulting in wines with relatively pale, translucent color, and high acidity is typical for both of the varieties – only that Morenillo has adapted to survive in the warmer climate of Terra Alta* and thus is capable of retaining high acidity even in quite hot weather. The Morenillo plant itself is often pretty big: the trunks grow large, the trunks are long, the leaves are big and the grapes are often big with pretty small skin:juice ratio.

*Even though Terra Alta is bordering the hot wine region of Priorat, notable for its massive and concentrated red wines, it is not as hot a place as you might imagine. The wines of Terra Alta are often lighter and more delicate due to the high altitude of the region – after all, the name means "high land" – of 400 meters above sea level on average, keeping the climate relatively mild (and this is why Terra Alta's bright, sophisticated, crystalline and often remarkably high-acid Garnatxa Blancas are held in such high esteem!)

From what I have gathered based on my experiences, there are two main styles of Morenillo wines:
  • The lighter ones are made with fruit sourced from younger vineyards. These are often very Burgundian or even (Cru) Beaujolais in character, with pale color, high acidity and lovely freshness.
  • The more concentrated ones are made with fruit sourced very old, even vineyards. As new Morenillo plantings are scarce, most of the Morenillo vineyards are very old. However, it takes decades, even close to 100 years before the vines begin to bear fruit that is so small and concentrated that the resulting wines are very deep and feel a lot weightier than their lightier counterparts.

Now here are all the Morenillo wines I've had to this date:

Celler Piñol Finca Morenillo 2011
DO Terra Alta
  • Celler Piñol
  • Country: Spain
  • Region: Catalonia, Terra Alta
  • Grape(s): Morenillo (100%)
  • Price: 29,00€ / 0,75
  • Tasted on: September 25th, 2014



Celler Piñol is a family winery that has been operating in the village of Batea, Terra Alta, since 1945 and is also the winery where we working for some time during the harvest 2014. As Celler Piñol is probably the biggest winery producing Morenillo wines, Finca Morenillo is most likely the wine the people (who have heard of Morenillo) know. The wine is made with grapes from organically cultivated 75 yo vines and aged for 15 months in 500 liter French oak casks. Annual production is about 3,000 bottles.

Dark, almost completely opaque garnet color shows much more concentration than what is typical for the variety.

The wine has very open and aromatic nose with fragrant floral nuances veering towards violets and rich blackberry-driven fruit aromas, with elegant hints of fresh dark fruits and a touch of wild strawberry in the background.

On the palate the wine is medium-to-moderately full-bodied with lively acidity and lovely brightness. The wine feels moderately concentrated – probably due to the intense fruit produced by the old vines – but still very balanced and far from being heavy or ponderous. There are juicy, vibrant flavors of rich dark berries, some plummy fruit, a little tart cranberry character and a hint of leather. The mouthfeel is velvety smooth due to the rather modest, ripe and pretty mellow tannins.

The finish is long, nuanced and delicate with layered aromas of ripe blackberries, sour plums, some violet floral hints, a touch of vanilla and a light volatile lift towards the end. The alcohol lends a little warmth towards the finish.

This wine is really lovely stuff – it is by far the most elegant and delicate expression of Terra Alta in Celler Piñol's premium range. For a Morenillo, however, this Finca Morenillo is very dark-toned, concentrated and robust an example; normally Morenillo wines show much less concentration and extraction, are paler in color and higher in acidity.

91/100
Summary: Although not my favorite Morenillo, with its bit too ripe fruit flavors and somewhat too obvious oak character, Finca Morenillo is still one of the best examples of Terra Alta winemaking and definitely one of the best wines in Celler Piñol range, if not the best. At 29€ the wine is priced according to its quality, making it somewhat of a "cult wine" of Terra Alta. I can imagine the wine will age nicely in the cellar, especially if it loses some of its baby fat with the years.

***

Lafou El Sender 2012
DO Terra Alta
  • Lafou Celler
  • Country: Spain
  • Region: Catalonia, Terra Alta
  • Grape(s): Grenache (60%), Syrah (20-25%), Morenillo (15-20%)
  • Price: 8,90€ / 0,75
  • Tasted on: September 28th, 2014



Lafou Celler is from Batea, Terra Alta, just like Celler Piñol, and also one of the very few producers making a varietal Morenillo. I haven't had the Morenillo wine from this relatively new winery (founded in 2007), so here's a tasting note on a wine with a small portion of Morenillo instead.

Dark, slightly translucent cherry color.

Juicy, succulent nose full of fruit-forward aromas of ripe strawberries, dark cherries, cherry marmalade and some brambly raspberry.

The wine is juicy, fruit-forward and medium-bodied on the palate with succulent and spicy but somewhat one-dimensional flavors of ripe strawberry, some sweet oak spice and a hint of plummy dark fruit. The wine is rather low in acidity, but has moderately firm, ripe tannins.

The finish is juicy and quite long with nuanced flavors of cherry, roasted spice, some coffee notes, a little bitterness and a touch of sweet raspberry juice.

87/100
Summary: El Sender is a fruity, enjoyable and quite balanced blended wine typical of the region, where the small addition of Morenillo adds nice brightness and a little sense of crunchy red fruit. The wine is, however, a bit simple, easy and pretty straightforward and lacking a little in the structure department. With higher acidity and grippier tannins the wine might come across more serious and intense. Might hold on for some years in the cellar, but is not in need of further cellaring. OK QPR at 8,90€.

***

Vins del Tros Morenillo Àmfora 2013
DO Terra Alta
  • Vins del Tros
  • Country: Spain
  • Region: Catalonia, Terra Alta
  • Grape(s): Morenillo (100%)
  • Price: 12,20€ / 0,75
  • Tasted on: September 27th, 2014



Vins del Tros is a winery founded in 2009 with an aim to produce terroir-driven wines that are very typical for the Terra Alta region. Their winemaking philosophy is pretty much based on minimal intervention. This is a 100% Morenillo fermented with natural yeasts in stainless steel tanks and aged for 5 months in 450 liter terracotta amphorae. Total production 3,102 bottles.

The wine has translucent dark cherry color with a hint of youthful purple to it.

Youthful, pure and aromatic nose full of crunchy red berries like wild strawberries, ripe raspberries, tart cranberries and sweet redcurrants with a light, herbal undertone of blackcurrant.

The wine is youthful, refreshing and medium-bodied on the palate with velvety texture, bright acidity and modest, fine-grained tannins. There are pure and fresh flavors of wild strawberry, cherry, crunchy red fruits like raspberries and redcurrants with some earthy spice, a hint of bitterness and a touch of slatey minerality. Wonderful focus and balanced structure.

Long, fresh and clean finish with flavors of cranberries, bilberries, stony minerality, some wild strawberries and a hint of herbal bitterness.

Overall we have here a wonderful, pure, bright and easy-drinking example of Morenillo. Truly a lovely and attractive little wine that drinks wonderfully on its own, but shows great potential as a versatile food wine.

92/100
Summary: Stylistically this is very close to a well-made Pinot Noir or Cru Beaujolais. Incredibly moreish stuff with tremendous drinkability. Most likely this is best enjoyed young, when the wine is full of youthful vigor. Simply exceptional value at 12,20€.

***

Vins del Tros Morenillo Lo Morenillo 2011
DO Terra Alta
  • Vins del Tros
  • Country: Spain
  • Region: Catalonia, Terra Alta
  • Grape(s): Morenillo (100%)
  • Price: 23,45€ / 0,75
  • Tasted on: October 25th, 2015



This is a wine made from the grapes of century-old Morenillo vines, the oldest vines owned by Vins del Tros. The wine is fermented and aged partly in old barrels, partly in amphorae and bottled unfiltered and unfined. Annual production of 1,140 bottles.

In the glass the wine has dense, opaque and concentrated blackcurrant color with a hint of haziness from the sediment.

It has incredibly rich, charming and expressive nose that is just deliciously juicy and clean; there are aromas of pure, juicy red grapes, prunes and fresh blackcurrants with nuances of balsamico volatility and animality in the background.

In the mouth the wine follows the aromas of the nose with its intense, pure and super-juicy flavors of ripe dark fruits, plum juice, bitter spiciness, some wild florals and a hint of honey. It has dry, concentrated and savory overall appearance with high-ish acidity and moderate tannins.

Ripe and pure finish with flavors of bitter spice, plum juice, florality and hints of volatile rusticity – and a slightest hint of alcohol heat (14,5%). Very long, pure, honest and complex aftertaste.

Boy oh boy this was good! More than good! Just incredibly pure, charming and juicy stuff – it is so much like its younger sibling, Àmfora Morenillo, but with a lot more oomph and concentration!

94/100
Summary: Not only is this perhaps the greatest Morenillo I've had, this is also one of the greatest modern Spanish red I've ever drunk. I'd love to see how this stuff ages, but it's very hard to cellar a wine like this, because this is so incredibly delicious and thus has incredibly high evaporation rate – my glass just emptied itself in mere seconds after it was filled, every time! An excellent buy at 23,45€.

***

Bàrbara Forés El Templari 2012
DO Terra Alta
  • Celler Bàrbara Forés
  • Country: Spain
  • Region: Catalonia, Terra Alta
  • Grape(s): Morenillo (70%), Grenache (30%)
  • Tasted on: October 25th, 2014




Celler Bàrbara Forés is a winery that has produced wine since the late 19th century in Gandesa, Terra Alta, and is currently spearheaded by Carme Ferrer and her husband Manuel Sanmartín. They cultivate 22 ha of vineyards organically and they are one of the wineries trying their best to revive larger interest in Morenillo. However, curiously, their Morenillo wine, El Templari, isn't a 100% varietal Morenillo, but instead a Morenillo-dominant blended wine with some Garnatxa Negra (aka Grenache) in the mix.

Morenillo is fermented and macerated for 35 days in stainless steel whereas Grenache is fermented and macerated for 28 days in stainless steel. After the fermentation is complete, the wines are transferred to French Allier oak barriques, where they remain for 13–14 months before blending and bottling.

Dark, translucent color.

The wine exhibits a bit reticent nose dominated by sweet strawberry notes of Grenache with some alcohol and hints of oak spice.

It is quite full-bodied and sweet on the palate with relatively low acidity, resulting in a slightly flat and flabby mouthfeel. There are really ripe and rich flavors of strawberry, bitter spices, some fresh red berries and a hint of chocolate oak spice. The fine tannins are rather mellow and gentle and alcohol shows a little.

The finish is rich, juicy and a bit warm with flavors of strawberry, some oak spice and a hint of plums.

I was really curious to check out this new, Morenillo-dominant wine, but in this case the moderately small proportion of Garnacha seemed to dominate the blend with the oak influence overwhelming the rest of the Morenillo character. Normally Morenillos that I have tasted have been quite light, delicate and bright, but this was more about richness and sweet, ripe fruit – the wine actually tasted like a normal, average Grenache wine, with very little unique character.

85/100
I was a bit disappointed with El Templari. Probably the wine suffered from being served a bit above the optimum drinking temperature, making the acidity appear lower, fruit sweeter and alcohol more prominent, but it really felt that even in optimum drinking conditions it would have been an underachiever for a Morenillo wine. I guess I should return to this, but serve it cooler. This time the wine just didn't manage to impress.

***

Bàrbara Forés El Templari 2014
DO Terra Alta
  • Celler Bàrbara Forés
  • Country: Spain
  • Region: Catalonia, Terra Alta
  • Grape(s): Morenillo (70%), Grenache (30%)
  • Price: 13,00€ / 0,75
  • Tasted on: July 16th, 2016



Well, as the vintage 2012 of El Templari felt such an underachiever, I decided to give it another go. A few years later I returned to the vintage 2014, which should be similar in style – a Morenillo-dominant blended wine.

The wine's appearance is a bit lighter than that of 2012's, with translucent and rather pale cranberry red color, turning almost clear towards the rim.

The nose is pretty nuanced and bright, but also rather reticent and restrained, even. However, the nose exhibits more savory than sweet red tones with aromas of cranberries, some crowberries, faint wild notes and faint nuances of sweeter, ripe raspberry. The alcohol (13,5%) and the oak character seem to be well integrated.

On the palate the wine feels pretty full-bodied and moderate at most in the acid department, although showing a bit more freshness and brightness than the 2012 vintage. There are ripe but attractive and lively flavors of sweet dark berries, red cherries, some wild strawberries, a little dark-toned oak spice and a hint of rough, stony minerality. The tannins are still pretty mellow and keep out of the way unless you go looking for a fight.

The wine finishes with a medium-long, dark-toned and pretty pure aftertaste that is mostly about ripe fruit, not oak character. There are juicy and lively flavors of sweet red berries, some dark forest fruits and a little bitter spiciness with a hint of aromatic oak spiciness towards the end of the aftertaste.

Well, after the rather nondescript vintage 2012, it really did good to return to this wine again with another vintage! The 2014 vintage of El Templari felt brighter and more pure with more emphasis on the fruit than on the oak department. Still, I wouldn't say El Templari shows much competition against the best Morenillo wines on the market – this wine is a simple, unpretentious, easy-drinking red with very little to set it apart from a multitude of other Catalan reds.

88/100
Summary: Apparently Morenillo is so delicate it gets pretty easily overwhelmed under more powerful varieties. Both times I've tasted El Templari it felt I was drinking a Garnacha wine – even though Garnacha was only a minor component there composing only approximately 30% of the blend. I guess if you want to make a good Morenillo, you should treat it as the delicate variety it is, not something that needs "bigger" varieties to bolster up its "weaknesses".

***

Bodega Marañones Darío 2015
DO Madrid
  • Bodega Marañones
  • Country: Spain
  • Region: Madrid
  • Grape(s): Morenillo (100%)
  • Price: 15,40€ / 0,75
  • Tasted: February 17th, 2017



Before I heard about Bodega Marañones' Darío I thought Morenillo was a variety found exclusively in Terra Alta, but lo and behold, somehow they've got some Morenillo in Madrid as well! I have no idea how and why Morenillo ended up in Madrid, or whether this Morenillo is even the same variety than the one in Terra Alta. But take note that this isn't just a recent thing – this Darío is made with grapes sourced from a vineyard 60 years old! Anyhow, this is definitely the only Morenillo wine I've seen coming from outside Terra Alta – at least for now.

The bottle itself doesn't declare it is made from Morenillo, only variedades locales; furthermore, the home pages of Bodega Marañones don't even recognize Darío's existence! It's all the other sources that claim this is a Morenillo, and I guess I just have to take their word for it. The vineyard in question is situated on granite soil and the resulting wine is aged for 9-10 months in very old (more than 10 years of age) oak barrels of 500-700 liters. The total production is 2,500 bottles.

The wine is dark cherry-colored and quite translucent.

The fragrant nose is utterly beautiful and attractive with pronounced aromas of crushed lingonberries, supported by more delicate notes of cranberries, raspberries, some dusty earth and a hint of animal. The nose actually has a strong sense of Pinosity, really, with a slightly wild undercurrent.

True to the nose, the wine is very light-bodied, fresh and super-crunchy on the palate with bright, lively flavors of raspberries, cranberries, redcurrants, some sour cherry and a hint of sour plums. Some lighter nuances of earthy spices and something wild linger in the background. Overall the wine shows remarkable focus and purity of flavor; if this was served to me blind, I'd go automatically for a Loire or Jura Pinot Noir, nothing Spanish! There isn't much in the way of tannins, yet the wine shows nice little grip and even a slight sense of astringency, just to emphasize the tart and savory red fruit flavors.

The finish is somewhat more bitter than the midpalate with quite pronounced sour cherry character, complemented by savory nuances of ripe dark-skinned berries, some slightly leafy green notes, a little plummy fruit and hints of animal and leather. The aftertaste that remains on the tongue is really long with pronounced lingonberry tartness and slightly grippy tannins.

As a whole, this is an immensely attractive, tasty and delicate red wine that is nothing what you would expect from a wine coming from Madrid! As a huge fan of well-made Pinot Noir and other red wines showing same kind of poise and verve, this wine shows huge appeal to me. Along with Lo Morenillo by Vins del Tros, this is definitely the best Morenillo on the market currently.

94/100
Summary: Whereas Lo Morenillo shows a lot more concentrated and brooding character with tremendous focus and balance, this wine is only about elegance and sophistication. Definitely one of the most Burgundian red wines I've had from Spain. Although drinking really wonderfully now, I wouldn't be surprised if this wine would age as gracefully as the best Pinot Noirs from Burgundy. Simply astounding value at 15,40€.

***

To me, Morenillo is an undiscovered treasure of Spanish wine, capable of producing tremendously attractive wines of some real character and wonderful drinkability. The thing of utmost importance is that the Consejo Regulador of DO Terra Alta would start promoting the variety, instead of talking the growers out of cultivating it! Of course I understand they want to promote their Garnatxa Blanca, which is definitely their trump card and a variety cultivated there for ages, but if they also have this red variety of remarkable character that no other region else has (well, apart from Madrid, it seems), I can't understand for the life of me why they wouldn't want to take advantage of it!

Lucky for us, there are still some producers who are intent on making wines of real local color out of Morenillo and I really do hope that they will keep on doing them in the future. With this blog post I hope to raise some awareness of this virtually unknown and almost extinct variety; this way we can signal the producers that there is demand for this unique variety and that they are doing the right thing.

Fortunately, as both light and delicate wines and wines made out of unheard-of indigenous varieties are currently popular, the wine trends seem to be on Morenillo's side for once. Let's hope it stays that way.