December 15, 2016

Nascetta

A few years back I ran into this energetic, wild-haired wine producer who introduced me to Nascetta, one of the most intriguing things from Piedmont to find its way into the wine market in the past few years. This talkative producer was Enrico Rivetto from Serralunga d'Alba (in the Barolo wine region), one of the greatest proponents of Nascetta, the forgotten white gem of the Langhe region.

Although Nascetta wines seem to be a recent thing in today's wine market, Nascetta itself isn't. It's a variety that has been long cultivated in the Barolo region – verified by documents that prove its history with the Langhe region at least until mid 1850's. In the past it was used in sweet quality wines, blended with local Favorita (aka. Vermentino) and Moscato (aka. Muscat à Petit Grains) varieties, but little by little its popularity waned. As a variety difficult to cultivate with unpredictable yields, its plantings were reduced drastically after the phylloxera hit the region and the variety was virtually extinct in Langhe after the WWII, surviving in only a few rows of vines grown sporadically here and there.

However, in 1990's things started to change as the variety was rediscovered in 1991 by Elvio Cogno, a wine producer from Novello (also in the Barolo wine region), when he tasted a freak Nascetta bottling from 1986. He started to experiment with this curious, forgotten variety and, little by little, it started to gather some following. In 2010 the efforts by the strong-willed Nascetta-growers were paid off as the variety was finally accepted as an official variety of DOC Langhe so that the wines needn't be labeled as vino da tavola with no designation of vintage or origin.

Nascetta might be a variety difficult to cultivate with unpredictable yields, but since its discovery over a century ago the variety has been noted from the high-quality wines it produces. Although not a particularly expressive variety, it is categorized as a semi-aromatic variety due to the high content of terpenes, especially linalool – the compound responsible for the floral aromas also found in Muscat grapes. The variety is known for its good structure, rather high acidity and great balance between the fruitier notes and the bitterness that seems to be a defining characteristic of the variety. Though many producers age their Nascetta wines in stainless steel, the grape seems to adapt well to both longer skin contact maceration and aging in oak barrels. What the variety lacks is a good marketing force behind it: last time I met with Enrico Rivetto he said that many producers believe in the high quality of Nascetta and also believe that it might be the next big thing to come out of Langhe region, but unfortunately there is very little co-operation among the producers of Nascetta. If the producers would co-operate, they could have their voices heard better, instead of being just lone singular voices lost in the noise. Seeing both how vehemently Rivetto believes in his Nascetta wines and how great his wines really are, I can do nothing but agree. Nascetta really seems to be that white variety that could bring in some welcome difference in the Nebbiolo-Barbera-Dolcetto-driven red landscape of Langhe hills.

I have tasted a handful of Nascetta wines over the past few years. Here are my notes on them:

Rivetto Langhe Nascetta 2013
DOC Langhe
  • Rivetto
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Price: 20€ / 0,75
  • Tasted on: October 16th, 2014



3 days of maceration with skins. Vinified with natural yeasts over 9 months in steel tanks.

In the glass the wine shows intense lemon color with pale green highlights.

The wine feels open and quite aromatic with aromas of red apple, hay, almond and honeydew melon. Underneath there are nuances of green herbs, some yellow plums and a slightest lifted touch of nail polish.

On the palate the wine feels quite full-bodied and supple, yet also dry and nicely structured. There are flavors of ripe red apple, yellow plums, some herbs, a little honeydew melon, a touch of honey and some rather intense, chalky minerality that turns a bit to salinity towards the finish. Overall the mouthfeel of the wine is soft and easily approachable, yet also really fresh and far from flabby or tired.

The wine finishes with a mid-length to lengthy, dry aftertaste with flavors of herbs, wet stones, sea salinity, some quinine bitterness and fruity hints of apple, yellow stone fruits and lemony citrus fruits.

91/100
Although my description might make it sound that this is a rich and fruity white, this is not. Rivetto Nascetta is more of a dry, bitter and mineral white only with notably large presence. The flavor profile is surprisingly stony and dry, with less emphasis on the fruit side, making the wine feel unexpectedly complex, balanced and intriguing. Not a big and showy grape variety, Nascetta is in turned here into a lovely, interesting and gastronomic wine that can be not only easily paired with a different variety of foods, but cellared for mid-term as well. Sophisticated and balanced effort, showing good value at 20€.

***

San Silvestro Ghercina Nas-Cëtta 2013
DOC Langhe
  • Cantine San Silvestro
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Price: 14€ / 0,75
  • Tasted on: April 20th, 2015



A wine made from the grapes sourced from the comune of Novello, the birthplace of Nascetta at the heart of the Barolo wine region.

The wine has a yellow-green lemon color.

In the glass the wine has a youthful and a bit reticent nose with fruity aromas of yellow plums, sweet apples, some floral acacia notes and a hint of peach.

On the palate the wine feels full-bodied, but with good acidity that gives the wine a lot of structure and even some tart crispness. Flavor-wise there are dry, pure flavors of apple, stony minerality and some apple peel bitterness.

The finish is medium-long, slightly warm and even more bitter than the midpalate with flavors of aromatic herbs, fresh yellow apples, some apple peel notes and faint floral hints.

85/100
Summary: Overall this "Nas-Cëtta" is a nice little wine that works perfectly as an aperitif sipper and a food wine with light antipasti. Despite showing the semiaromatic and slightly bitter characteristics typical of the variety, this seems to be at the end of the day a quite simple and one-dimensional effort compared to the better Nascettas. Though I must admit, the wine was very moderately priced at only 14€ in a restaurant in Castiglione Falletto.

***

Ettore Germano Langhe Nascetta 2013
DOC Langhe
  • Ettore Germano
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Price: 14€ / 0,75
  • Tasted on: April 23rd, 2015



The grapes are sourced from a 0,4 ha (1 acre) plot in Alta Langa, planted in 2004. The wine is macerated for an impressive period 5 days with the skins to extract more depth, complexity and structure from this semi-aromatic, yet often rather austere variety. Aged for 6 months in stainless steel and further 5 months in bottles. No malolactic fermentation. Annual production of only 2,000 bottles.

The wine has a deep green-yellow color of a barely ripe lemon.

Slightly reticent, cool nose with lots of understated complecity; aromas of honey, yellow stone fruits, some wet stones, a little ripe lemons and a hint of herbal greenness.

On the palate the wine feels full-bodied and rich with high, structured acidity, yet also with almost oily mouthfeel. Dry, quite intense and complex flavors of minerality, sweet stone fruits, succulent White Transparent apple, mirabelle plums, some spicy complexity, light ripe pear notes and a hint of smoke. Also a slightest touch of tannic grip can be felt, contributing to the structure of the wine.

The wine finishes with a crisp, tightly wound and rather mineral-driven aftertaste with dry flavors of tart green apple and lemon-driven citrus fruits, some greengage, a little astringent bitterness and a touch of wax.

93/100
Summary: This is easily the most impressive Langhe Nascetta I've tasted with remarkable depth, complexity and structure. Apparently the prolonged skin contact seems to suit this variety well. Germano's Nascetta is truly delicious stuff with a lot of cellaring potential. At only 14€ this is a real find. Highly recommended.

***

Diego Conterno Langhe Nascetta 2013
DOC Langhe
  • Diego Conterno
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Tasted on: April 25th, 2015




This wine is made from grapes sourced from plots located at the altitude of 400 meters a.s.l.; the wine is aged for 6 months in stainless steel tanks.

The color is pale watery green.

The nose exhibits bright, fragrant aromas of sweet yellow apple, grass, hay, some stony minerality and hints of gooseberry.

On the palate the wine is quite full-bodied yet nicely refreshing and high in acidity. The flavors are rich, yet not particularly ripe, with notes of wet stones, crisp lemony citrus fruits, sweeter red apple notes with less emphasized nuances of tart green apple, some steely minerality, a little vegetal greenness and a hint of bitterness. There is also a hint of sweeter stone fruit at the tip of the tongue.

The finish is dry and quite austere, but pretty lengthy as well with understated complexity. There are flavors of herbs, stony minerality, almost quinine bitterness, grassy greenness, some grapefuit pith and a little granite minerality.

91/100
Summary: In a nutshell, this is a really attractive little white with very dry, rather bitter and somewhat austere flavors, yet with nice weight and sense of complexity. A wine like this that seems to be lacking in fruit might not be everyone's cup of tea, but I really did enjoy the refreshing qualities, good structure and layered nuances this wine offered. It is a good food wine, but its austere flavors with at times rather pronounced bitterness may take toll on its versatility – it might not be easy to pair a wine like this so that it wouldn't either clash with the food or overwhelm it. Still, a nice little drop that might even age nicely for short-to-medium term. Recommended.

***

Overall Nascetta has taken me by quite a surprise: just two years ago it was a variety I had never even heard before, but only within a year I had managed to find a handful of very different, yet overall positive examples of the variety, reinforcing my positive impression of it. I've yet to taste a barrel-aged version, as they seem rather hard to come by – many producers feel that Nascetta fares best when aged in neutral vessels which don't come into the way of the aromatics of the variety. As this is a notion I can agree with, I'm actually not that keen on searching specifically for a barrel-aged Nascetta; however, should I ever come across a barrel-aged example of the variety, I would gladly taste it – in the name of science, wine journalism and curiosity!

I couldn't help but notice how some producers seem to favor skin maceration times that are rather long in traditional white wine vinification – most likely due to the fact that even though Nascetta is a semi-aromatic variety, a great part of its aromatic compounds are in its skins, not in the juice. This has made me wonder whether Nascetta could be a suitable variety in making orange wine as well? Something not unlike how Ribolla Gialla – occasionally considered a rather undistinguished white variety – turned into something profoundly complex and unique with extended skin maceration in the hands of such people like Josko Gravner and Stanko Radikon. Maybe amber Nascetta wines could be the next "outside the box" wine of Piedmont?

December 7, 2016

Vertical of the month: Burgaud Côte du Py 2006-2012

Beaujolais made great work in gaining worldwide recognition in 1970s to 1990s by creating the Beaujolais Nouveau phenomenon. However, at the same time they effectively managed to ruin their reputation of a respected region capable of producing tremendous, serious wine. When people started to associate the name Beaujolais only with that simple, inexpensive, fruit-forward swill redolent of banana and bubblegum aromas, no-one in their right minds touched a bottle of Beaujolais anymore.

And that is a great shame, because many of the best Beaujolais wines – especially many of those coming from the 10 specific Crus located in the northern part of Beaujolais – can easily match (and even surpass) the power, depth, poise and elegance of the esteemed Côte de Nuits reds from the neighboring region of Burgundy – and often at only a small fraction of their prices! Fortunately the serious Beaujolais reds are now regaining their recognition, but it has taken the quality-oriented producers several decades and a lot of effort to remedy the bad publicity rounded up by the Nouveau wines.

Beaujolais is also a region known not only of the Nouveau wines, but as one of the birthplaces of the so-called natural wine movement. Many natural wine producers follow the non-interventionist philosophies that originated some 50 years ago from a handful of Beaujolais producers and winemakers, spearheaded by a winemaker-scientist Jules Chauvet, and since developed further by prolific names like Guy Breton, Jean-Paul Brun, Joseph Chamonard, Jean Foillard, Marcel Lapierre, and Jean-Paul Thévenet. These are producers many new natural winemakers look up to and also names often associated with the best Beaujolais wines.

One of the members belonging to the top echelon of Beaujolais's natural winemakers is Jean-Marc Burgaud, the head of his eponymous winery, Domaine Jean-Marc Burgaud, founded in 1989. A great majority of his holdings spanning 17,5 ha are located in the Beaujolais Cru region of Morgon, known to be the sub-region capable of producing the most concentrated and cellarworthy examples of Beaujolais wines – along with the equally impressive Cru of Moulin-à-Vent. Furthermore, a big part (approx. 8 ha) of these Morgon vineyards of Burgaud are located in sub-sub-region of Côte du Py, generally regarded as the best location within Morgon.

Burgaud's approach to vinegrowing and winemaking is quite simplistic one: his extremely densely cultivated vineyards see no synthetic fertilizers or repellents and they are tended by hand, whereas the wines are vinified naturally with strict hands-off policy and they receive only a small dose of sulfites upon bottling. The wines are vinified in a "Burgundian" fashion: instead of using the traditional carbonic maceration-fermentation process so commonplace in Beaujolais, Burgaud vinifies his wines with traditional method of crushing the grapes and letting the skins, seeds and pips macerate in the fermenting juice. The wines are vinified and aged either in concrete vats or old, neutral 228-liter pièce barrels. Due to these methods, Burgaud's wines are obviously tougher, more brooding and concentrated than the Beaujolais wines are in general. As Burgaud's winemaking is quite reductive, his wines can be a bit muted or reductive upon opening a bottle – especially a young one – but they are also remarkably long-lived, capable of aging effortlessly for several decades.

Now here is a comparative vertical of Burgaud's Côte du Py wine spanning 7 consecutive vintages, shedding some light on how these wines age.

Burgaud Côte du Py
AOC Morgon
  • Domaine Jean-Marc Burgaud
  • Region: Bourgogne, Beaujolais, Morgon, Côte du Py
  • Grape(s): Gamay (100%)







The mid-tier wine in the range of Burgaud: this is definitely more concentrated and serious than a great majority of his production, but still a notch or two under the few, more serious "reserve" bottlings. The grapes come from very old vineyards (approx. 50 yo) located in the famous Côte du Py subregion within the famed Morgon Cru. The grapes are macerated with the fermenting must for 12–14 days and the aging takes place exclusively in concrete vats, keeping such elements as oxygen and oak from muddling the purity of the fruit. The wine is always bottled after some 6 months of aging, in spring following the harvest, normally around April. One of the Burgaud's longer-lived wines.

***

Burgaud Côte du Py 2012
  • Tasted on: 15th of December, 2014

A difficult vintage, plagued by continuous rains. As the grapes struggled to ripen, the yields were on average the lowest in 40 years, resulting in very structured and concentrated reds.

Translucent black-red color. Quite sturdy nose with complex and a bit wild aromas of bitter orange peel (think of Campari), brooding dark fruit, sweet kirsch and hints of fresh blueberries. Full-bodied, rich and structured on the palate with moderate tannins and high acidity that seems to grow in the mouth. Very youthful and intense flavors of ripe red fruits, some cherry and a little bitterness that might partially be just tannic astringency. The long and persistent finish is full of focused, complex flavors like barely ripe blueberries, pronounced stony minerality, some sharp cranberry skin notes and a little tannic bitterness.

91/100
Summary: A very serious, stern and, most of all, very youthful Morgon wine that shows tremendous cellaring potential, but is still so very tightly-knit that it doesn't really show much yet. Even with long air time the wine seems very forbidding, and although not austere per se, still something along those lines. Probably will be really beautiful as the wine unfolds and starts to resolve after some years in the cellar. The score is a bit on the conservative side now and will probably go up as the wine ages. Highly recommended.

***

Burgaud Côte du Py 2011
  • Tasted on: 15th of December, 2014

Generally regarded as a good, warm vintage resulting in quite big but balanced wines showing great ripeness. Especially the wines from Morgon and Moulin-à-Vent were very succesful.

Translucent black-red color. Very youthful, ripe and almost sweet nose with very red-fruit driven aromas of cranberry, lingonberry, some brambly notes and a little wild Campari notes with a darker-toned earthy undertone. Quite full-bodied, stern and even tough on the palate with very muscular and grippy tannins and high acidity. Darker-toned flavors of dark cherry, sour cherry, concentrated ripe dark berries, some savory crowberry notes and a little cranberry tartness. Very dense, chewy and robust finish with flavors of concentrated dark cherry, brambly blackberries, earthy spice and some stemmy notes with pronounced tannic bitterness and astringency.

92/100
Summary: A lot bigger, heavier and more muscular effort than the 2012 vintage showing very much cellaring potential, but also being almost inapproachable now. Super-concentrated and tough on the palate with the grippy tannins and high acidity keeping the fruit in a stranglehold. A very impressive effort, but in dire need of extended cellaring – probably will show beautifully after 10 years or so.

***

Burgaud Côte du Py 2010
  • Tasted on: 15th of December, 2014

A difficult vintage resulting in really impressive wines: the flowering started out poorly, reducing yield noticeably, and the whole summer in Beaujolais was very cool and the grapes struggled to ripen. However, the weather during the harvest warmed up considerably, ripening the grapes later than normally. Thus many of the wines show great balance and concentrated with remarkable depth of flavors as a result from the long growing cycle and late ripening.

Translucent black-red color. Very aromatic, perfumed and slightly wild, fragrant nose with aromas of crushed red berries, cherries, some plums and hints of dark-skinned berries. Medium-bodied and surprisingly dense and concentrated on the palate with very ripe, juicy and even slightly sweet fruit flavors of ripe cherries, crunchy dark berries, some meatiness and light aromatic hints of dried herbs. Moderately high in acidity with firm, structured tannins. Quite long, stern and very mineral finish with flavors of wet rocks, sour cherries, tart cranberries and some rough tannic astringency.

93/100
Summary: Not as forbidding and austere as the vintages 2011 and 2012, but nowhere as mellow and easy as the 2009 either. This wine is quite serious and structured, but shows some approachability as well: although the wine will easily hold for a decade or even more, it is also starting to drink nicely right now. It shows great balance between the ripe, crunchy fruit and firm structure. A textbook example of wonderful Morgon, very highly recommended.

***

Burgaud Côte du Py 2009
  • Tasted on: 15th of December, 2014

A very warm vintage throughout Europe. The producers in Beaujolais had no problem seeing their grapes attained full maturity and harvest was relatively early as many producers felt it was necessary to pick the grapes before they became overripe, losing their vital acidity.

Very deep, concentrated dark cherry color showing only very little translucency. Obviously very sweet and ripe nose showing highly aromatic, fragrant aromas of juicy red fruits, red cherries, some plum liqueur, a little raisin and a slight volatile hint of balsamico lift. On the palate the wine is very full-bodied for a Gamay with dense, spicy and almost chewy texture. Despite the sweet nose, the wine feels quite dry with flavors of ripe dark cherry, floral complexity and some juicy damson. Contrasting to the normal Burgaud's style, the structure here is rather mellow with moderate acidity and ripe, rather modest tannins. The finish is only medium in length with quite ripe, fruit-forward notes of dark plums, earth and a hint of stony minerality.

89/100
Summary: Overall this vintage is surprisingly easy and mellow in style – and not just for a Burgaud, but for a Morgon. The very warm vintage is very evident not just in the modest acidity and mellow tannins, but also in the sweet, almost raisined aromas. Although on the palate the wine is not as soft and sweet as the nose suggests, it is still feels a rather low point in this vertical. This is a thoroughly good high-quality Beaujolais, but still very far removed from the best vintages of Burgaud. It will probably age nicely and probably become more enjoyable with more age, but this is not a vintage I would age extensively.

***

Burgaud Côte du Py 2008
  • Tasted on: 15th of December, 2014

A really difficult vintage plagued by rain, hailstorms and diseases. Due to the cool conditions, the grapes ripened very late and often not in a good condition. Wines made in this vintage demanded a lot of work in the vineyard and lots of grape sorting in order to do any high-quality wine. Good wines from this vintage are few.

Quite deep and dark color of cherry marmalade, showing rather little translucency. The fragrant nose feels quite cool, yet suggesting a lot of sweet notes with ripe red cherry on the fore, supported by sharper notes of tart red berries and some green herbs. Noticeably light and ethereal on the palate; I'd even call it delicate and elegant, were it not for the robust tannins and angular flavors of sour and also slightly sweet cherry, some tart cranberry notes and a hint of iron. The tannins are not as ample as they can be, but they feel unpolished with quite noticeable grip. The acidity is quite modest not only for Burgaud style but overall for a Morgon wine. The finish is rather reticent and medium in length with flavors of ripe red fruit, fragrant floral nuances and a little pepper-driven spiciness.

88/100
Summary: A very restrained example of Burgaud, yet showing some unpolished roughness despite its lithe body and understated expression. Perfectly enjoyable, but definitely not a good example of Burgaud's style: probably won't develop that nicely in the cellar, but will instead just fade away with years. Although the wine is not as tightly-knit as most Burgaud's Morgons are, the structure feels a bit unbalanced in relation to the fruit. A wine better enjoyed during the next few years.

***

Burgaud Côte du Py 2007
  • Tasted on: 15th of December, 2014

A difficult vintage in Beaujolais with very cool conditions throughout the summer, reducing the yields under the average. However, the northern Cru regions fared a lot better with the warm and dry autumnal weather letting the grapes ripen fully, although very late.

Luminous dark ruby red color with moderate translucency. A fragrant and slightly developed, but also somewhat understated nose with aromas of dusty cherry, purple and dark berries, some sweeter cherry marmalade notes, a little meatiness and a hint of sappy green notes suggesting stemminess. Dry, quite full-bodied and rather acid-driven on the palate with focused and quite ripe flavors of ripe dark cherry, juicy red fruit, some herbal green notes, a little peppery spice and a hint of supple plummy fruit. Moderately pronounced, firm tannins. The finish is dry and rather taut with pronounced tannic grip, giving the aftertaste a bitter and slightly astringent feel, supported with acid-driven, tart flavors of lingonberries and cranberries with a slightly stemmy note of green wood.

91/100
Summary: Well, the difficult vintage shows here a little bit. Although there is good sense of ripeness to the fruit, the wine seems to suffer a bit from lack of focus and not altogether pleasant green notes peek through both in the nose and on the palate. Overall this is a very good and enjoyable Cru Beaujolais, but even with some bottle age it does not show that rough-hewn finesse of the best Burgaud reds. Probably will age nicely and develop further with age.

***

Burgaud Côte du Py 2006
  • Tasted on: 15th of December, 2014

A very uneven vintage of extreme weathers. On average not a vintage considered to be that ageworthy, although many producers have produced tremendous wines that still are in their youth.

Translucent dark cherry color. Sweet, aromatic and fragrant nose that is the first of these vintages that actually is starting to show faint signs of age: aromas of ripe dark cherry, blue- and dark skinned berries, some stony dust, light and ever-so-slightly sweet hints of red fruit marmalade and prunes concentrated by the age, and a faint nuance of wild, slightly lifted aromatics. Medium-bodied on the palate and obviously very concentrated for a Beaujolais; the complex flavors are dominated by a rather pronounced bitter, mineral and somewhat spicy tone with layered fruit flavors of ripe cherry and lighter hints of dark fruit. The structure is quite firm with balanced, high acidity and ample tannins. Although the tannins feel rather mellow and resolved at first, they gain power on the palate, becoming very grippy and powerful. Overall the wine shows nice, chewy texture. The finish is quite long and almost mouth-puckering with its firm, grippy tannins and high-ish acidity that emphasizes the flavors of bitter spices and sour cherries and the underlying stony mineral hints.

94/100
Summary: A superb example of Burgaud's style that shows his wines apparently start hitting their stride only at the age of approximately 8 years. The wine is obviously still on its way up with a lot of further improvement, but the wine isn't as stern and forbidding as the young Burgaud's so easily are. The fruit, that is showing very balanced and not excessive ripeness, isn't choked down by the structure, but instead is in wonderful balance as the structure has resolved a bit. With also some slightly developed nuances showing as well this is one of the greatest Burgaud's Côte de Py wines I've had. Highly recommended, a great testament to the benefit of cellaring these Cru Bojos.

The wines, from 2006 to 2012.

I'm so very happy that the Beaujolais wines are regaining the recognition they deserve. For such a long time a great wine-drinking majority thought that Beaujolais was nothing but simple, juice-like swill that smells of banana candies; as this vertical here shows, the best wines of Beaujolais are anything but! Especially the best Cru Bojo wines (Morgon and Moulin-à-Vent are names you might want to remember, if you enjoy stern and structured reds) from the best producers – like Burgaud here – can be really impressive and cellar-worthy, easily comparable to the great Burgundy reds, although, with a completely different, local character altogether. So, if you previously had misconceptions about the region, the next time you see a Beaujolais wine on the shelves of a wine store, don't just think of it as a simple, easy-and-early-drinking little red. It might be one of those stern and structured beauties you should be filling your cellar with.

November 26, 2016

Vertical of the month: Frank Cornelissen

In this day and age, when so-called natural wines are apparently all the rage, it seems that the people who haven't heard of Frank Cornelissen and his unique wines are quite hard to come by. But in the off chance that somebody unaware of him is reading my blog now, I thought it would be a good thing to start with an introduction of sorts on him.

Frank Cornelissen is a Belgian winemaker from Mount Etna, Sicily, Italy, whose wines have been popping up in articles and features here and there for the past decade or so. Before becoming a winemaker, he worked as a wine agent; however, in 2000, after having discovered the wines of Etna, he moved to Sicily, rented some vineyards and started making wine in a small cottage. Fast-forward a few years and Cornelissen has bought himself some very old, ungrafted vineyards from the volcano of Etna and is starting to make some name with his winery Azienda Agricola Frank Cornelissen and its characterful wines.

What makes Cornelissen's wines unique is his style of winemaking – or, perhaps more accurately, what the winemaking is lacking. Because even within these natural wine circles (where people make wines with as minimal interventions as possible) Cornelissen is regarded as an extremist of sorts. This is because he really doesn't do pretty much anything at all with his wines – the grapes are just crushed, the must is left to ferment and the final result is bottled, warts and all. Even within the natural wine circles this kind of total non-interventionism is quite rare. But despite being regarded as an extremist in relation to his winemaking, Cornelissen is hardly a fundamentalist. He is not making wines with a strictly set of rules, but instead with an attempt to learn from previous mistakes and constantly improve his end results. The only thing what is not changed is the principle that nature must run its own course with the wines, without any human intervention. Anything beyond that is improved year by year: whereas the older vintages of Cornelissen might have been notoriously unpredictable with heavy bottle variation, the more recent vintages are quite uniform with more precision and focus.

The 15 hectares of Cornelissen's low-yielding vineyards are cultivated in a non-interventionist fashion as well. The vineyards are planted with low density in order to ensure good ventilation and enough water for each plant. Cornelissen strives to use no treatments at all in the vineyard – a practice he has actually succeeded in with some vintages. Concerning the winemaking, the great majority of Cornelissen's wines are fermented and often also aged in fiberglass tubs while the most tannic and concentrated red and amber wines are fermented and aged in large, epoxy-coated clay amphorae that are buried in volcanic soil up to their necks. Cornelissen lets the wines ferment with indigenous yeasts and often employs very long skin maceration times – the crushed grapes are left to macerate with the fermenting must and the resulting wine is separated from the skins only after both the fermentation and the malolactic fermentation have run their course, normally after several weeks or even months. When the wines are finally bottled, they are bottled completely unfined and unfiltered. Cornelissen does not use sulfites at any point in the winemaking, not at the crush, not during or after fermentation nor upon bottling.

The wines of Cornelissen fall into four different tiers.
  • Contadino is the basic-level wine of the Cornelissen range. Originally this wine was a pale red or a funky rosé of sorts. It was – and still is – a multi-vineyard, multi-varietal field blend wine, into which Cornelissen uses all the grapes that do not go into his other wines. This includes both red and white grapes; originally the final varietal composition was about 70% reds, 30% whites, which explained the pale red color. However, nowadays the wine is almost exclusively composed of red grapes (mainly Nerello Mascalese) and from 2015 onwards the wine has actually been labeled as DOC Etna Rosso, instead of previous IGT Terre Siciliane. Although only "basic level" and the least expensive, Contadinos are still wines of remarkable depth, easily capable of aging for at least a decade. Annual production is 24,000 bottles.
  • Susucaru is another basic-level wine produced for the first time in 2007 and it has taken the place of old Contadino, in a sense. It is the "rosé" wine of Cornelissen and labeled as IGT Terre Siciliane Rosato, but in effect it is an orange wine (aka. skin contact white) composed of Catarratto, Inzolia, Malvasia and Moscadella with some red Nerello Mascalese to give the wine a red hue. Annual production is 18,000 bottles.
  • Munjebel is the mid-tier wine series of Cornelissen and includes wines both red and white. The red Munjebel Rosso is a pure Nerello Mascalese from four different, old (60 yo) vineyards, whereas the white is currently a blend of Grecanico (60%) and Carricante (40%) from four different, old (40 yo) vineyards. The white is made exactly the same way as the red wine, including prolonged skin contact until the fermentation and malolactic fermentation have finished, letting the wine age in clay amphorae for 15 months and bottling the wine unfined and unfiltered, resulting in a amber / orange wine with lots of visible sediment in the bottle. The annual production is 11,000 bottles for the red Munjebel and 4,000 bottles for the white Munjebel.
The penultimate tier spans one skin contact white and four red wines, all of them special bottlings of the regular Munjebel:
  • Munjebel Bianco VA ("Vigne Alte"; Grecanico 60%, Coda di Volpe 30%, Catarratto 10%) is produced only from the best grapes sourced from a single vineyard where almost centenarian ungrafted vines are cultivated at the altitude of 1,000 meters. Annual production is 500 bottles.
  • Munjebel Rosso VA ("Vigne Alte"; Nerello Mascalese 100%) is produced only from the best grapes sourced from three vineyards where almost centenarian ungrafted vines are cultivated at the altitude of 1,000 meters. Annual production is 1,800 bottles.
  • Munjebel Rosso CS ("Chiusa Spagnolo"; Nerello Mascalese 100%) is a single vineyard MunJebel from an almost centenarian, ungrafted vineyard located rather low ("only" 620 meters above the sea level). Annual production is 1,800 bottles.
  • Munjebel Rosso MC ("Monte Colla"; Nerello Mascalese 100%) is a single vineyard MunJebel from a very steep, terraced vineyard located at the altitude of 760 meters, where vines with 70 years of age are cultivated. Annual production is 1,800 bottles.
  • Munjebel Rosso PA ("Porcaria"; Nerello Mascalese 100%) is a single vineyard MunJebel from a vineyard located at the altitude of 640 meters, where the grapes often struggle to reach optimum level of ripeness. Annual production is 1,800 bottles.
  • Magma is the legendary flagship wine of Frank Cornelissen, produced only in the best vintages. Previously it has been produced from a variety of vineyards, but now it is produced from a single Barbabecchi vineyard, located at the altitude of 1,000 meters above the sea level, where ungrafted, centenarian vines are cultivated. Only the best, hand-selected, ripe (but not overripe) grapes from this vineyard go into Magma, whereas the rest are used in MunJebel Rosso. The grapes are foot-crushed and fermented in wooden containers, then moved into buried terracotta amphorae to age and finish malolactic fermentation naturally. After the MLF is finished the wine is racked off the lees and then aged in amphorae for 15 months. Annual production 1,300 bottles.
Curiously, most of the Cornelissen's wines are priced at less what their actual value should be, if production costs and all that should be taken into account. As Cornelissen realized that the MunJebel wines would be prohibitively expensive for a great majority of wine drinkers – an idea which he didn't like – he raised noticeably the price of Magma and lowered respectively the prices of MunJebel wines. The reasoning behind this was that there will always be people who can afford wines they want to drink, whatever their prices are, he could price his extremely limited flagship wine accordingly – not to make money, but instead make the rest of his production more affordable to the greater public!

***

Contadino 4
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014

A field blend of different white and red varieties, based on the vintage 2006, made completely without sulfites.

Initially cloudy, almost murky pink color with purple highlights, but quickly settles into a pale, translucent cranberry juice red color. Rather subtle, but very complex, lifted nose of leathery funk, sweet volatile notes, dried prunes, some lambic-like sourness and a hint of diethyl ether from the alcohol (15%). The nose is definitely sweet and ripe, but far from overripe and jammy. On the palate the wine is full-bodied, but unlike the nose, also bone-dry and really bracing with high, racy acidity. There are flavors of sunny red fruits, juicy figs, tart lingonberries and a hint of leather. The slightly grippy tannins are quite modest, but the high alcohol remains completely hidden. Only in the finish the alcohol becomes rather evident with quite pronounced warmth. There are long, juicy flavors of crunchy cranberries and lingonberries, some robust animal notes and hints of dusty, sun-baked earth and rocky minerality.

All in all, this wine is an interesting paradox: you'd expect something heavy and sweet by the nose, but the wine is surprisingly dry and structured on the palate. It is also quite full-bodied and high in alcohol, yet it drinks like a cool-climate Pinot Noir or Gamay with high drinkability! I'm confused, but also very charmed.

90/100
Summary: Despite being the "basic" wine of Cornelissen, there is nothing "basic" in this one! Definitely an antipole to the modern, industrial wines. Considering that the wine was over 7 years old at the time of tasting, this wine has held together remarkably well, not showing the least bit signs of tiring – or even aging, for that matter!

***

Contadino 6
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014



A field blend of different white and red varieties, made completely without sulfites. The bottle does not state the vintage, but I'd assume the wine is either based completely on the vintage 2008, or then it is a blend of 2008 and 2007.

The color is very similar to the Contadino 4 – initially cloudy, murky pink with a purple hue, but settling quickly into pale, translucent cranberry juice red. I'd say the hue of this one is a bit darker, perhaps veering slightly into brown or pomegranate. Very unique and characterful lifted nose, that feels more darker-toned than that of Contadino 4. Lots of brooding VA notes bringing aromas of cough medicine and floral "violet marmalade" (yes, I couldn't get more precise than this) that are backed up of ripe, plummy fruit, something almost porty and a hint of perfume. On the palate there is striking similarity to Contadino 4: this is full-bodied and packed with sunny fruit, not unlike an Australian Shiraz, but with poise and acidity of a cool-climate Pinot Noir. There are flavors of wild strawberries and sweet red cherries, but with some sour cherry bitterness and something that I'd describe as "malty". Although the tannins are not very ample, they are quite grippy, giving the wine stern structure along with the high-ish acidity. The finish is dry and somewhat coarse, but with delicate and persistent flavors of tart lingonberries, wet forestland, some earthy spice and again that curious hint of maltiness.

Contadino 6 is very similar to Contadino 4, but still very different by its aromas and flavors. Despite having some age to them, they are still very youthful and energetic wines – a testament to the aging capabilities of non-sulfited wines.

90/100
Summary: A bright and youthful "basic" Cornelissen wine with almost Kriek lambic -kind of character with its wild and malty notes and bracing, mouth-puckering acidity. Probably not the easiest wine to pair with food, but definitely very enjoyable with its through-the-roof drinkability!

***

Contadino 8
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014



Based on the 2010 vintage.

In the glass the wine is pale pomegranate red with some haziness; in the rims the wine is quite clear. With a little wait, the haziness settles down as sediment in the bottom of the glass and the hue of the wine turns a bit darker. The nose is more open and fruit-forward than with Contadinos 4 and 6 with very ripe and sunny aromas of sweet strawberries, floral notes of violet and jasmine, crushed forest fruits, some smoky, volcanic minerality and a hint of tree bark. On the palate the wine is quite full-bodied, but also rather tightly knit with pronounced bitterness and good tannic grip. The juicy flavor department is dominated by crunchy red berries like cranberries and goji berries, but there is also a quite prominent streak of almost jammy red fruit and a hint of sweet volatility, giving the wine a really sweet edge, almost making it appear off-dry. This sweetness is, however, offset by very pronounced, racy acidity of almost lambic-like tartness and quite modest yet somewhat angular and astringent tannins. The alcohol level is a bit lower (13,5%) than those of Contadinos 4 and 6, yet it shows through ever so slightly. The finish is somewhat warm and medium in length with juicy flavors of cranberry-driven fruit, some dusty earth and hints of slightly bitter, sooty volcanic minerality.

Overall Contadino 8 is an attractive, succulent and highly drinkable little red(ish) wine, but paradoxically this wine seems a bit hotter than Contadinos 4 and 6, even though the alcohol is lower here. This was obviously a bit sweeter than the two previous ones, but it really didn't matter, as the acid-driven tart red fruit character served as a great counterpoint to the sweetness.

89/100
Summary: It is funny how often one can hear how wines made without sulfites can't survive for long, whereas these Contadinos – the "simplest", least expensive wines in the Cornelissen range – seem to hit their stride only around 5 years of age! This is based on how this wine seemed to be a bit less complex and more awkward than the Contadinos 4 and 6 tasted right before this – although this is really nice and interesting as well, I'd say it is very slightly behind these two older efforts.

***

Contadino 9
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014

Based on the 2011 vintage.

The color is very similar to the Contadino 8, but both with a bit darker hue and with slightly less haziness. Overall Contadino 9 seems a bit more clear and less hazy than Contadinos 4, 6 and 8. Amongst these four Contadinos, number 9 is the richest and most expressive one with very fruit-forward aromas of sunny red fruit, ground green herbs, some alcohol, a little volcanic smokiness and a hint of chinotto orange (think of Campari). On the palate the wine first shows a hint of CO2 prickle, which blows away almost instantly. Flavor-wise Contadino 9 seems a lot more youthful than the three earlier iterations with quite juicy, succulent and even a bit sweet flavors of wild strawberries, tart cranberries and a hint of malt. The acidity is quite high, keeping the sweetness and structure in check, but compared to the earlier Contadinos, the acidity seems slightly lower than what is normal. The wine is moderately high in tannins, giving the palate some chewy texture and also a hint of astringency, that offsets the sweetness nicely. 15% of alcohol stays away nicely. The finish is dominated by rich, sunny red fruit flavors with hints of alcohol warmth, some tart lingonberry character and a little hints of leather and animal. However, there seems to linger a slight note of mousiness towards the end of aftertaste, giving the finish a slightly unpleasant note.

A wild, lively and vibrant natural wine, but also a bit softer and easier-to-approach than the Contadinos 4, 6 and 8.

87/100
Summary: Definitely an interesting and unique wine, but somehow this one feels a little unpolished compared to the Contadinos 4, 6 and 8 (how on earth can wines as natural as these feel polished?) and showing some not-only -enjoyable funkiness. This is quite complex and interesting, but definitely not the best one of Contadinos. It might shed some of that excess sweetness and baby fat with some years in the cellar, so probably the wine will show better after a few more years in the cellar.

***

Munjebel Bianco 4
Vino da Tavola

Based on the vintage 2007. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

A slightly hazy, honeyed yellow color with a hint of pale brown – by its appearance this wine reminds me more of IPA beers than anything vinous. Lots of sediment in the bottle. Quite reticent nose with rather subdued aromas of ripe apricot, some matured honeyed notes, a little hint of candied orange peel and a whiff of nutmeg with an elegant, minty lift. On the palate there is an initial prickle of CO2, that dissipates almost instantaneously . Flavor-wise the wine reminds me quite much of lambic beers – not just because of this prickle, but also because of the funky and somewhat earthy, wild flavors and pronounced, high acidity. The flavors are somehow quite neutral, yet still full of power and depth – there are nuances of green apples, tart green gooseberries, some balsamico vinegar volatility, a little unripe peaches and a hint of nutty oxidation. Despite its acidity, the wine feels quite full-bodied with almost oily mouthfeel. Tannins are quite light, but they still give nice bite. The finish is quite light in flavor, but rather long and remarkably fresh with flavors of green, bitter herbs, some lambic-ish green apple sourness, faint animal hints and a touch of tart lingonberries.

At over 6 years of age, this completely sulfite-free wine is in pristine condition and full of life! Only the slightest hints of oxidation suggest that maybe the wine has some years under its belt.

93/100
Summary: A wonderful skin contact white that has already some age to it and seems to be drinking wonderfully now, although – based how the wine seemed to just evolve in the glass – I can imagine it will develop further at least for a handful of years. Decanting is recommended; not only does the wine become more expressive with air, the bottle is also packed with deposit. All in all, this is not an easy wine, but instead one that has more in common with gueuze lambic beers than a great majority of modern white wines. Some might consider this wine faulty and undrinkable, but for me, this was a thoroughly tasty and refreshing experience. Recommended for acid-loving adventure-seekers.

***

Munjebel Bianco 7
Vino da Tavola



Based on the vintage 2010. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

By its appearance Munjebel Bianco 7 is almost identical to Munjebel Bianco 4: this is as hazy yellow with a similar pale brown hue. Decanting recommended due to the big amount of sediment. However, nose-wise Munjebel Bianco 7 is completely different: this wine is quite expressive and rather funky with somewhat waxy aromas of peach, farmhouse cider, some herbal thyme notes, a little pepper-driven spice, some volcanic smoke, a little of chinotto (think of Campari) and a slightest hint of honeyed dessert wine notes. With some air, the nose gains even further complexity, starting to exhibit nuances of fresh tomatoes and slight vinegary VA, giving the nose a slightly ketchup-y tone. The nose department is so complex it feels almost silly and you really don't want to move on actually drinking the wine – not because the nose would be off-putting, but because it is so interesting you just want to keep sniffing the wine! On the palate the wine is – like so many Cornelissen wines are – bone dry with bracing acidity. There are flavors or really tart Granny Smith apples, some whitecurrants, light grapey hints of Sultana, a little saline minerality and a slightest touch of cherry-driven red fruit. The finish is really refreshing with very high, mouth-puckering acidity and with gueuze lambic-like flavors of whitecurrants, aromatic green herbs, some wet stone minerality, a little green apple and a hint of coarse bitterness. The bright and crisp aftertaste persists for moderately long.

The white Munjebel 7 seems to be a lot tighter-wound, rougher in the edges and overall more youthful than Munjebel Bianco 4 – although without the CO2 prickle. Probably some age would soften the wine a little bit and bring some more complexity to it.

91/100
Summary: Overall this is remarkably fresh and charming a wine, but probably quite hard one to approach as well; after all, this wine is mainly about acidity and structure with very little of anything fruit-related. Probably this wine will suit best the fans of lambic beers. Judging how the Munjebels are capable of aging, I could see this wine benefiting from 4–5 more years in the cellar.

***

Munjebel Bianco 8
Vino da Tavola

Based on the vintage 2011. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

By its appearance this wine is a bit more pale than Munjebel Biancos 4 and 7; if these two previously tasted wines looked more like IPA beers (without the head), this wine looked more like a Belgian tripel beer (also without the head). Whereas the aromas of Munjebel Biancos 4 and 7 were more restrained and herbal, this wine is more expressive and fruit-forward with aromas of bruised apple, peach, some pithy grapefruit and a hint of passion fruit, with some volatile, minty lift and something resinous, reminding me of new world hops. With some air, faint nuances of wildhoney and autolytic brioche emerge. By the nose one might expect the wine to be very ripe and full-bodied; instead it is lithe, bone-dry and bracing in its high acidity. Although the flavors exhibit generous tropical fruit aromas, they still feel austere and mouth-puckering, supported by notes of herbal greenness, freshly pressed apple juice, some bitter orange peel, a little bretty leather character and a tart hint of something like Weissbier. The light tannic grip further emphasizes the already tightly knit structure of the wine. The aftertaste is really crisp and tart with intense flavors of green apples, dried herbs, tart passion fruits, some wildhoney and bitterness that turns towards something malty and slightly nutty in a slightly rancid kind of way, maybe a hint of mousiness going on here?

Whereas the white Munjebels 4 and 7 were quite lambic-like, this wine seems to diffuse that line between white wines and beers even further, not just being really tart in a lambic-kind of way, but also showing some malty characteristics more reminiscent of some wheat beer than white wine! Although some of that malty character turns to slight roughness towards the end of the aftertaste, making me wonder whether the wine is suffering from a mild case of mousiness?

92/100
Summary: Mousy or not, this wine is an extreme wine by any standards – and extremely tasty at it! Most likely this is not a wine for most of wine drinkers, because understanding this wine fully requires you not to understand just natural wines, but also appreciate Belgian sour ales and dry farmhouse ciders. I can understand that because of these characteristics many people can deem this one outright faulty, but maybe this is like a clever pun – some people just don't get it. With its fruit-forward aromas and flavors, Munjebel Bianco 8 is more approachable than many other, less fruity iterations, but still I wouldn't consider this easily approachable wine. This is an adventure and experience of the extreme sort.

***

Munjebel 4
Vino da Tavola



Based on vintages 2006 and 2007, blended together. Aged in underground clay amphorae.

There is more than an inch of deposit in the bottom of the bottle, thus the wine is decanted carefully into a decanter. The color is translucent, medium-deep pomegranate red. Quite restrained, but really attractive nose full of character: initial aromas of sour cherries, sweet maraschino cherries and red fruit preserves, with more nuanced hints of dried flowers, sun-baked earth, pungent volcanic smoke notes, a little pipe tobacco and a lifted touch of ginger underneath. Like so many times before, the nose and the palate are at odds against each other: even though the nose is sweet and juicy, the wine is however bone-dry, bitter and tightly-wound on the palate with the purest of flavors of sour cherries and tart cranberries on the fore, followed by notes of sun-baked earth, stalky and woody herbal notes and hints of minerality. The mouthfeel is quite full-bodied, but also very well-defined and muscular, thanks to the high acidity and pronounced tannins. However, the midpalate seems to lack some intensity to balance out the full body – it feels as though the wine is a big, lean and robust framework, which is filled only halfway through by the rather austere fruit. Despite its quite light flavors, the 14% of alcohol remains perfectly hidden. The finish is very grippy and almost unforgiving with its pronounced herbal bitterness, astringent tannins, very tart lingonberry and sour cherry flavors and hints of vegetal greenness.

Munjebel 4 shows lovely focus and purity, and it also is a lot less rustic and "wild" than many other Cornelissen wines with focus on pure, sour cherry-driven fruit and racy acidity. However, the wine feels like it is lacking a bit intensity, thus making the wine feel a bit out of balance.

89/100
Summary: Despite its great focus and purity, the wine lacks a little power and oomph: even though the flavors have laser-like precision, it feels they don't show the intensity one would expect from a wine like this. Even though the wine doesn't show any bit of tiredness or oxidation, the fruit might has diminished a bit, leaving behind a wild Etna red that is more about just structure without much fruit. Although Cornelissen wines tend to age tremendously well (especially considering they contain no sulfites), I wouldn't hold on to this much longer. Drink up.

***

Munjebel 5
Vino da Tavola



Based on vintages 2007 and 2008, blended together. Aged in underground clay amphorae.

There is more than an inch of deposit in the bottom of the bottle, thus the wine is decanted carefully into a decanter. The color is clear, pale pomegranate red with almost colorless rims; by its appearance this is obviously lighter in color than Munjebel 4. The nose is not that expressive, but instead quite complex, expressing aromas of sweet, sunny dark cherry aromas, cherry marmalade and some bretty farmyard funk. Also the alcohol (14%) shows a little. On the palate the wine is quite intense, vibrant and sinewy with bone-dry flavors of raspberries, sour plums, tart red fruits and very acid-driven lingonberry brightness. Underneath all that red and dark fruit, there is some complex spiciness and bitterness from the rather prominent tannins. The wine seems a bit smaller than Munjebel 4, with only medium-bodied mouthfeel, but also showing more power and robust character with great balance between the fruit, the body and the structure. The finish is not that long, but it is clean as a whistle with mouth-cleansing acidity and intense, vibrant flavors of tart red berries, sour cherries, some volcanic smoke and hints of complex, roasted spiciness.

Even though might one expect this one to be markedly lighter than the previous Munjebel, this one actually shows a lot more focus, balance and intensity. All in all, this is something not unlike a big, vinous kriek lambic – only without the carbonation.

93/100
Summary: A quite tightly knit, grippy and structured Munjebel with high acidity and grippy tannins, resulting in a bone-dry wine that might be quite hard-to-approach for many. As the wine still seems very fresh and youthful, more years in the cellar definitely couldn't hurt. I suggest not only giving the wine more age and decanting it carefully (because of the big amount of deposit) before serving, but also pairing it with something hearty enough to let the acidity and the tannins mellow down a bit.

***

Munjebel 6
Vino da Tavola



Based on vintages 2008 and 2009, blended together. Aged in underground clay amphorae.

Slightly hazy, pale pomegranate red color. Whereas all the other Munjebels I've had have been aroma-wise more or less sweet and fruity, the nose here feels burned, with somewhat acrid aromas of burnt sugar, smoked meat, something resinous, a little burnt rubber and a hint of sour cherry. Something must be off here. On the palate the wine is bone-dry and rather bitter with flavors of sour cherries, earthiness, peppery spice, some acrid smoke and tannic astringency. The flavors really don't feel lively and vibrant, but instead quite dull and the wine feels lacking balance with its withered fruit character, high acidity and prominent tannins. The finish is short with flavors of tart cranberries and lingonberries, some dusty earth and hints of acetone VA, giving the aftertaste a somewhat chemical feel. The high alcohol (14,5%) gives a lot of warmth to the aftertaste.

In a flight of four different red Munjebels, this definitely wasn't on par with the three others – probably there was something off with this bottle, as the wine was so very much unlike any other Munjebel. Probably the wine had been stored in not-so-optimal conditions at one point or another.

84/100
Summary: I really can't say for certain whether the wine was really off, or if this was only a bad vintage (well, two vintages), so you really need to take the score here with a pinch of salt. In this wine the nose and the palate were dominated by rather overwhelming (and not really that pleasant) smoke character and the fruit really didn't offer much challenge for the high tannins and acidity. I heartily recommend enjoying this wine with some food, just to tone down the acidity and the tannins down to the level of the fruit – although it might be that this really was an off bottle and in a pristine bottle the fruit is much more expressive and better in balance with the structure!

***

Munjebel 8 MC
Vino da Tavola



Based on vintage 2011 with grapes sourced exclusively from Monte Colla vineyard. Aged in underground clay amphorae.

Translucent, but very deep dark cherry color, giving rise to speculation whether the "MC" actually stands for "Much Concentration". The nose is not very expressive, but instead quite restrained, but also obviously more brooding compared to the other red Munjebels, that have been brighter and lighter in style – there are dark-toned aromas of dark cherries, cranberries, some wild and funky notes, a little meatiness, a hint of exotic spice and a floral whiff of violets. Alcohol (15%) shows a little, and with some air, a lifted hint of VA starts to show as well. On the palate the wine is very intense, full-bodied and concentrated; even though the wine is very bright and high in acidity, this wine is obviously heavier, more concentrated and more brooding than normal Munjebels are. There are flavors of plummy dark fruit, peppery spice, some tart lingonberry and perfumed hints of violet. Even though the wine is obviously very ripe and succulent, with almost sweet fruit flavors, it does not feel one bit too ripe or heavy, all thanks to the high acidity and rather prominent tannic bitterness. Wonderful focus, freshness, purity and energy. The high alcohol (15%) gives some obvious heat to the midpalate and aftertaste. The finish is very long, dark-toned and robust with brooding flavors of sunny plums, blackberries, acid-driven red berries and almost quinine tannic bitterness.

This Munjebel 8 MC is was very primary and extremely youthful compared to the older, regular bottlings of Munjebel. Even though the pronounced fruit character and concentration might make this wine a bit more approachable than those lighter Munjebels, this is still quite relentless in its racy acidity and firm, mouth-coating tannins. Overall this is really delicious and pure stuff that really calls for long aging.

95/100
Summary: This is obviously a lot richer and more concentrated a wine than the regular Munjebels with lots of ripe, dark-toned fruit and weight – yet the wine feels remarkably balanced, thanks to its high acidity and grippy tannins. Although very drinkable already with food heavy enough to tone down the grippy tannins, this wine seems to be mainly about aging potential – no need to open this one within the next 10 years, if you happen to have a good, cool cellar. By far the most impressive wine in our Cornelissen tasting of 11 wines.

October 27, 2016

Côtes du Marmandais and Abouriou

Bordeaux still seems to enjoy its status as the sovereign of the quality wines (although Burgundy seems to be challenging the status quo vintage after vintage). But as the prices of the best Châteaux of Bordeaux have risen above the monetary pain threshold of normal consumer, people have started to turn their focus away from Bordeaux in search for more affordable alternatives – to the dismay of the Bordelais. Some people have realized that you can find tremendous value from the "satellites" of Bordeaux – those small, relatively unknown appellations outside the esteemed four-piece heart of Bordeaux, Médoc, Graves, Saint-Émilion and Pomerol – whereas others have given up Bordeaux completely in favor of other wine regions more in vogue. After all, Bordeaux has not been "trendy" for a few decades, no matter how valued their best wines might be.

The region most people forget when thinking outside the box that is Bordeaux, is Le Sud-Ouest, the southwest corner of France. Sure, many people might recognize the best-known appellations of Cahors or Madiran, but this vast region is teeming with small, completely unheard-of little appellations, many of which make – and have been making for decades, if not centuries – very Bordeaux-like wines of both tremendous quality and value. In modern times, when it is harder and harder to differentiate Bordeaux wines from similar style of wines made in, say, Napa Valley or Western Australia or Colchagua, it is always really nice to taste wines that actually speak of the place; wines you can instantly recognize that are coming from Bordeaux or very nearby. Although there are many producers making really bland and boring modern wine with no real character in the Southwest France, there are still lots and lots of producers making wines that are not about extended hang time and excessive new oak, but instead bright fruit, good structure and terroir. If you are looking good but affordable alternatives to Bordeaux, Côtes du Marmandais is one terrific region that comes into my mind.

Côte du Marmandais

As a wine region, Côtes du Marmandais is a curious one: of its 1300 hectares of vineyards, the local co-operative, Cave du Marmandais, owns well over 90% via its growers; the remaining 100 ha are shared by some 10 small growers – many of them considered to be among some of the best producers in Southwest France. This aforementioned co-op, however, is not one set on churning anonymous bulk wine, but instead quality wines of real character. Unlike many other co-operatives, Cave du Marmandais actually allows its members to vinify their grapes separately so that they can also produce single-grower wines in addition to the co-op's own wines.

The vineyards of Côtes du Marmandais are spread over the commune of Marmande and 26 other villages, on both sides of the river Garonne – the very same river that flows past famed Sauternes, Barsac and Péssac-Leognan appellations just 20–30 kilometers downstream. As the Côtes du Marmandais wine region borders the outskirts of Bordeaux, its presence is felt heavily in the wines that are often made from the classic blend of Cabernet Sauvignon, Merlot and Cabernet Franc with occasional Côt (Malbec) or Fér Servadou thrown in the mix. The whites – though rather rare at only 10% of the whole production – are also very Bordeaux-like with Sauvignons Blanc and Gris, Sémillon and Muscadelle. There are, however, some things that set Côtes du Marmandais apart from Bordeaux: you can occasionally encounter wines also made from Gamay or Syrah – grapes totally unheard of in the prestigious neighboring region. Furthermore, there is one special grape variety grown in Côtes du Marmandais that is very rarely found outside the region: Abouriou.

Abouriou

Abouriou is an early-ripening red variety that used to be a widely spread variety throughout the northern part of Southwest France wine region in the past, but little by little dwindled out by mid-1800's. It was thought to be an extinct variety when a breeder presented it again in the late 1800's as a chance seedling found growing up a castle wall some 40 years earlier and replanted in a local vineyard.

After its rediscovery, Abouriou planting started to grow again, reaching its high point of up to 600 hectares (1500 acres) in the mid 1900's. Currently there are about half of that left, of which a great majority planted in the Côtes du Marmandais region with some sparse plantings also in the neighboring appellations and in the Loire valley.

Abouriou, "early" in the local dialect, reflecting its tendency to ripen fully quite early, is a tannic but low-acid variety. It used to be favored for its good resistance to pests and diseases and its early ripening – the grapes could be safely picked long before unpredictable autumnal weathers arrived. Historically it was rarely used in making varietal wines, as Abouriou wines tended to be rather rustic with hard, aggressive tannins and very low acidity, resulting in unbalanced, short and dull wines with angular, astringent character. Instead, the variety fared well as a blending component – either it was used to give color and firm tannins to softer wines, or then just lighter and more acidic varieties were added to give Abouriou wines more life and to soften them a little. With modernizations in winemaking and vinification equipments, it is now possible to see 100% varietal Abouriou wines in the market, but they are still rather rare to come by, as they often are quite coarse and tannic wines.

The wines
I encountered these wines a few years ago when I was attending a small wine fair where Cave du Marmandais, the local co-operative, was presenting their wines. I was poured five different wines: three of them were single-producer wines from two members of the co-op, whose grapes are vinified separately and one a regional blend by the co-op. The final wine was a tentative one, not yet released and only labeled with a hand-written label with the text "AOC Côtes du Marmandais 2013". I didn't catch the specifics, but I have a vague memory telling me that this one was not a single-producer wine, but instead a co-op's own blended wine. Here are my notes on these wines so close to being Bordeaux, yet still worlds apart.

Cave du Marmandais Rosé 2012
AOC Côtes du Marmandais
  • Cave du Marmandais
  • Country: France
  • Region: Southwest France, Côtes du Marmandais
  • Grape(s): Merlot (70%), Cabernet Sauvignon (20%), Cabernet Franc (10%)
  • Tasted on: February 4th, 2014

Very pale, luminous pink color.

Sweet and fruity nose with pronounced strawberry notes and a hint of melon.

Dry, refreshing and quite light-bodied palate with flavors of ripe berries, namely raspberry with lighter cassis notes.

Dry, positively taut and refreshing finish with flavors of acid-driven red berries like red currants and cranberries.

85/100
Summary: An enjoyable basic-level rosé wine. Good balance, structure and refreshing character, but pretty little of any character. Tasty stuff, but nothing special to write home about.

***

Château Côte de France Rouge 2012
AOC Côtes du Marmandais
  • Cave du Marmandais
  • Country: France
  • Region: Southwest France, Côtes du Marmandais
  • Grape(s): Merlot (70%), Cabernet Sauvignon (30%)
  • Tasted on: February 4th, 2014




An organic grower wine by the region's co-operative. The grapes for the wine are sourced from Château Côte de France, run by family Simonnet – farmers in the region since 1959. This winery was founded in Beyssac, the northern end of the Marmandais region by Jean-Jacques and Francoise Simonnet, the second generation of farmers. Currently the winery is run by the 2nd and 3rd generations of Simonnet family. The production has been certified organic since 2012 and this wine here is fermented and aged completely in stainless steel.

The wine has a concentrated, youthful purple-red appearance.

The nose feels rather muted and slightly reductive at first with understated fruit and notes of gunpowder smoke. However, the reduction blows up quite quickly, revealing a lovely nose with aromas of tobacco, crushed cassis, smoke, some sour cherry and hints of red currant.

On the palate the wine feels quite dry and medium-to-moderately full-bodied. It has good focus with bright, fruit-driven flavors of cassis and red currant with some herbal notes and a hint of pipe tobacco. The acidity is moderately high, but the pronounced tannins really call for something fatty on the plate.

There are flavors of tart cranberries, sour plums, smoke and hints of cassis in the aftertaste. The wine finishes with a tightly wound and tannic note, coating and drying the insides of your mouth.

88/100
Summary: A nice, positively simple red wine, that combines lovely rustic roughness with modern, fruit-forward character. The fruit is, however, more about freshness, structure and balance, than about ripeness and extraction. I'd give the wine a few more years just to resolve the tannins a bit, but not much to keep that bright fruit alive. Let the wine breathe to blow away the reduction.

***

Château Côte de France Rouge 2013
AOC Côtes du Marmandais
  • Cave du Marmandais
  • Country: France
  • Region: Southwest France, Côtes du Marmandais
  • Grape(s): Merlot (80%), Cabernet Sauvignon (20%)
  • Tasted on: February 4th, 2014




On the paper, the newer vintage of the Château Côte de France does not differ much from the previous one, only having more emphasis on Merlot than Cabernet Sauvignon.

The wine's appearance is as opaque and concentrated as was the vintage 2012.

The dry and very intense nose does not show reduction per se, but it feels still quite smoky, with vibrant aromas redcurrant, blackcurrant and fresh red fruits.

Unlike one would expect from a wine with even higher proportion of Merlot, this wine even more tannic than the previous vintage. Though quite tough with very tightly strung tannin structure and moderately high acidity, this medium-bodied wine feels surprisingly balanced with lovely, fruity texture. That is all because of its pure, vibrant and intense fruit full of plummy sweetness, cranberry tartness and peppery spice. Even though there is some obvious ripeness to the fruit, the wine itself feels very dry with its acid brightness and mouth-drying tannins.

The wine finishes with a dry, bright and juicy aftertaste of peppery spice, redcurrants, some ripe cranberries and a hint of tart, red plums. The structured and grippy finish is quite persistent, as are the clen fruit flavors.

90/100
Summary: This wine was very much like the previous vintage, but with even more fruit, structure and intensity. Very impressive wine for a "simple" basic-level red – because of its unforgiving tannic grip, I'd let it relax some years in the cellar before approaching it again. Not the easiest of wines, but I like this very much.

***

Cave du Marmandais AOC Côtes du Marmandais 2013
AOC Côtes du Marmandais
  • Cave du Marmandais
  • Country: France
  • Region: Southwest France, Côtes du Marmandais
  • Grape(s): Merlot (70%), Abouriou (30%)
  • Tasted on: February 4th, 2014

This is the wine I had no idea what it actually is – if I remember correctly, it was not bottled / released by the time I sampled it and I was not provided an actual name for the wine. It is a Merlot-based red wine blend, where Abouriou is used to add color and tannic structure. I have nothing on the vinification.

Deep, concentrated purple color.

Deep, concentrated and fruity nose with lovely rustic character: there are aromas of red fruits both sweet and tart, some violet floral nuances and hints of leather and sous-bois.

In the mouth the wine feels rather full-bodied and very rich and fruity at first, but then come the tannins a-rumbling, drying your mouth completely and making the wine appear a lot more spicy with pronounced peppery character. There are bright and quite concentrated flavors of sour plums, ripe cherry, brambly blackberry and wild strawberry along with hints of peppery spice and leather. The acidity is rather high, keeping the wine from tasting dull or unbalanced.

The high acidity becomes even more prominent in the finish, where the concentration of the fruit disappears, leaving behind bright, dry flavors of cranberries, raspberries and sour cherries along with rustic hints of saddle leather and farmyard. The wine leaves a long-lasting, rough and very tannic aftertaste, that is not as forbidding as it is delicious.

93/100
Summary: Well, this wine might actually be more of an acquired taste – I've never been afraid of tannins, if they are in balance with the fruit. Some might say that this wine is lacking balance, with its pronounced tannic character, but I don't; the tannins might be prominent, but they don't feel excessively astringent nor any green, and I feel that with good, hearty food the wine can be stripped of most of its tannins, leaving behind a wine of lovely purity, focus and concentration. Easily one of the best and most characterful Merlot-based wines I have tasted. I just wish I knew what this wine was!

***

Château Bazin 2012
AOC Côtes du Marmandais
  • Cave du Marmandais
  • Country: France
  • Region: Southwest France, Côtes du Marmandais
  • Grape(s): Merlot (60%), Malbec (20%), Cabernet Sauvignon (15%), Abouriou (5%)
  • Tasted on: February 4th, 2014





Another one of those grower wines from the Marmandais co-operative: though produced by the co-op, the grapes are sourced from only one single supplier, Château Bazin. This winery –considered to be the crown jewel of the Marmandais co-op – is currently owned by family Simonnet, the same people who founded Château Côte de France. This winery is located in the village of Magdelaine, some kilometers away from the hamlet of Marmande, and its 9 hectares (22 acres) of vineyards are farmed organically. This particular wine is made in close-but-not-quite Bordelais fashion from a Merlot-Malbec-dominant blend (you knew that Malbec is an allowed variety in Bordeaux, right?) and aged for 12–15 months in oak barriques (one third of the barrels new, one third 2nd use and one third 3rd use).

The rich color of the wine is red-to-black opaque, most likely thanks to Malbec and Abouriou.

The nose is ripe and rich, but with a looming sense of tightly-knit structure and spice. There are aromas of dark-toned, plummy fruit, brambly blackberries, chokeberries, some savory aromatic oak spices, a hint of peppery Abouriou spice and a hint of sweeter oak chocolate.

The wine is plush and full-bodied in the mouth, but there is quite a lot of underlying, tightly wound structure to counter the opulence of fruit. Flavor-wise this powerful wine is dominated by notes of blackberries, cassis, peppery spice, some plummy dark fruit and sweeter hints of oak, but underneath these flavors there is a kaleidoscope of different nuances. The wine is high in acidity and even more so with ripe but very grippy and ample tannins.

The finish is long and complex with rich, savory and slightly bitter flavors of blackberries, blackcurrants, peppery spice, leather, some sour plums and hints of cloves and dark chocolate. The grippy, somewhat astringent tannins add much to the power and intensity to the aftertaste.

93/100
Summary: This is really an impressive red, easily overshadowing many of the better Bordeaux reds from the vintage 2012 – but still I am not sure whether I like the mysterious "AOC Côtes du Marmandais" red more. This is flavor-wise more "classic" Bordeaux-style wine with more spicier, more brooding and more concentrated character, whereas the previous one was definitely something more unique, speaking more about the unique local style than something Bordelais. This, however, is only a matter of personal preference – both of these wines were tremendous examples of the local style and they definitely had one thing in common: the tannins. Just like the previous wine, also Château Bazin requires something really heavy on the plate to soften up the wine. If I had this wine in my cellar, I'd let it sit for at least 10 years before planning on opening it – not because it wouldn't be ready now, but because the wine just shows incredible potential for cellaring. The current vintage (2013) is now selling at 14,95€ at the winery, making this wine a real bargain.