Showing posts with label 2011. Show all posts
Showing posts with label 2011. Show all posts

September 14, 2017

Juhfark

One of the greatest treasures of Hungarian wine is one that is not very well-known outside the Hungarian borders. No, it's not Tokaji wine – that is probably the greatest treasure in Hungary, but you have to remember that it is also a Slovak wine as well, as the borders of the Tokaj wine region extend to Slovakia as well. The wine I have in my mind is instead something very Hungarian, but also something so scarce you might have difficulties finding it – even in Hungary!

This treasure I speak of is – of course – Juhfark! That spectacular white grape variety that holds its spiritual home in the Somlói hills, capable of producing some stunning, world-class wines!

Juhfark, you say? Somló? Uh-huh. I think a little introduction might be in order here?

Do you know why the Rieslings from Rangen Grand Cru are so much more tightly-knit than those of other Grands Crus of Alsace? Do you know why Soave Classicos feel so much more focused and mineral compared to the wines from the surrounding Soave region? Do you know the saline tang in Canary Island wines or the Assyrtikos from Santorini? Do you know that piercing texture you can find in reds and whites of Etna? These aforementioned characteristics have very little to nothing to do with the vineyard slope, grape clones or winemaking techniques. What is the common denominator in these regions is the volcanic soil: vines grown on volcanic soil just tend to produce grapes with much more mineral, acid-driven and tight-textured – at times even austere – character.

Nagy-Somló or just Somló (pronounced shomlo) is one of the rare spots in Europe – along with the aforementioned regions – where you can find vines planted on purely volcanic soil. This wine region consists mainly of a dome-shaped hill, Somlóhegy, rising in isolation from the vast expanse of Pannonian plain like a colossal (1,5 km long; 1 km across) potato cut in half. This is because millions of years ago the basin, in which this hill is located, was a shallow Pannonian Sea and what currently is the Somló hill used to be an underwater volcanic vent, spewing volcanic matter out from the earth. What little geological contours the seabed – or the plain that followed as the sea dried up – have eroded away with time, but the harder volcanic soil of Somló has resisted erosion, still rising more than 400 meters above the surrounding plain. There are also smaller volcanic hills of Sághegy and Kissomlyó nearby that belong to the Somlói wine region, but all the wine produced in these lesser-known hills is sold through cellar doors and consumed locally.

Vines have been cultivated on the Somló hill for close to 2000 years with documents describing specific grape varieties to the region dating back to the 8th century, so the reputation of the wines from this unique region isn't exactly a new thing. The vines are planted all over the hill, with the southern vineyards getting more sun exposure, producing fleshier wines, and the northern vineyards producing lighter and more acid-driven wines. The region currently consists of no more than 820 hectares (2050 acres) but these vineyards are farmed by a whopping 1200 farmers – a huge number of them only very small producers, selling their crop to the bigger producers. The biggest producers here are Kreinbacher (40 ha / 100 acres) and Tornai (50 ha / 125 acres), together owning more than 10% of the plantings in Somló and purchasing grapes from a further 20-40 ha farmed by local small growers. Out of the more than a thousand growers, there are only some 50 who own more than a hectare (2,5 acres) of vineyards and only 42 are actually registered to sell bottled wine.

Historically there have been numerous grape varieties grown on the Somló hill – up to 46 different varieties – and the traditional way of making wine was to make precisely calculated, interplanted field blends of these different varieties so that a vineyard could consist of up to 40 different varieties per hectare. The old-school way of making so-called Somlai Bor was to harvest these field blends together and age the resulting wine for a long time (several years) in large oak vats. However, this style was lost upon the arrival of phylloxera and the remaining local varieties were lost forever when the remaining vineyards were uprooted under the communist rule and replanted with higher-yielding varieties. Today most of the low-quality varieties have been once again uprooted and replanted with the varieties traditionally grown in the region: Furming, Hárslevelű, Olaszrizling, Tramini, and – our theme variety of this post – Juhfark.

Juhfark (yuh-farck) is said to be one of the rather few varieties that are capable of expressing the terroir remarkably well, along with such classic (and often very mineral and high-acid) varieties such as Chenin Blanc, Nebbiolo, Pinot Noir and Riesling. It is hard to say how true this is, as there are only 170 hectares (430 acres) of Juhfark in existence, a great majority (150 hectares / 380 acres) of that in Hungary, with a lion's share located in Somló. This means that Juhfark might be very terroir-specific variety, but finding any Juhfark outside the terroirs of Somló for a comparative tasting can turn out to be a most difficult task. However, if the Juhfarks of Somló, aka. Somlói Juhfark are considered to be the best examples of this variety, I really don't think there is no need to really search for examples from elsewhere.

What makes these wines so unique is the aforementioned volcanic soil of Somló, which gives the wines both high acidity (which is evident if compared to the duller, lower-acid wines made from the grapes grown in the plains around the Somló hill) and very noticeable mineral character, giving the wines of Somló – especially Juhfark – tremendous structure and stunning aging capability. Although Hungarian white wines can often be high in acidity, this is all too often the result of a very early harvest. Instead in Somló, the grapes can be harvested much later, resulting in wines which have higher potential alcohol, higher level of ripeness and much more body with no loss of acidity. This, combined with the traditional – sometimes even quite rustic – winemaking practices, even including some degree of skin contact, can lead to wines with lots of power, mineral bitterness and noticeable amount of dry extract. These kinds of wines can be forbiddingly harsh and robust while they are young, but they often come together if given enough cellar age. It is no wonder that Somlói wines were so popular centuries ago: wines with this much structure and acidity could actually survive transportation across Europe, whereas the other Hungarian white wines could barely survive transportation beyond the neighboring village. Historically the traditional Somlói wine was one that was aged for years in old oak casks (still before the World War II the minimum aging dictated by the law was 5 years in oak) which not only contributed to the body and richness of the wine, but also gave them good defense against premature aging through slow, controlled oxidation. Such long aging regimes most likely gave the wines slightly oxidative – perhaps even a bit Sherry-like – character, but also tremendous cellaring potential. Unfortunately such wines are not made any longer, as stainless steel tanks and small, new oak barrels have replaced the big oak casks and the long cellaring is now at the hands of the consumer, not the producer.

Finally, a few anecdotes about Juhfark before moving on to the wines. First of all, "Juhfark" translates to "sheep's tail" – this is because the conical grape bunches supposedly are reminiscent of a sheep's tail. Secondly, the Somlói wine – and Juhfark in particular – have been thought to have various medicinal properties including help for blood pressure or stomach problems. The wines are also widely known as "wedding night wines" because of the belief that the wine helps in conceiving a baby boy.

Here is a small selection of different Juhfark wines that I have tasted, in no particular order:

Royal Somló Nagy-Somló J 2011
  • Royal Somló
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 5900 HUF (19,15€) / 0,75
  • Tasted on: 16th of September, 2016
The Royal Somló winery was founded in 2006 by Omar and Peter Csizmadia-Honigh when they purchased a 1 ha (2,5 acres) plot on the southern slope of Somló. Although these two Dutch-Hungarian guys live in London, they help with the viticultural tasks when needed. The winery itself is run by Peter's father, Károly Czismadia, who takes care of the winery and the vineyards year round. The Juhfark plot they own is still quite young and normally it produces enough fruit for 500-1,500 bottles of wine. However, in less-than-optimal vintages no wine is released. The winemaking is pretty hands-off and natural in style.

The "J" in the name stands for Juhfark. The grapes are normally harvested between late September and mid-October, depending on the vintage – in 2011 the grapes were harvested on 24th of September. The must had brief skin contact after the crush, followed by a transfer to three, old neutral oak barrels of 800, 630 and 150 litres, in which the wines were fermented with natural yeasts. The wines were bottled in July 2012, after 10 months of barrel aging.

Slightly grassy neon-green color.

Steely, green and somewhat vegetal – even musty – nose with somewhat funky aromas of beet, sheepish and slightly Chenin-esque notes of lanolin and wool socks, some unripe green apple and a vague hint of something waxy. Overall the nose doesn't feel that attractive.

The wine is surprisingly light-bodied, lively and vibrant on the palate, yet showing surprisingly much richness and concentration, contradicting the overall light feel of the wine. There are really bright and youthful, yet still quite neutral flavors of steely minerality, ripe green apples, some bitterness, a little bit of leesy yeast character and a hint of pithy grapefruit flesh with an overarching streak of woolly lanolin. Overall this kind of wine epitomizes the mineral neutrality of Somlói wines.

The finish is long, juicy and somewhat neutral with a woolly lanolin note and flavors of tangy green apples, steely minerality, wet stones, some smoke and a hint of bitterness.

Even though Royal Somló is a newcomer in the Somló wine scene, their wine is pretty much a typical example of Somlói Juhfark: the wine is steely, very mineral and somewhat very neutral while still being almost an antithesis to austere, with its obvious sense of concentration. What's noticeable, though, is that even after 5 years the wine seems very youthful with some noticeable sense of concentration.

86/100
Summary: Despite being a very classic, structured and mineral example of Somlói Juhfark, I was pretty put off by those rather sheepish aromas of lanolin and wool socks. In Chenin Blancs they can be quite attractive, but I've had some older Chablis wines with that same note and it can be quite off-putting is it too prominent. It really didn't make this wine unapproachable, but it certainly detracted from its enjoyability. This is a good wine, but definitely not in the top tier.

***

Spiegelberg Nagy-Somlói Juhfark 2012
  • Borpince István Spiegelberg
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 5900 HUF (19,15€) / 0,75
  • Tasted on: 16th of September, 2016
István Spiegelberg is as unique a producer as you can find in Somló. In his previous life this German-born Hungarian fellow was a DJ and a test driver for BWV. In 1993 his parents bought a farm in Somló for a summer cottage and Spiegelberg started making wine from the grapes grown on the property for a hobby. However, in 2007 Spiegelberg moved from Germany to this old farmhouse (with 2 hectares (5 acres) of vineyards but no electricity or running water) for good, just to make wine. He has studied under Béla Fekete, the Grand Old man of Somló, and makes his wines in somewhat similar ways: Spiegelberg's wines are made in a very non-interventionist fashion in Hungarian 500-liter oak barrels. The wines are fermented spontaneously with the aid of natural yeasts and aged for a long time in these oak barrels. The long aging period is pretty much a requirement, as Spiegelberg aims for a dry style, but as his cellars are cool and the natural yeasts can be finicky, the fermentation times can sometimes go well into spring, even take a whole year. During the aging Spiegelberg plays Gregorian chant music for the wine 24/7, as he believes this benefits the wine.

True to Spiegelberg's tyle, this wine is fermented with natural yeasts and aged for some 16 months in used 500-liter Hungarian oak barrels to the tunes of Gregorian chant music. 12,4% alcohol, 1,4 g/l of residual sugar and 5,1 g/l acidity. Only 1330 bottles produced.

Pale lemon yellow color.

Ripe, rich and perfumed nose with attractive, juicy aromatics of sweet florals, beeswax and some understated exotic fruit – yet the nose seems to suggest high acidity, cool climate and steeliness.

Ripe, rich and succulent in the mouth with flavors of lemon marmalade, steely minerality, some sweet exotic fruits, a little salinity, hints of honeydew melon and a touch of white peach. Quite full body with lots of intensity, moderate acidity and almost oily mouthfeel.

Quite long and lively finish with sweet flavors of ripe apple, some honey, hints of exotic spices and a touch of salinity.

A delightful, concentrated example of Juhfark from a warm vintage – and it shows. This wine is almost atypical in its abundance of ripe, sweet and yellow fruit in the stead of high acid and minerality. Yet these more austere characteristics show as well, giving the wine impressive structure and freshness. Still I can't help but thinking that this wine would be even more attractive with less ripeness and higher acidity.

92/100
Summary: Drinking wonderfully now, this wine will keep easily for some years – probably even for a decade. Worth its price at 19€, recommended.

***

Tornai Top Selection Grófi Juhfark 2013
  • Tornai Pincészet
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 4600 HUF (14,93€) / 0,75
  • Tasted on: 16th of September, 2016
At 50 hectares, Tornai is the biggest producer of Somlói wines. Founded in 1946, it is one of the very few private wineries to survive the communist rule. Often Tornai's wines are described as being very well-made and balanced, but perhaps a bit commercial and, thus, uninteresting if compared to the more traditionalist examples offered by the smaller producers. Tornai produces numerous varietal and blended wines at various tiers of quality; this Top Selection Grófi Juhfark is their flagship Juhfark wine produced only from their best Juhfark plot in minuscule quantities. The vintage of 2013 produced quite weighty and concentrated wines in Somló; this wine is rather powerful at 14,76% alcohol with 7,8 g/l of residual sugar and 7,6 g/l of acidity. The grapes were harvested as late as the end of October and the wine was aged for more than a year in 500-liter oak barrels. Bottled in early March 2015. Total production 3,650 bottles.

Medium-deep yellow color with faint green highlights.

The nose feels quite powerful, concentrated and complex with layered, kaleidoscopic aromas of star fruit, ripe peaches and apricots, stony minerality, some trebly vegetal overtones, a little bit of waxy character and creaminess from the barrel aging, light tropical fruit characteristics (that remind me of Austrian Zierfandler and Rotgipfler wines), a hint of nuttiness and a touch of sweet smoke. An impressive mélange of aromas.

The wine feels – as one would expect – rich, full-bodied and weighty with concentrated, almost chewy mouthfeel and intense flavors of stony minerality, star fruit, sour yellow plums, some nuttiness, a little bit of bright citrus fruits, a hint of dried pineapple and a touch of saline tang. Despite the oak aging, the wine really does not taste of oak; the barrel seems to have granted the wine lovely creamy and nutty undertones without becoming too overwhelming. True to the variety, the wine is remarkably high in acidity and, thus, very structured – despite coming across as noticeably ripe and weighty.

The finish is lively, long and rich with quite waxy character and complex flavors of stony minerality, dried apricots, some sweet smoke, a little bit of blood orange and a hint of nutty spice.

Although Tornai might get bad rap for making reductively made commercial and fruit-forward wines, this is anything but. The waxy, ever-so-slightly oxidative and impressively weighty flavors of the wine show perfectly how Juhfark can get very ripe yet still retain very impressive acid structure that shows no signs of faltering under such weight.

93/100
Summary: Although there are some delicate tertiary characteristics in the wine, the wine is still now, at 3 years of age, still a baby and obviously a long way away from its apogee. With its rich, weighty fruit, bright acidity and a balancing touch of residual sugar, it is easy to promise good aging potential for the wine. Expect this one change into something very Burgundian with a volcanic twist after 7-10 years of cellaring. Quite expensive for a Somló wine at 14,93€, but still a steal. Very highly recommended.

***

Fekete Somlói Juhfark 2009
  • Fekete Pince
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 6500 HUF (21,10€) / 0,75
  • Tasted on: 26th of August, 2016
Béla Fekete, born in 1926 and over 90 years old at the time of writing, is considered to be the godfather of Somló. He has been making wine since the late 1960's from purchased must and running his own winery since the early 70's, always with traditional methods. He has both increased his vineyard holdings (now at 3,5 hectares / 9 acres) and changed a bit his winemaking techniques with time – for example by introducing stainless steel tanks to the winery – but never at the expense of the classic style of his wines. The key characteristics of his wines are late harvest, natural fermentation and long aging regimes. Fekete made practically all the vineyard work by himself, only occasionally getting help from his son, until he retired in 2014 and sold his winery to three promising producers who have no intentions of changing the style mastered by Fekete.

The wine is made from specially selected grapes which are fermented spontaneously in old 1100-liter Hungarian oak casks with the help natural of natural yeasts. The wines are racked off their lees and left to age in these casks for 18 months, after which they are transferred to stainless steel tanks to avoid further oxidation and aged for a further 18 months. The wines are released to the market 3½ years after the vintage. 13,1% alcohol; 0,3 g/l of residual sugar; 5,7 g/l acidity; pH 3,22. Total production 4220 bottles.

Medium-deep golden yellow color.

Ripe, opulent and concentrated nose, although showing a light undertone of something green and grassy. Although the nose is more nuanced and subtle than intense and expressive, the overall feeling you get is very aromatic with really complex aromas of honeydew melon, ripe apple, some wizened yellow stone fruits, a little sappy greenness, a touch of dark cherry and a hint of mature oxidation giving the bouquet a slightly nutty edge..

The nose creates expectations of a big, full-bodied and heavy wine, but on the palate the wine is – as Juhfark so often is – ridiculously mineral and tightly-knit with piercing steely character, quite noticeable bitterness and bracing acidity. There are intense flavors of dried peach, iron, some stone dust, a little bit of aged waxy character and a hint of saline tang. The juicy flavors contrast the tightly-knit texture very nicely, although they get pretty much overwhelmed by the racy acidity and minerality.

The finish is really crisp, steely and sharp with pronounced, electric acidity and tangy flavors of stony, volcanic minerality, lemony citrus fruits, a little bit honeyed beeswax and hints of dried stone fruits.

A textbook example of a volcanic wine: the wine is a real acid powerhouse and almost quinine in its steely, mineral bitterness. However, very sharp and tightly-knit it may be, the wine still isn't austere and undrinkable. On the contrary, the ripeness and sense of concentration balance the structure very nicely – although the acid and minerality are still in the lead for now.

95/100
Summary: True to the Fekete style, this wine is still almost forbiddingly tightly wound and structure driven – even at almost 7 years of age – and will need years more to realize its full potential. This is something like drinking a 1er Cru Classé Bordeaux or a Champagne Prestige Cuvée right after it is released; it might be interesting, but you can get only a tiny glimpse of the potential the wine holds. If you really want to understand the Fekete wines fully, you need to start stocking them now and start drinking them not earlier than a decade into the future. These wines are spectacular, but definitely not for instant enjoyment.

***

Fekete Somlói Juhfark 2011
  • Fekete Pince
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 3500 HUF (13,36€) / 0,75
  • Tasted on: 16th of September, 2016
This wine is one of the last vintages ever made by Béla Fekete, the Grand Old Man of Somló. The wine is made from specially selected grapes which are fermented spontaneously in old 1100-liter Hungarian oak casks with the help natural of natural yeasts. The wines are racked off their lees and left to age in these casks for 18 months, after which they are transferred to stainless steel tanks to avoid further oxidation and aged for a further 18 months. The wines are released to the market 4 years after the vintage. 14,56% alcohol; 2,5 g/l of residual sugar; 5,7 g/l acidity; pH 3,55. Total production 3950 bottles.

Medium-deep yellow color with faint green highlights.

The nose is ridiculously complex with a stunning array of aromas, ranging from ripe and sweet notes of dried stone fruits, pineapple, banana and apricots to more complex aromas of smoky volcanic character, rhubarb jam and light hints of mushroomy earth.

Contrasting the sweet nose, the wine feels ridiculously tightly-knit, stern and mineral on the palate with bracing acidity and piercing steely minerality. Despite its harsh and almost austere texture, the wine still feels obviously very ripe with slightly oily mouthfeel and somewhat concentrated flavors of dried peach, green apples, subtle and complex spiciness, a little bit of salinity and a hint of candied lemon zest. The wine feels as tight as a piano wire.

Just like the midpalate, the finish is as steely, mineral and tightly-knit with austere texture and contrasting flavors of ripe yellow fruits, some beeswax, a little bit of ripe citrus fruits and a hint of saline tang.

You can often read how Fekete Juhfarks can be forbiddingly austere, rustic and almost aggressive when they are young, but you really have to taste one to believe. And they sure are. The wine is a stunning juxtaposition of acid-and-mineral-driven freshness and ridiculously complex, weighty ripeness. Even though it is quite hard to appreciate a wine this tightly wound, it doesn't take a genius to realize there is something otherworldly here.

95/100
Summary: This is a stunning wine by any standards, but it is and will be unapproachable for years. A wine like this needs years – perhaps even decades – to unwind, let the structure resolve and release the tertiary notes underneath. If opened now, the wine will need copious amounts of decanting to coax some fruit out. In a nutshell, this is one of the greatest Hungarian dry wines I've ever tasted, but will need extended cellaring to fully realize its potential. Ridiculous value at only 13,36€.

***

Kolonics Pinceszet Somlói Juhfark 2013
  • Kolonics Pinceszet
  • Country: Hungary
  • Region: Nagy-Somló
  • Grape(s): Juhfark (100%)
  • Price: 3200 HUF (10,35€) / 0,75
  • Tasted on: 22nd of March, 2017
I really had hard time looking for information on Kolonics, because the winery's home pages tell so very little. Basically all I could find out that this is a family winery, led by the 4th generation grower Károly Kolonics, they cultivate 3 hectares (7,5 acres) – of which 0,5 hectares (1,3 acres) is Juhfark – and they produce their wines in the traditional way: fermenting the wines with indigenous yeasts and aging them for prolonged periods of time (up to 3 years) in old oak and acacia barrels.

Apparently Kolonics makes several different bottlings of Juhfark – based on the information found on their website – but I really found no other way to distinguish these wines from each other, other than the faint, vertically repeating pictures left to the text in the bottle's label. I didn't find any information on how the wines differ from each other. This wine has 13% of alcohol and it was served blind to me.

Quite intense lime green color.

The nose is definitely characterful, yet also somewhat stuffy, with most curious aromas of steely minerality, lanolin, some wet wool socks, a little bit of wizened yellow fruits, a hint of spices and a touch of lager beer-like herbal character. First I think that this might be older Chenin Blanc or Chablis (the wool!), but then I remember that Royal Somló wine I had had a year earlier.

The wine feels medium-to-moderately full-bodied, powerful and remarkably concentrated with intense flavors of steely minerality, wool socks, wet stones, ripe apples, some dried peach and a hint of smoke. The wine is bone-dry and rather high in acidity. At this point I'm fairly sure this is Juhfark, because so very few Chenin and Chablis wines can reproduce such power and concentration – the odds are for Juhfark.

The finish is crisp, intense and very acid-driven with long flavors of stony minerality, some dried peach, a little bit of sandy soil and a hint of creaminess suggesting oak aging.

My first guess was correct: I said that this is pretty likely from Hungary, most likely from Somló and quite certainly a Juhfark, if my previous guesses were correct. The person who presented me this wine only said "correct", and seemingly unsurprised, revealed the bottle to be this Kolonics Juhfark. The other people, on the other hand, went completely wild on my deduction, because their guesses had been all the time completely wrong and, to add to their surprise, they had never heard of Somló, let alone of Juhfark.

88/100
Summary: All in all this wine is very similar to the Royal Somló J 2011 I mentioned earlier – only this time the woolly notes weren't as dominating and the wine came across more complex, balanced and interesting. Still I'd say that this wine was far behind those greatest Juhfarks I've had – although it might be just a matter of age. So many producers say Juhfark is not a wine meant to be enjoyed young, so maybe this was just too young and in dire need of cellaring? If I had a bottle of this, I'd play it sure and open it not earlier than after 5 more years of further aging.

Our tasting of Somlói wines; three Juhfarks to the fore.


If these wines didn't say it clearly enough, Juhfark has been a true revelation to me. I had been hearing a lot of positive things about this rare, magical variety for many years, but it wasn't until in 2016 when I finally got to taste one! Well, several.

However, as it is often said about Juhfark, it truly seems like a variety that really needs age. Based on the examples above, when young, the less impressive examples of Juhfark can be quite austere in their pronounced, stony minerality so that they offer very little enjoyment, whereas the better examples tend to be so freakishly tightly-knit and structured that they can be quite forbidding and aggressive. Although the styles can differ from wine to wine, all the wines seem to share some common traits: rather high acidity; very pronounced mineral character; and texture and structure that really screams for cellar aging!

After having tasted through these different wines I'm all the more convinced that I need to start sourcing some Juhfark bottles into my cellar and start aging them patiently. These wines finally showed me a world I had heard of before and now I need to go deeper and see what it really has to offer! Seeing how hard it is to find even young Juhfark wines, I really don't expect to come across an aged bottle – that's why I need to start taking some action if I ever want to taste an older Juhfark myself.

I strongly recommend you to follow my example.

August 20, 2017

Vertical of the month: Duc de Larsan Madiran 2005-2011

I hope my post on Tannat is still fresh in your memory! (If it isn't, you can always read it from here.) This is because this post is again on Tannat, that wonderful tannic monster from the Southwest France. This time, however, I'm not going to delve deep into the history of this grape variety nor discuss about the different styles it can be made into. Instead, as this is another one of my Monthly Vertical posts, I'm going to look into the specific Madiran wine Duc de Larsan and how it can stand up to the test of time.

First, a foreword. Duc de Larsan has been sold for a long time here in Finland in Alko, our state monopoly of alcohol. At approximately 10€ ($12 or £9) the wine is relatively inexpensive – taking into account that the cheapest available plonk here currently costs about 7€ ($8 or £6) – which does not give much promise aging-wise. It's just a lowly entry-level Madiran wine made by a huge (owning 1,400 hectares / 3,500 acres!) producer Castel Frères and – judging by a little bit of googling – its main market is most likely just Finland, because you're really hard-pressed to find any non-Finnish mentions of the wine. This also explains why there is no mention of the wine in the Castel Frères home page and why it is impossible to find any information whatsoever on the wine, bar the product profile in Alko's pages.

So, back to my original point point. Normally wines sold here for 10€ are just basic entry-level wines, only a notch above the horrendous nigh-drinkable plonk, definitely not wines that could be aged in a cellar. For the most part, these 10€ wines are meant to be drunk within the year and the best ones can age perhaps a year or two more. That's why I was surprised positively when I tasted Duc de Larsan for the first time – granted, it wasn't an outstanding wine by any means, but instead a quite typical for a French wine that's sold for 10€ here. However, it showed such high acidity and impressive tannins that I was stunned how it was possible to make such a seriously structured at that price point – normally what you'd get at that price point is either dilute Valpolicella or then just jammy, soft new world plonk where the acidity is replaced with residual sugar.

That's why I was understandably thrilled when I heard my friend had a bunch of different vintages of Duc de Larsan stashed away and offered me a seat in this vertical tasting of his. Now I could finally verify if my hunch was correct and this inexpensive little wine was actually capable of not just surviving, but actually developing in the cellar!

Duc de Larsan Madiran
AOC Madiran
  • Groupe Castel
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat, Cabernet Sauvignon
  • Price: 9,99€ / 0,75
The wine is made predominantly from Tannat, as dictated by the Appellation rules, with some Cabernet Sauvignon in the mix to soften up the wine a bit (it always cracks me up how there is a region where you can actually soften the wines with relatively the tannic Cabernet Sauvignon). The wine is aged in oak barrels – as pointed out by the label, stating elevé en fûts de chêne. Precise varietal compositions or aging times are not available, as I couldn't locate a single technical file on the wine.

***

Duc de Larsan Madiran 2011
AOC Madiran
  • Tasted on: 9th of January 2016

14% of alcohol.

Very dense and concentrated pitch-black color with ruby red highlights, true to the Tannat style. The nose feels very youthful, rich and concentrated with aromas of freshly picked dark berries, dark chocolate shavings, some sweet mocha character, a little bit of leather and a hint of raisin. The wine is very ripe, rich and full-bodied on the palate with extracted, chewy feel. There are flavors of ripe blackberries, sweet dark plums, chocolate oak, some juicy blackcurrants and a little bit of cocoa richness, offset by a touch of astringent bitterness. Overall the wine feels quite modern with pronounced oak character and lots of so ripe fruit flavors the wine comes across almost sweet, yet the wine is also tremendously structured with moderately high acidity and massive, tremendously grippy tannins. The finish is long, rich and juicy, yet also quite bitter and really mouth-drying. There are succulent flavors of sweet dark berries, fresh blackcurrants, some plummy fruit, a little bit of oak chocolate and a hint of smoke.

All in all this wine feels very modern, oak-heavy take on Madiran, yet also one that isn't stripped of its massive tannins – which isn't that commonplace with modern Madiran wines. Relatively ripe and sweet example of the Duc de Larsan style.

86/100
Summary: I'm really not thrilled about this wine's prominent oak character, as it feels like the wood is drowning most of the finer nuances of fruit underneath. Still the wine shows great promise with its concentrated fruit and tightly-knit structure, making it feels much younger than what it is now, at 4 years of age. Hence, with enough cellaring one might find a lovely wine underneath all that oak and ripeness in the future. Really great value for 9,99€.

***

Duc de Larsan Madiran 2009
AOC Madiran
  • Tasted on: 9th of January 2016

13,5% of alcohol.

Opaque black-red color. Somewhat closed nose with reticent aromas of dark plums, some sweet and slightly chocolatey oak character, a little bit of crunchy blackcurrant and hints of ripe dark berries. The wine feels concentrated, full-bodied and chewy on the palate with very dry and quite dense flavors of dark plums, plush dark berry character, tannic bitterness, some tart cranberry, a little bit of iron and a hint of cocoa oak. The wine is medium-to-moderate in acidity with abundant yet surprisingly ripe and powdery tannins. The finish is rich and quite oaky with long, ripe flavors of sweet plums, crunchy blackcurrants, some blackberries and a hint of cocoa. The tannins give the aftertaste a little bit of chewy, even a hint of mealy feel and make the wine end on a somewhat mouthdrying note.

I was expecting quite a massive wine for a 2009, but this was surprisingly well-proportioned an effort for such a warm vintage wine. Fortunately even the alcohol levels were quite moderate. Perhaps the warm vintage was the reason why the tannins were this time relatively smooth and mellow?

87/100
Summary: A nice and surprisingly balanced example of the Duc de Larsan style. The oak seems to be integrating with the fruit pretty nicely, but there is still quite a bit of it left, so even though the wine is starting to drink nicely, there are no hurries with this one. Great value at 9,99€.

***

Duc de Larsan Madiran 2008
AOC Madiran
  • Tasted on: 9th of January 2016

13% of alcohol.

Somewhat translucent, yet still quite opaque and surprisingly youthful, purple-hued cherry color. The opacity is starting to give way, if compared to more opaque vintages 2009 and 2011. The nose seems somewhat developed and a bit sharp with aromas of smoke, dusty earth and some herbal greenness with some plummy dark fruit, a little bit of sweet oak and a hint of minty coolness. There is some obvious sense of weight and concentration on the palate and the body is full and chewy. Flavor-wise the wine is dominated by minty herbal character, some spicy oak and notes of dusty cellar. The fruit department feels a bit subdued, but still pretty much alive with flavors of sweet dark fruits, crunchy blackcurrants and ripe red berries. The structure is still very impressive and tightly-knit with abundant, grippy tannins and high acidity that feels noticeably higher than in vintages 2009 or 2011. The finish is rich, long and very astringent with massive, mouth-drying tannins and fruit flavors of ripe plums and blackcurrants. The oak character feels much more noticeable than in midpalate, giving the aftertaste a rather sweet note of oak spice and chocolate milkshake.

There was some discussion whether this wine suffered from TCA or not, but we decided on the wine being OK, seeing how the dusty aromas really didn't smell that corky and there was still pretty much fruit left to the wine. The fruit department seemed rather subdued and thin when compared to the surrounding vintages, however.

86/100
Summary: All in all, this is one of the most seriously structured Duc de Larsan wines in the past handful of vintages. Still very concentrated and brooding in style, yet starting to shows subtle signs of age as well. Hopefully the reticent fruit character can be chalked up to bottle variation, as the structure still needs some more aging in a cellar to resolve. Good, but nothing outstanding here. Priced according to its quality at 9,99€.

***

Duc de Larsan Madiran 2007
AOC Madiran
  • Tasted on: 9th of January 2016

13,5% of alcohol.

Somewhat translucent, slightly developed dark cherry color with a hint of mature figgy hue towards the rim. Somewhat closed and reticent nose with aromas of dusty earth, some dark plummy fruit, a little bit of savory, dark-toned oak spice and hints of crunchy dark berries. The wine is full-bodied, weighty and super-juicy on the palate with rich, chewy flavors of ripe dark plums, some developed notes of sweet dates, a little bit of juicy blackberries and a hint of bitterness. Even at 8 years of age the dark-toned mocha oak character seems quite prominent, although the tannins start to feel a bit resolved and less grippy than in the younger vintages. The wine is modest-to-medium in acidity, further emphasizing the richness and juicy quality of the fruit. The aftertaste feels more tannic and mouthdryingly astringent than the midpalate. There are long, rich and complex flavors of sweet oak, ripe dark berries, some blood, a little bit of dill and an umami hint of beef consommé in the slightly developed aftertaste.

In our tasting this was the favorite wine of many, but not for me – the wine was still too oaky for my taste and the acidity felt less than adequate here, making the wine feel somewhat tired and flabby. However, there was still lots of very nice qualities to the wine, so despite being quite a bruiser, this was overall a positive experience.

87/100
Summary: At 8 years of age, the wine is starting to show some mature qualities, but as it still feels relatively youthful I can't help wondering how long-lived wines these 10€ wines can really be and how on earth they age at a glacial pace? I guess that's the Tannat doing its magic tricks.

***

Duc de Larsan Madiran 2005
AOC Madiran
  • Tasted on: 9th of January 2016

13% of alcohol. The oldest wine in our tasting of vintages 2005–2011. This is supposed to be a warm vintage, but the alcohol level is the lowest among these vintages.

Dark, luminous cherry color with some transparency – obviously the least opaque wine in our tasting. The nose is complex and starting to show some developed character with aromas of plums, ripe dark berries, some nuanced mocha oak, a little bit of dried figs, a hint of chocolatey oak spice, a whiff of dusty earth and a touch of dill.

The wine is medium-bodied on the palate with velvety mouthfeel. There are nuanced flavors of ripe dark fruits, some sweet oak spice, a little bit of succulent, sweet dark berries, a hint of tangy, fresh blackcurrant and a nice, balancing streak of sour cherry bitterness. The tannins feel quite ample, but they have become surprisingly soft and mellow with age, letting the quite high acidity take care of the structure. The finish is long, complex and developed with ripe dark berries, sweet mocha oak, some dried fig aromatics, a little bit of leather and a hint of tobacco. The tannins give only a little bit of astringency to the aftertaste, but they give a lot of chewy, grainy texture to it.

Definitely the most developed wine in our tasting, but still it feels it is going up – there is quite much of life to the wine left (and some oak to integrate). Many people in the tasting felt like it was past its peak or just otherwise less impressive, but I enjoyed the lighter body of this wine, letting the acidity shine through nicely.

89/100
Summary: I do wonder, however, that how long-lived these wines really are? After all, at 9,99€ they are among the cheapest drinkable wines you can buy in Finland, and these kinds of wines usually drink well for 2–3 years. This wine, on the other hand, feels like it is still going up at over 10 years of age. This might not be the most complex or otherwise impressive of wines, but in its price point it is quite peerless. Worth 90 points if the oak ever integrates with the fruit before the wine falls apart with age. Among the Duc de Larsan wines we tasted, this was my wine of the night.

Our Wheel of Madiran from out Tannat tasting with the Duc de Larsan wines on the fore.
The bottom line is this: even in Finland there are wines under 10€ you can stash away in your cellar and enjoy them when they are 10 years old, or even older! Granted, these wines aren't spectacular wines in any way, but one really shouldn't expect that at this price point – and they turn out surprisingly enjoyable, given enough age.

Although the modern, oak-heavy style of Duc de Larsan didn't impress me that much, I was still nonplussed how nicely the wines performed at 10 years of age! Perhaps I will need to keep an eye of the better vintages in the future and stash away a case of them? At least this vertical tasting convinced me of the aging potential of this little big wine. One should also remember how it is possible to find tremendous value in wines of lesser-known regions, if one is only willing to do a little bit of researching.

June 9, 2017

Tannat

There is a handful of grape varieties that are great contenders on the title of the world's most tannic variety, but none of them are as aptly titled for such a nomination as Tannat, that red and fiercely tannic variety originating from the Southwest France.

This dark variety is first mentioned in the late 18th century as a variety grown in Madiran, the wine region in Southwest France, which still is considered the spiritual home of Tannat and one of the few regions which cultivate this rather unapproachable variety extensively. The name of the variety means "tanned" in the local dialect, but it could also refer to the ridiculously high tannin content of the variety as well. This very deeply colored variety produces usually rather small grapes in which the skin-to-pulp-ratio is rather high, meaning that the amount of grape skins (one of the main sources of tannins) is noticeably high in relation to the juice. Normally Tannat produces wines that are not only remarkably tannic, but also very high in acidity as well. This means that traditional Tannat wines can be extremely ageworthy – the key components in the cellaring potential of wines are high acidity, prominent tannins, high sugar content and high alcohol content – but also very unapproachable (even undrinkable) in their youth.

The old school Madiran wines were made with moderately long maceration times resulting in wines often so tough and tannic it could take even more than decade to soften the wines enough to get them drinkable – something not unlike traditional wines of Barolo and Barbaresco region. However, as wine drinkers at some point started to favor softer wines suitable for early consumption, Madiran producers started to look for ways to make their wines softer and more approachable – aging the wine bottles for decades in the cellars of the wineries was not a viable option nor was aging for years in large oak foudres.

The classic method to reduce the tough character of Madiran and other wines based on Tannat has always been blending the variety with some other local varieties, like Cabernet Franc, Cabernet Sauvignon and Fér Servadou – all quite tannic varieties in their own right, which only serves to show how tannic Tannat is. After all, normally, in other parts of the world, other softer varieties are blended with Cabernet Sauvignon to soften its tannic character!

At some point wine producers realized that oxygen promotes polymerization of the tannins, meaning they bind together, forming larger (thus less astringent) molecules and even falling out of the solution, reducing the total tannin content of the wine. The logical method for introducing oxygen more effectively to the wine was to change the large oak foudres, often containing even thousands of liter of wine, to smaller barrique barrels of only 225 liters, thus increasing the "breathing" surface in relation to the wine. Furthermore, by using only new oak barrels, whose pores weren't yet clogged by wine deposit and crystallized acid, even more oxygen could be introduced to the wines, resulting even softer and rounder wines. The downside of this oak treatment is that the wines would also be often full of sweet and spicy new oak flavors and aromas. By keeping the barrel aging time short, the wines could keep the fruity characteristics of Tannat pretty much in the front. However, as many of the wines often required prolonged oak aging to let the oxygen have some softening effect, keeping the wine 2 years or even more in new oak barrels often resulted in wines that were quite dominated by new oak characteristics up to the point that the varietal characteristics were masked away and only the firm tannins would be what was left of the variety.

A more recent method to reduce the astringency from the tannins is microbullage, better known as "micro-oxygenation", developed (quite unsurprisingly) in Madiran by Patrick DuCournau of Château Aydie. This process uses a very small vent at the bottom of a wine tank, through which oxygen is introduced at very high pressure. This way the oxygen is introduced into the wine as very fine, minuscule and easily soluble bubbles that mimic the oxygenation that happens in small oak barrels. However, instead of taking several months, this process takes only some minutes. Furthermore, this process does not impart any new oak aromatics to the wine, so after the micro-oxygenation, it is possible to move the wine into old, large oak casks – or even keep the wine in the stainless steel tanks – while still reaping the softening benefits of oxygenation one would normally acquire only through aging the wine in new, small oak barrels. This process hasn't came about without controversies, however. Although adapted widely through the winemaking world, especially in Bordeaux, some people still regard micro-oxygenation as too manipulative a method and steer well away from it. For example Alain Brumont of Madiran Châteaux Montus and Bouscassé, the man who is widely recognized as bringing Madiran into wider recognition, never uses micro-oxygenation with his wines, but instead favors long oak aging periods in small oak barrels to soften his wines.

Although Madiran is the wine region best known for Tannat, it is not the only region where this variety can be found. Tannat is quite well-spread throughout the Southwest France, covering some 2,900 ha (7,250 acres) in total and is a key component in the neighboring regions of Tursan (reds can be up to 40% Tannat) and Saint-Mont as well in the Basque wine regions of Béarn and Irouléguy. From the Southwest France the variety has spread throughout the winemaking world, often with Basque migrants. The variety has found its spiritual new world home in Uruguay, where it was introduced back in the 1870's and is known by its local name, Harriague. Currently the variety covers approximately 1,800 ha (4,400 acres) of vineyards there, which is over 1/5 of the whole vineyard area in Uruguay! The variety is also relatively popular in Argentina (550 ha / 1,350 acres), Brazil (420 ha / 1,050 acres) and USA (100 ha / 250 acres).

Here is a rather large and diverse selection of different Tannat wines that I have tasted through these years, in the order of tasting:

Domaine Labranche-Laffont Madiran 2008
AOC Madiran
  • Domaine Labranche-Laffont
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat (60%), Cabernet Franc (20%), Cabernet Sauvignon (20%)
  • Price: 7,00€ / 0,12
  • Tasted on: 30th of March, 2013

The wine is produced by Domaine Labranche-Laffont a small family winery owning 19 hectares in the northern parts of the Madiran region. The hand-picked grapes that are partly from centenarian pre-phylloxera vines go through 18 days of maceration. After the malolactic fermentation the wine is aged for 18 months (1/3 in oak barrels, 2/3 in vats).

Opaque black-red color that reminds me more of blackcurrant juice concentrate than anything vinous!

The nose is quite rich and expressive with aromas of blackcurrants, some leather, a little ripe red fruit and integrated hints of vanilla and spicy oak character.

On the palate the wine feels very fresh, youthful and concentrated with flavors of blackcurrant, dark cherry, black forest fruits and some tannic astringency with toasty hints of oak looming in the background. Acidity is quite modest here, but instead the tannins are very prominent, aggressive even, keeping the wine very tightly-knit, structured and dry-tasting.

The astringent, tightly-wound finish is quite long with long-lingering flavors of toasted spicy oak, tannic bitterness, some bright minerality and hints of savory forest fruits.

This is a classic, tannin-driven Madiran that feels very tight and structured despite its modest acidity. Probably not the best choice for a wine bar wine, because this feels still very primary and even with more bottle age, you'd need something hearty to go along with this.

89/100
Summary: This is definitely stuff I'd leave in a cellar for a decade or more. Not recommended for people who are afraid of tannins. Very good value at 7€ for a 12 cl glass.

***

Plaimont Rosé d'Enfer 2012
AOC Saint-Mont
  • Plaimont Producteurs
  • Country: France
  • Region: Le Sud-Ouest, Saint-Mont
  • Grape(s): Tannat (60%), Fér Servadou (25%), Cabernet Sauvignon (15%)
  • Price: 7,50€ / 0,75
  • Tasted on: 15th of October, 2013


Although the Southwest France is pretty much a red wine region (with some white wine appellations here and there, like Pacherenc du Vic-Bilh and Jurançon), there are some regions with considerable rosé wine output – like Saint-Mont over here. This wine is made by Plaimont, a noticeably large co-operative of 800 members and 5,300 ha (13,750 acres) of plantings. They produce approximately half of the total output of Madiran and Pacherenc du Vic-Bilh and almost 98% of the small appellation of Saint-Mont. It must be noted, that even though Plaimont is a big co-op, they are generally considered a very good one and also one of the saviors of the forgotten wine regions of the Southwest France.

Pale, pink color.

Juicy and somewhat meaty nose with a pretty straightforward, fruity character with mainly aromas of ripe red berries and yellow plums.

Contrasting the juicy nose, the wine is surprisingly light and even quite thin on the palate with vague, nondescript flavors of red currants and other red berries along with a little bitterness. The taste is rather bland and even boring. Moderate acidity.

The finish is somewhat bitter and rather short with flavors of steely minerality, some herbal notes, a little thin red fruit character and a bit of alcohol warmth. There seems to be a hint of tannic grip to the aftertaste.

Overall Rosé d'Enfer proves that you can also make rosé wines out of Tannat, but at least this wine wasn't so impressive that I would recommend anyone to change their Tannat wine production from red to rosé.

79/100
Summary: It's a rather bland and mediocre rosé wine lacking body and character. Definitely nothing special to write home about.

***

Plaimont Maestria Madiran 2011
AOC Madiran
  • Plaimont Producteurs
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat (70%), Cabernet Sauvignon (25%), Cabernet Franc (5%)
  • Price: 8,00€ / 0,75
  • Tasted on: 15th of October, 2013


A red wine made by Plaimont, the same co-op behind the rosé wine above. This is a classic, mainly Tannat-based Madiran that is mainly fermented and aged for 8–12 months in stainless steel (80%) with only a small portion (20%) seeing old oak barrels. The idea is to preserve the vibrant fruit flavors, not to overwhelm them with oak.

The wine is quite opaque red with a noticeable, youthful purple hue.

The nose is somewhat restrained with aromas of ripe dark fruits and sweet berries, some smoked meat notes and a hint of earthiness.

The wine is medium-bodied and very structured on the palate with moderately firm tannins and high acidity. The rather spicy flavors are pure, well-delineated and youthful with notes of tart dark berries, ripe dark fruits, exotic spices, some earthiness and quite noticeable bitterness.

The finish is medium-long and very grippy with quite angular tannins and savory flavors of dark berries, aromatic herbal bitterness and roasted spices. The wine finishes on a light, slightly sappy vegetal hint.

This wine is a rather by-the-book modern Madiran with a lot of emphasis on the bright fruit flavors of Tannat. The variety's tightly-knit structure is obviously there, but not in as hard and forbidding shape as it could be.

87/100
Summary: For a young Madiran, this is a relatively "soft" and approachable effort, although still quite tannic and astringent, like a good Tannat should be. Stylistically this is pretty straightforward effort, so most likely this wine will never be a big and impressive one, but I can imagine it will develop nicely over the following 3–5 years and keep for a decade. Superb value at only 8€.

***

Garzón Varietales Tannat 2012
  • Bodega Garzón
  • Country: Uruguay
  • Region: Garzón
  • Grape(s): Tannat (100%)
  • Price: 13,48€ / 0,75
  • Tasted on: 4th of November, 2014
Bodega Garzón, founded in 1999, is a Uruguayan winery located in the small village of Garzón. According to their home pages, the winery prefers natural yeasts over commercial ones and cement tanks or untoasted oak barrels over more aromatic, toasted ones. I really couldn't find any information on this wine, because it couldn't be found on the winery's home pages.

The wine's opaque color is very dark, youthful plummy purple.

The nose is dark-toned and very sweet with ripe aromas of cooked plums, some bilberries and hints of ripe strawberries.

The wine is rich, ripe and full-bodied on the palate with intense and somewhat sweet flavors of bilberries, blackcurrant jam, cooked strawberries, some iron, a little vanilla, a bit of balancing bitterness and a hint of milk chocolate. The wine is medium in acidity, making it come across rather mellow and plump, but its moderately firm tannins give it some welcome structure. Alcohol gives the palate a bit of warmth.

The wine finishes with a warm and chewy aftertaste with quite robust flavors of ripe cassis, stewed plums, some rough spiciness and a bit of earth. The wine ends on a quite bitter, astringent and pretty mouthdrying note.

Although a moderately firm and structured effort for a South-American red wine, I find it rather hard to believe this was made with natural yeasts or neutral oak; the oak characteristics of vanilla and other sweet spices are noticeable and there is also an obvious streak of sweet blackcurrant – a tell-tale sign I associate with South-American reds and assume is coming from a locally popular commercial yeast strain.

83/100
Summary: Overall this is a mildly positive example of South-American wine, but I still find it too sweet and plump to suit my taste. Perhaps a good choice for a fan of South-American wines who needs some tannins? Priced according to its quality at 13,48€.

***

Château Montus La Tyre 2001
AOC Madiran
  • Vignobles Alain Brumont, Château Montus
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat (100%)
  • Price: 100,30€ / 0,75
  • Tasted on: 1st of December, 2014
As I wrote above, Alain Brumont, the man behind Châteaux Montus and Bouscassé, is the man who is considered to be the one who brought Madiran into wider recognition. He does not believe in the micro-oxidation, otherwise so prevalent throughout Madiran, but instead prefers to use new, small oak barrels to soften the tannins of his wine.

His flagship wine is La Tyre, a single-vineyard Tannat made from a steep, stony plot Brumont discovered in 1990. The grapes for La Tyre were harvested for the first time in 2000, when the vines were 10 years old, so this is the second vintage of this wine. The wine undergoes 3–6 weeks of maceration with the grape skins, depending on the variety, parcel and vintage. After the fermentation the wine is aged for 14–16 months in barriques, of which 100% are new. Bottled with a minimal dose of sulfites.

The age of wine is betrayed by the concentrated, dense black color with a hint of deposit and a slightly orange burnt clay rim.

The wine shows somewhat developed and quite oak-heavy nose with powerful aromas of smoke, tar, dry wood, sweet milk chocolate, dried prunes and some ripe blackcurrant.

On the palate the wine is extremely concentrated, mouthfilling and chewy with massive, mouth-coating, grainy tannins. There are monolithic and rich flavors of smoke, tar, milk chocolate, wood spice, some blackcurrant, maraschino cherry, a hint of licorice and nuances of prunes. Acidity can't really cut through the massive midpalate. The structure is, simply put, immense.

There are no discernible fruit flavors in the long, oaky, extracted and slightly bitter finish, but instead lingering flavors of dark chocolate, cocoa and sweet wood spice. The tannins leave your mouth bone-dry and gritty.

Holy Hannah this wine is full of oak and extraction – this must be one of the most massive wines I've ever tasted! It has impeccable structure to go with the mouthfilling flavors, but unfortunately there is very little left of the original Tannat flavors, as they are replaced by swathes of anonymous sweet wood characteristics. Nose- and flavor-wise this is like any new world super red wine; the dense tannic structure remaining is the only thing that points out to the direction of Madiran.

88/100
Summary: I have no idea whether this wine will ever reach a nice plateau of maturity where the tannins are smoother and more approachable and the fruit flavors and the oak characteristics might be in balance. I have no problems with the black-hole-esque density of the wine that much, more instead with the overdone, obfuscating oakiness. This is a good wine for those who enjoy extremely big and oaky reds, but definitely not for me. I probably need to revisit this in (or after) 15-20 years. Definitely not worth the 100,30€.

***

Château Montus 2010
AOC Madiran
  • Vignobles Alain Brumont, Château Montus
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat, Cabernet Sauvignon
  • Price: 33,85€ / 0,75
  • Tasted on: 4th of November, 2015
This is the standard Madiran of the Montus winery – the "calling card" wine of the winery, in a sense –one that is composed mainly of Tannat but with some Cabernet Sauvignon to soften up the structure (I know that sounds silly, but that's just the way Tannat is). The grapes undergo 3–6 weeks of maceration with the skins, depending on the variety, parcel and vintage. The wine is aged for 12–14 months in barriques, of which 60–80% are new.

Opaque, deep black ruby color with a slightly blueish hue.

Quite dry, savory and not particularly "big" nose with aromas of dark plums, blackcurrant, bloody meat, dark grapey fruit, some iron, a little milk chocolate oak, light dried herbal hints and a hint of dry, savory wood.

The wine is very full-bodied and extracted on the palate with balanced acidity, but surprisingly smooth and mellow tannins. Well, sure, there are a lot of tannins, giving the wine a very textural feel, but they are not grippy or aggressive one little bit. The flavors are very ripe and quite sweet with notes of dark cherries, plummy fruit, blackcurrant-driven forest fruits, moderately noticeable, sweet milk chocolate oak and a bit of spicy oak bitterness.

The finish is quite long, slightly warm and rather spicy with chewy, extracted flavors of cocoa-driven oak spice, red cherries, ripe plums, some bloody iron and bit of tannic bitterness. For a Tannat, the aftertaste is surprisingly mellow and easy, lacking the mouth-drying astringency typical for the variety.

Overall this is quite oak-driven and modern Madiran with great balance and a somewhat crowd-pleasing, easy-to-drink character. Although the wine is drinking very nicely now and is definitely not in need of any cellaring, I personally would age the wine for 7–10 more years in the hopes the excessive oak character would get integrated with the fruit better.

87/100
There is a distinctively Bordelais / Southwest French quality to the wine, giving it nice sense of sophistication and elegance, but it is also so polished, modern and round in style I really can't get grips with the wine. It is good and, in its own sense, pretty tasty, but I look for more rustic and unpolished character in Madiran. A wine this polished feels just too dull and predictable for me – and too expensive for its quality at 33,85€.

***

Capmartin Vieilles Vignes 2012
AOC Madiran
  • Domaine Capmartin
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat (80%), Cabernet Sauvignon (20%)
  • Price: ~10,00€ / 0,75
  • Tasted on: 9th of January, 2016
Capmartin is a Madiran-based winery founded by Guy Capmartin in 1985, focusing on more terroir-oriented, traditional examples of the regional style. In 2007 the winery started adopting organic and biodynamic practices and in 2010 the winery obtained an organic AB certification.

Capmartin Vieilles Vignes is made from very old vines: the youngest vines are approximately 60 years old, whereas the oldest ones are pre-phylloxera – centenarian vines with their own, original rootstocks. The wine is first fermented in 7,000-liter open-top cement fermenters, after which the wine is transferred into oak barrels for 12 months of aging. Then the wines are blended into stainless steel for further 6 months of aging before light filtration and bottling.

Very dark, opaque black-red color.

There is a sense of weight and density in the nose that is somewhat very cool and savory – not suggesting much sweetness – with aromas of somewhat ripe dark, plummy fruits, red forest fruits, some chokeberries and a hint of understated complexity.

The wine is full-bodied, concentrated and chewy on the palate with moderately acidity and firm, ample tannins that grip the insides of your mouth quite eagerly. The flavor department offers licorice, ripe dark berries, some more savory chokeberry character, a little bit of raspberry and a faint spicy streak of old woody oak. The wine feels quite weighty and structured, but surprisingly gentle for a Madiran this young.

The finish is dense and concentrated with ripe yet mouthdrying and grippy tannins and long, intense flavors of blackberries, crowberries, some licorice and hints of fresh, almost tart blackcurrants.

This is a classic, pure and well-delineated Madiran with wonderful, chewy texture and grippy tannins, yet surprisingly gentle and easily approachable character.

92/100
Summary: Although the wine is surprisingly drinkable right now, the acidity and the ample tannins especially give it good potential for further cellaring. I can imagine the wine will mellow out and lose some of its baby fat with some 10 years of cellar age in favor of elegance and complexity – characteristics, which the wine is still lacking a bit in its current state. At only 10€, this wine shows simply stunning value.

***

Capmartin Cuvée du Couvent 2011
AOC Madiran
  • Domaine Capmartin
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat (100%)
  • Price: 12,90€ / 0,75
  • Tasted on: 9th of January, 2016
Couvée du Couvent is the top red wine of the aforementioned Capmartin and composed completely of organically grown Tannat. The long fermentation period is carried out in 70hl open-top cement fermenters, after which the wine is moved into new barrique for MLF. The wine is first aged in these oak barrels for 12 months, after which the wine is aged for further 6 months in stainless steel. The wine is very light filtered before bottling.

Very dark and concentrated purple-red color that is opaque up to the rim.

The nose is quite restrained with some bloody iron notes on the fore, supported by notes of concentrated dark berries, dark plummy fruit and a light hint of leather.

The wine is remarkably full-bodied, concentrated and weighty on the palate with chewy texture, moderately high acidity and ripe but tightly-knit, firm and grippy tannins. There are intense flavors of bitter spices, licorice root, blood, dark plummy fruit and tart dark-skinned berries. The wine feels ripe, yet very dry instead of sweetishly ripe. The concentrated fruit masks the oak aging characteristics remarkably well, wood peeking through in the light, slightly bitter spiciness underneath.

The finish is mouth-drying and meaty with pronounced spicy bitterness, some salty dried beef notes and remarkably crunchy flavors of crowberries and chokeberries with hints of sweet licorice and ripe plummy fruit bringing in some balancing richness.

Cuvée du Couvent is overall a rich, intense and very impressive red wine with remarkable structure and gravitas without being one bit too imposing or forbiddingly tannic – although the wine is still very tannic to say the very least. The key word here is impeccable balance between the concentration, structure and intensity – the wine has heaps of these components, yet nothing in excess.

93/100
I'm surprised how well this wine carries its oak – and by that I mean it is barely noticeable by the concentrated yet still very well-proportioned and structured fruit. Although drinking surprisingly nicely already, this wine is still a baby and I can imagine 10 years in a cellar will only benefit it. Lovely stuff and a steal at only 12,90€.

***

Pisano Tannat / Petit Verdot 2008
  • Bodegas Pisano
  • Country: Uruguay
  • Region: Progreso
  • Grape(s): Tannat, Petit Verdot
  • Price: 12,89€ / 0,75
  • Tasted on: 9th of January, 2016
Pisano is a winery located in Progreso, some 30 kilometers north from Montevideo, the capital city of Uruguay. It was founded in 1914 by an Italian family who moved from Italy to Uruguay in the start of the 20th century. The winery is still owned by the Pisano family and they aim to produce wines expressing the local terroir and style with as natural winemaking practices as possible.

I really couldn't find much information on this wine, because it wasn't featured on the Pisano website. From its name one can quite easily guess it is a blend of the local favorite, Tannat, with Petit Verdot – a variety equally notorious for its deep color and tannins.

Very dense dark ruby color with only a hint of translucency and, despite its 8 years of age, faint highlights of youthful purple hue.

The nose is fruity and opulent with intense aromas of almost overripe plums and blackcurrant jam with sweet oak spice, some alcohol and a hint of acetone VA.

The wine is full-bodied and quite soft and supple on the palate with moderately ample yet ripe and soft tannins and quite modest acidity. Although not that concentrated, the wine comes across as pretty big, easy and juicy with relatively soft structure. There are flavors of ripe plummy fruit, savory spice, blackberry-driven sweet dark berry notes, some slightly bitter wood spice and a slightest hint of acetone.

The spicy medium-long finish is slightly mouth-drying and a bit coarse with flavors of sweet dark fruit, roasted spice, some oak bitterness and a hint of sour plums.

Though there is a wild edge to this wine, giving it some welcome character to set it apart from many sweetishly ripe South American reds, this still doesn't really manage to impress me. The wine is just too ripe, sweet and straightforward with too mellow and easy tannins to give the wine the structure its big fruit calls for.

84/100
Summary: Although a relatively well-made effort for a Uruguay red, the wine still leaves much to be hoped for. With more emphasis on structure and less on oak, the wine could show more finesse and potential. I suppose the wine could hold – even develop a little – in a cellar for some years, but I doubt there's room for much development. Priced according to its quality at 12,89€.

***

Miolo Tannat Reserva 2012
  • Miolo
  • Country: Brazil
  • Region: Rio Grande do Sul, Campanha Gaúcha
  • Grape(s): Tannat (100%)
  • Price: 8,90€ / 0,75
  • Tasted on: 9th of January, 2016
Miolo is a young Brazilian winery with a long history: although the company was founded only in 1990, the people behind it had been cultivating vines since 1897 – almost for a hundred years – and supplying the local producers with fruit. Currently the company cultivates 450 ha (1125 acres) of vineyards, of which the company owns 120 hectares (300 acres) and the rest are cultivated through contract growers. World-famous winemaker Michel Rolland works as a viticultural and oenological consultant with Miolo.

Quite opaque and moderately purple-tinted black-red color.

At first the nose of the wine feels somewhat odd with restrained aromas of bloody meat, dark-skinned forest fruits, some lactic blueberry yoghurt character and herbaceous green hints. With air, however, the nose turns much more anonymous with sweet aromas of cooked red fruits and strawberry jam.

Surprisingly for a Tannat, the wine feels more medium- than full-bodied with lively acidity with rather light and easy tannins. The taste department is full of rich, extracted flavors of youthful red fruits, forest strawberries, ripe raspberries, some meaty notes and blood, a little bit of alcohol and a hint of strawberry jam. Especially after some breathing the wine starts to taste quite much like a generic, inexpensive Aussie red.

The long aftertaste is spicy, quite bitter and somewhat green with flavors of tart lingonberries, ripe blackberries, some coarse peppery character, a little bit of odd, candied raspberry candy flavor and a slightly vegetal sappy hint.

I'm really confused by this wine. At first it felt surprisingly interesting, lighter and more refreshing take on Tannat with some odd – but not fully negative – aromas and flavors. However, with air, the wine lost most of its exciting character and transformed into a regular, thirteen-in-a-dozen red wine, not quite plonk but not far from it.

82/100
Summary: If the wine had remained how it was first, it would've easily scored a handful of extra points. However, in the end there was very little to set this wine apart from any inexpensive new world red and even less to suggest that the wine in question was made from Tannat. So I guess the wine was priced more or less according to its quality at 8,90€ and one shouldn't really expect more.

***

Don David Finca Las Mercedes #6 Tannat 2011
  • Michel Torino / Bodega El Esteco
  • Country: Argentina
  • Region: Salta, Cafayate
  • Grape(s): Tannat (100%)
  • Price: 17,12€ / 0,75
  • Tasted on: 9th of January, 2016
This wine is made by the old Argentinian wine company Bodega El Esteco / Michel Torino (founded already in 1892) and it represents the single vineyard end of their popular Don David range – named after the company's founder, David Michel. Normally the winery produces only Don David Reserve series wines, but occasionally they release single vineyard wines showing the potential of their finest plots. The plot #6, called Las Mercedes was planted in 1997 with Tannat and from that single plot are all grapes sourced for this wine.

Pitch-black, opaque color with slightly purple highlights in the rim.

The dark-toned nose feels very rich, concentrated and powerful with really intense aromas of almost overripe plummy fruit, juicy blackberry notes, rather dominant aromas of coffee chocolate, some spicy and savory wood and hints of vanilla.

On the palate the wine is really full-bodied, rich and textural with grainy tannins that are both chewy and grippy. The wine is dominated by powerful, sweet oak notes with some fruity notes of blackberry and crowberry jam and juicy dark plums, supported with a light, sweet hint of licorice. Although there most likely isn't much (or at all) residual sugar in the wine, it comes across quite sweet and really ripe – a characteristic further emphasized by the sweet vanilla and chocolate notes of oak. Although the tannins are ample, the wine feels pretty soft, thanks to its rather modest acidity.

The finish is long, powerful and somewhat warm with a little tannic astringency and persistent, sweet flavors of ripe blackberries, plums, mocha, some bitter wood notes, a little bit of dark chocolate and a hint of dried figs.

Well this was a disappointment. Apparently the winery had set out to produce a modern masterpiece with a lot of extraction, more alcohol and even more oak, but to me, they resulted only in a wine showing sloppy (yet expensive) winemaking that masks away all the fruit. I really can't say anything about the quality of the Las Mercedes vineyard, because all I can taste here is oak and fruit preserves.

86/100
Summary: I really do hope that long cellaring can integrate the oak underneath the fruit – there is a lot of fruit, but also a lot of oak to hide. The wine at least shows some cellaring potential with its concentrated fruit and ample tannins, so I guess the wine might show better at 10–15 of age. However, I guess this wine will never be one to suit my tastes. Priced more or less according to its quality at 17,12€.

***

Odé d'Aydie Madiran 2012
AOC Madiran
  • Vignobles Laplace, Château Aydie
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat (100%)
  • Price: 10,20€ / 0,12
  • Tasted on: 21st of August, 2016
Not having an Aydie wine on an article about Tannat would be blasphemy. That's because it was Château Aydie where the now-so-prevalent micro-oxygenation was originally invented and the winery employs it quite systematically with their red wines. The winery was founded in 1927 by Frédéric Laplace and now it is run by the 3rd generation of the Laplace family. The Laplaces own some 58 hectares (145 acres) of vines, of which 49 ha (120 acres) are planted with red varieties for Madiran and 9 ha (22 acres) with white varieties for Pacherenc du Vic-Bilh.

Odé is the second wine of the estate, made completely from Tannat. The grapes are macerated with the fermenting wine for 30 days, after which the wine is aged for 12–15 months in oak tuns and vats. Then the wine is blended together and finally bottled after 20 months of aging.

The wine is dark-cherry colored with a bit of translucency.

The nose is rich and expressive with opulent and rather sweet aromas of freshly picked, ripe forest fruits, some cocoa oak, a little bit of plum jam and a hint of milk chocolate.

The wine is full-bodied and quite textural with moderately high acidity and very ample, yet surprisingly soft and friendly tannins. Although obviously quite ripe, the wine is surprisingly savory and bitter with flavors of bloody iron, sappy greenness, astringent berry skin notes, some tangy chokeberry and crowberry notes and a bit of woody bitterness, counterpointed by sweeter oak notes of milk chocolate and cocoa.

The finish is as coarse and bitter as the midpalate with flavors of chokeberries, quite rich, complex and somewhat sweet oak character, a bit of bitter milk chocolate, a little bit of ripe dark plums and a hint of sappy greenness.

Obviously Odé d'Aydie is a modern Madiran, with its very noticeable, sweet oak characteristics and surprisingly mellow and easy tannins. Yet the wine is very true to the Madiran style with its noticeably bitter flavor profile – most likely due to the sheer volume of tannins in the wine. Normally you really don't taste tannins – they just show some level of mouth-drying astringency – but if there is enough of tannins in the wine, you start to taste them as a bitter flavor. What's remarkable here is how the tannins have been cleaned out into the background, yet they obviously are there.

88/100
Summary: In conclusion, this is really not my style of wine – I like my Madirans more tannic and less oaky, thank you very much – but for a relatively easy-drinking Tannat this was a decent effort. Nothing groundbreaking, but a decent wine for a modern Southwesterner. The winery promises 8–10 of aging potential for the wine, maybe that kind of cellar time could help the oak integrate a little bit. Priced according to its quality at 10,20€ for a 12 cl glass in a restaurant.

***

Château Bouscassé Madiran 1995
AOC Madiran
  • Vignobles Alain Brumont, Château Bouscassé
  • Country: France
  • Region: Le Sud-Ouest, Madiran
  • Grape(s): Tannat, Cabernet Franc, Cabernet Sauvignon
  • Tasted on: 14th of April, 2017
Finally, a wine from Château Bouscassé, the original family winery of Alain Brumont of Château Montus fame. This +20 years old wine is here to show how Madiran is capable of aging in a cellar.

Based on the tech sheet of more recent Bouscassé wines, this wine has probably undergone 3–6 weeks of maceration, depending on the variety, parcel and vintage and then aged for 12–14 months in barriques, of which 30–50% were new.

The wine's color is still quite opaque, but obviously developed with a slightly maroon hue and noticeable bricking in the rim.

The nose is quite robust with powerful rustic notes of barnyard and manure, ripe blackcurrants, brambly black berries and a hint of sweaty leather saddle.

On the palate the wine feels medium-bodied, textural and very structured with lively acidity and generous, still very grippy tannins. The flavors are quite developed and savory with dry, tertiary notes of wizened dark berries, leather, some manure and a bit of umami. The sheer amount of tannins give the taste a slightly bitter edge.

The long aftertaste is very lively but also mouthdryingly astringent with firm, grippy tannins. The finish leaves persistent flavors of dried dark berries, wizened plums, some leather, a little barnyard and a delicate hint of bitterness in the mouth.

Now this is what Madiran is all about! I have no idea how much (or if at all) new oak the wine has seen, but at this age there is none to be noticed. The wine is all about very nicely developed Tannat fruit with really captivating tertiary characteristics and lovely textural feel.

95/100
Summary: I don't know if Brumont's wines have been less "modern" back in the 1990's or if the wines just need 20 years in a cellar to show their best. Whatever the case is, this is a truly wonderful Madiran with tremendous character that speaks volumes of the region's wines' aging potential. Very highly recommended.

***

Having tasted a bunch of Tannat wines through these years has taught me something: although the variety itself is quite tannic, the wines surprisingly often aren't. Sure, you can notice that there might be quite a lot of tannins in the wines (giving them this tell-tale bitterness), but more often than not the winemaking has made sure the tannins are very smooth, mellow and unobtrusive. Especially in the new world the wines can be remarkably silky with barely noticeable tannic grip.

In Madiran things are a bit different. Quite often you encounter wines that have their tannins manicured to some extent, but often leaving the wines with firmness and chewy texture. However, it is also possible to find more rustic old-school Tannat wines in the Southwest France where they don't try to mellow down the forbiddingly tannic nature of the wine, but instead embrace it with open arms. These are the wines I usually love the most – after all, if the variety is known to be really tannic and structured, that is also what I expect of the wine! If I wanted something soft and easy, I'd grab a bottle of new world Merlot.