January 22, 2017

Vertical of the month: Château Musar Blanc 1991-2007

Château Musar is definitely a winery not in need of introductions: although having been on the UK market since the 1960's, this Lebanese winery first sprang into limelight back in 1979 when Christie's auctioneer and wine professional Michael Broadbent discovered Musar Red 1967. Not long thereafter the winery started to gain appreciation from all around the globe and Musar's Serge Hochar was even the first ever Man of the Year of the respected Decanter magazine in 1984. Although the Musar wines are known far and wide, they still manage to somewhat remain in the underground: they have never gained the same kind of mainstream recognition like the biggest Chateaux of Bordeaux, the greatest Domaines of Burgundy, or the most hyped wineries of California. It might of course have something to do with the very natural style of Musar, which often results in wines very irregular and even some obvious bottle variations between bottlings of one vintage. For some this can be an insurmountable obstacle, whereas for others – ones like me – this means only an increase in the wine's curiosity value: every vintage and even every bottle of Musar can be an adventure!

Our lineup from May 28th, 2016
But in the off chance that one hadn't heard about Musar before, I suppose an introduction of sorts is in place. If you know Musar beforehand, there's probably nothing new here, so please skip the following paragraphs and check out the wine reviews.

Château Musar (stylized Chateau Musar in the labels), founded in 1930 by Gaston Hochar in Castle Mzar from the 18 th century, is located close to Beirut, the capital of Lebanon. The vines are not grown next to the winery, but instead in Beqaa valley, a particularly fertile region some 40 km (24 miles) east from Beirut. Here, from an altitude of 900 meters (3,000 feet), always up to 1,200 meters (4,000 feet), the Musar winery cultivates their grapes, which are a array of French varieties mainly grown in Mediterranean. The red varieties are Cabernet Sauvignon, Carignan, Cinsaut, Grenache, Mourvèdre and Syrah, whereas the whites are lesser known local varieties of Merwah and Obaideh. However, in truth, these two white varieties are Sémillon (Merwah) and Chardonnay (Obaideh) – only they are clones that have been brought to Lebanon centuries ago, becoming somewhat distinct local clones from the original French ones, regarded as indigenous white varieties of Lebanon, yet genetically identical to the original varieties. The Merwah and Obaideh vines of Musar are still ungrafted (growing on their own root systems) and extremely old, some over 100 years of age, growing in the highest vineyards of Musar, at 1,400 meters (4,600 feet) above sea level.

In 1959 Serge Hochar, son of Gaston Hochar, took over the winery, after having finished his winemaking studies in Bordeaux. As he took over, he started developing his own style of the wine: Serge didn't want to make the wines like the other wineries were making, but instead found inspiration from more traditional way of winemaking, where wine more or less just "happened" without much intervention from the winemaker. Since 1977 the wines have been made in an unchanged style: the grapes are just crushed and left to ferment on their own with indigenous yeasts. No yeast inoculations or additives are used and the use of sulfur is kept at minimum, letting the nature go its course without winemaker's manipulation. The resulting wines are very unique, often very rustic and exhibiting characteristics like brettanomyces or pronounced volatile acidity – traits often considered as unwanted, even faults – yet also remarkably balanced and capable of aging easily for decades.

Unfortunately, on the last day of 2014, Serge Hochar died in Mexico, at the age of 75. When the news broke out of this great loss, long obituaries were released throughout the global wine media, affirming the impact Serge had made with his uncompromising wines. Although it will take many years before the post-Serge wines are released to the market, the winery has assured that nothing in their winemaking will change: the wines will still be made in Serge's minimalist style that made the wines so popular.

The standard wine range of Musar comprises of three tiers, with total seven wines.

  • In the bottom tier is the Musar Jeune range, which are made from the fruit of younger vineyards or from the grapes that didn't go into the wines of the better two tiers. This range comprises a red, a rosé and a white wine. They are simple, unoaked and inexpensive wines meant to be consumed young and aimed at the restaurant market.
  • The middle range includes only one wine, the single-vineyard red wine Hochar Père et Fils. The vineyard from which the grapes are sourced for this wine is younger, located a bit lower than the main Musar vineyards and they produce a wine somewhat distinctive from the Musar red – one that is a little less concentrated, more mellow and easier to approach in its youth. The wine is fermented partially in cement and partially in oak vats, after which it is aged in French oak barrels for 9 months, bottled unfined and unfiltered and aged for a further two years. This wine is often regarded as the "second wine" of the winery and as it is usually released earlier than the Musar red, it is often used as an indicator of the vintage's quality.
  • The top tier includes the three wines labeled as Chateau Musar; the red, the rosé and the white. Out of these wines, the red one comprises the great majority of production (from a third to almost half of the winery's total production of some 700–800,000 bottles), whereas the white's production normally hovers around the 10–30,000 bottle mark . The rosé is by far the rarest Musar, as it is not made every year – and in those years when it is made, the amount of bottles produced is only some thousands. The red Musar is the wine the winery is best known for. It is a blend of Cabernet Sauvignon, Carignan and Cinsaut, left to ferment in cement tanks on indigenous yeasts. After the fermentation, the wine is aged for 1 year in oak barrels (approx. 25%–35% new), after which the wine is returned back to the concrete vats. During the next year, the wine blend is assembled, bottled, unfined and unfiltered. What makes the wine so unique is that it is not released until the winery deems it ready, a process which normally takes 7–10 years – the 2009 vintage was released only recently and the vintage 2006 is still aging in the cellars. Furthermore, Musar normally keeps up to 25% of the annual production stored in their cellars for later release.

The whites, although not as well-known as the reds (most likely due to their scarcity), are the wines Serge Hochar held in highest regard. He often claimed that his whites were his true red wines, as they are so rich, concentrated and unique compared to regular white wines, often overshadowing even the remarkable red wines. The centenarian Obaideh and Merwah vineyards produce extremely small yields (10–20 hl/ha) of concentrated fruit, fermented with indigenous yeasts and aged in French oak barriques for 9 months, after which the wines are bottled. Even the whites are aged for a minimum of 7 years before release.

What is remarkable in Musar wines that they have been produced in a politically highly volatile area, where tensions and shoot-outs are not uncommon. Despite these difficulties, the wines were produced systematically even during the Lebanese civil war (1975–1990), when tensions were at their highest and bombshells were exploding all the way from Beirut to Beqaa and even in the vineyards. However, occasionally the grapes could not be transported directly via roads (some 70 km / 45 miles) from the Beqaa valley to the winery due to the unstable situations; in some cases the grapes had to be transported by taking a longer (250 km / 150 miles) detour, and once even by driving to the seaside and shipping them from port to port. To this date there have been only three vintages that have not been released:
  • The vintage of 1976 was lost due to the civil war: unstable situations prevented the workers to reach the vineyards and the crop was lost.
  • The vintage of 1984 was made, but there were great difficulties reaching the vineyards and transporting the fruit back to the winery – as it was impossible to reach the winery by land due to roads being closed, it was necessary to ship the fruit by sea. Due to this, the grapes were very overripe and started fermenting on their own before the winery was reached. The wine was practically undrinkable due to heavy flaws for years, even decades, but recent tastings have confirmed that the wine has changed into something remarkable after having been cellared for more than 30 years. The wine, however, still remains unreleased.
  • There were big uncertainties whether it was even possible to make the vintage 2006 due to the conflicts between Hezbollah and Israel. However, a ceasefire was announced shortly before the harvest and the grapes could be recovered from the vineyards. Although other 2006 wines have been released, the Musar Red 2006 still remains unreleased at the time of writing for more or less undisclosed reasons.

Well, I guess that includes what one should really know about Musar. Now, let's move on to the tasting notes. During 2016, I attended three different Musar verticals and enjoyed Musars both red and white in numerous other occasions. Some of these wines are enjoyed while contrasting them to other vintages, others are enjoyed purely on their own. Whatever the occasion, I always tried my best not to just evaluate the wine, but also to reflect back to the vintages, seeing how the wine performed against the other vintages.

Château Musar Blanc
  • Château Musar
  • Country: Lebanon
  • Region: Beqaa
  • Grape(s): Obaideh (Chardonnay), Merwah (Sémillon)





Background: The top white wine of Château Musar and the favorite wine of late Serge Hochar. Made from the Merwah and Obaideh grapes (old Lebanes clones of Sémillon and Chardonnay) sourced from ungrafted, low-yielding vineyards over 50 years of age, located at the altitude of 1,400 meters (4,600 feet) above sea level. Due to the high altitude, the wines are remarkably fresh and relatively low in alcohol (normally 12–12,5%) – up in the mountains the climate is remarkably cool, comparable to eg. Bordeaux, France, even though Lebanon is otherwise a rather hot Mediterranean country. Normally the base blend for the white is approximately 2/3 of Obaideh and 1/3 of Merwah, but the proportions might vary according to the vintage. The wine is fermented on indigenous yeasts in French 225-liter barriques and left to age for 9 months before bottling

***

Château Musar Blanc 2007
  • Tasted on: 28th of May, 2016

An uneven vintage with a sudden spring frost disturbing the growth cycle and a heat wave in August hastening the ripening process before the harvest.

The wine shows pale yellow color – frankly rather youthful for a white Musar. The creamy nose is a bit reticent with aromas of beeswax, green and yellow apples, some coconut oil, a little vanilla and a hint of crushed nuts. On the palate the wine is quite full-bodied and somewhat oily with succulent flavors of ripe citrus and lemon curd, creaminess, some coconut, a little stony minerality, a hint of vanilla and a touch of smoke. Overall the wine shows good freshness and structure with moderately high acidity. The finish is pretty long and somewhat bitter with an aftertaste of ripe apple, creamy complexity, stony minerality, a little coconut and a hint of vanilla.

Tthis is a delightful and balanced white, but also painfully primary for a white Musar, lacking the depth and complexity of the older vintages. Although it is drinking wonderfully now, the wine lacks all the things an older Musar can offer. Definitely not in need to be opened anytime soon.

89/100
Summary: Overall this is a very recommended Musar, but only to be cellared extensively; probably this is never going to be a top vintage of Musar White, but it has all the necessary pieces to turn into something beautiful with age. The score reflects its current status; probably the wine will gain a handful of points more once it reaches maturity. No need to open these at least in the next 5-10 years. Remarkably better than the red 2007.

***

Château Musar Blanc 2006
  • Tasted on: 28th of January, 2016

A very difficult vintage, but not that much because of the climatic conditions, but due to the conflict between Hezbollah and Israel. Fortunately a ceasefire came before the harvest and Merwah was particularly late-ripening this year, harvested after mid-October.

Medium deep honeyed yellow color. The wine has a bit reticent and somewhat waxy nose with aromas of cloudberry, dried peach, overripe yellow apple, some leather and a hint of beeswax; the nose seems to evolve constantly, no sniff being the same. On the palate the wine is dry and moderately full-bodied with high acidity. There are rich and supple yet slightly angular flavors of citrus fruits, waxy lanolin, beeswax, umami, some cream, a little aromatic herbs and a hint of stony minerality. The finish is dry, crisp and refreshing with quite prominent bitterness and a long aftertaste of ripe citrus fruits, green apple, some creaminess and a hint of spicy wildhoney.

This is a crisp, bright and refreshing Musar Blanc that is still way too primary. For any other wine, the above description of aromas and flavors might suggest some maturity, but this wine is still so simple and one-dimensional for a Musar; it shows very youthful, crisp, fruit-forward characteristics without any of the depth and concentration an aged Musar develops. However, it sports lovely structure and freshness, speaking volumes about its cellaring potential.

91/100
Summary: I imagine this one will never be one of those stupendous Musar super whites, even with extended cellaring, but instead one of those more delicate and elegant Burgundian Musar whites. Although it is too young to be truly enjoyed now, the wine shows some truly beautiful character already and will without a doubt develop really nicely in a cellar. A bargain at only ~30€.

***

Château Musar Blanc 2005
  • Tasted on: 23rd of October, 2015

Unlike in most European wine countries, the 2005 was an atypically cool and humid vintage in Lebanon, resulting in harvest delayed more than a week from normal schedule and with wines showing lower than average alcohol and higher acidity.

Medium deep, developed golden yellow color. Elegant nose that is dry and savory, yet not something unlike a sweet dessert wine, being slightly oxidized in a lovely way and complemented with aromas of freshly pressed apple juice, honeydew melon, apricot, vanillin, some nuts , a little bit of Corn Flakes-y aromatics and a delicate hints of orange blossom. The dry, complex and developed taste has transcended the youthful fruit phase into the tertiary caleidoscope of beeswax, dried herbs, some oxidized nuts, a little vanilla and a hint of bergamot; a streak of Amontillado-like salinity lingers underneath the palate. The mouthfeel is full and waxy yet remarkably fresh, lively and acidic at the same time. The structure is truly wonderful. Juicy, nuanced and complex finish with flavors of nuts, honey, vanilla, salty minerality and a hint of green apples.

Overall this is an incredible white combining the lush Musar White complexity with incredible freshness and structure. It is incredible already now, but it also shows lots of potential for further development, being a testament to how 2005 is a wonderful vintage not only for the red Musar, but for the white as well.

96/100
Summary: This is very far removed from those simple, fresh and fruity modern whites, making this wine even more unique – although it would be wonderful in its own right, no matter what kind of wines it would be compared against. I find it hard to imagine a better wine, unless it is a wine like this, only with even more age and complexity. That means I can hardly wait for this wine to reach its maturity. This is hands down one of the best Musar White vintages I've tasted and definitely one of the best whites you can buy for 30,90€.

***

Château Musar Blanc 2004
  • Tasted on: 28th of May, 2016

A very cool vintage: snow didn't melt until March, spring lasted until June and the ripening period was slowed down by constant cooler breezes. This resulted in wines with remarkably high acidity and low alcohol levels.

Deep golden yellow with a lighter, lemony hue. Very developed nose with aromas of wet dog, nuttiness and some smoke. Very developed, intense and even concentrated flavors of beeswax, bitter spiciness, some smoke, a little nuttiness and a hint of saline minerality. Overall the wine seems lively and surprisingly opulent regarding its low alcohol, with moderately high acidity. The midpalate segues into long and spicy finish with developed flavors of wax, ground roasted nuts, some old wood and a hint of vanilla.

88/100
Summary: This vintage is an elegant white Musar that is showing much more mature character than a white Musar should at this age, making me question the wine's provenance. It is lovely on its own with interesting complexity, but suffers greatly in a vertical of white Musars from 2007 to 1998, with many older vintages showing a lot more youth. It might be that this is a faster-developing vintage, but it also might be that this is probably not the most representative bottle of this vintage, which is why you might want to take my score with a grain of salt.

***

Château Musar Blanc 2003
  • Tasted on: 28th of May, 2016

The winter of 2003 was the rainiest in 15 years in Beqaa, but after April, no rain fell. A long heat wave in May decreased yields by 30%, concentrating the remaining grapes substantially. However, July and August were cooler than normal, delaying the ripening process. The harvest was carried out by normal schedule. The wine blend has a bigger proportion of Merwah than normal.

The color is rather deep, developed golden yellow. The wine shows an attractive, waxy bouquet with complex, savory and developed aromas of beeswax, almond, dusty furniture, wizened apricots, cream, some nutty oxidation, a little orange blossom and a hint of sweet white peach. On the palate it is full-bodied and oily with pure, intense flavors of fresh apple, ripe citrus fruit, stony minerality, some cream, a little orange peel and a touch of honey without any honeyed sweetness. The palate is a lot less developed than the nose, lacking the nutty characteristics almost completely, and although it feels quite voluminous, the palate still comes across as surprisingly light with remarkable freshness and good, bright acidity. The wine finishes with a very long, complex and intriguing aftertaste with persistent, layered flavors of peach, dried pineapple, cream, some wizened peach, a little almond, a hint of orange peel and a touch of something wild and a bit funky.

97/100
Summary: A truly remarkable vintage of white Musar and hands down one of the best white wines I've ever had; in its current state, this one surpasses even the truly wonderful Musar Blanc 2005 – although only time will tell which one will ultimately be better with extended cellar age. This is drinking wonderfully right now, but the palate has still a lot of youth, vigor and freshness left in it, so there is no need to hurry – this wine is all about cellaring potential. Profound stuff, extremely recommended.

***

Château Musar Blanc 2002

A hailstorm annihilated all the Merwah crops, so Musar Blanc 2002 was never released.

***

Château Musar Blanc 2001
  • Tasted on: 28th of January, 2016

A very hot and dry vintage: by mid-February the weather turned to much more warmer than usual with almost nonexistent rains. After relatively normal weather during the flowering, the weather turned hotter than normal for July and August. The harvest was carried by normal schedule in October with the harvested fruit being lower in acidity than normal.

The wine has a dark honeyed yellow color with pale copper hue. Upon opening the nose is surprisingly pungent and smoky with rather dominant aromas of burnt wood and mocha. However, these aromas blow off as the wine aereates, revealing an utterly complex, developed bouquet of pineapple, waxy lanolin, orange peel, autumnal leafy aromas, some vanilla, developed floral nuances and faint oxidized hints of hazelnuts. In the mouth the wine is rich, concentrated and opulent with full body; even though the wine comes across as quite big, it doesn't feel heavy nor flabby. There are intense and very complex flavors of beeswax, dried peach, stony minerality, creaminess, some aromatic herbal notes and a hint of developed nuttiness. There's medium acidity that gives some freshness to the wine when cool, but fades into the background as the wine gets warmer. The wine ends with a very complex and persistent, developed finish with concentrated, honeyed notes, dried yellow stone fruits, creaminess, stony minerality, some vanilla, a little almond or hazelnut and a touch of saline tang.

2001 is truly an extraordinary vintage of white Musar that transcends the state of being just white wine and becomes something more profound; an ideal of what a wine can be. It shows remarkable depth, complexity, power and concentration with impeccable balance. It also requires moderately long aeration of several hours and needs to be served cool enough just to push the modest acidity up a little.

98/100
Summary: A true masterpiece with otherworldly QPR at 35 to 40€. Despite its lower-than-normal acidity, this is not only one of the greatest white Musars I've had, but also one of the most profound white wines I've ever drunk.

***

Château Musar Blanc 2000
  • Tasted on: 28th of January, 2016

Deep golden yellow color. Heavy, musty aromas of TCA. Shucks.

Flawed

***

Château Musar Blanc 1999
  • Tasted on: 28th of May, 2016

A great vintage that had mild weather throughout the growing season, keeping the growth in check, until weather warmed slowly but steadily towards the harvest, resulting in remarkable power and concentration.

Golden yellow with a copper hue with a slightest bit of residue. Dry, spicy and developed nose with peculiar aromas of bruised cider apples, funky cheese rind, some mature honeyed character, a little nuttiness and a hint of smoke. On the palate the wine is dry, full-bodied and rich and it seems a lot younger than the mature and slightly smoky nose suggested. Intense, concentrated and ripe flavors of lemony citrus fruits, beeswax, cream, sweet cantaloupe, saline Fino Sherry tang, some browned apple core, a little stony minerality, a hint of almond, a hint of saffron and faint nuances of bretty leather. Rich, ripe and a bit heavy finish with complex, persistent flavors of ripe citrus fruit, candied ginger, stony minerality, some old wood spice, a little leather and a touch of wildhoney. There is also a faint sense of tannic grip and also a suggestion of coarse sensation in the throat, hinting perhaps for a faint touch of mousiness.

A wonderful, complex and delightful Musar with lots of aged Musar depth and complexity. However, the wine does not reach the profound levels of 2001 and 2003, as it feels a bit too heavy and ponderous at times.

92/100
Summary: Although the wine is starting to show some aged characteristics, there is still a lot of life to the wine with cellaring potential of several more years, maybe a decade. However, I suspect that this wine will not age as gracefully as some of the other great vintages. It might be that this wine was not in pristine condition, but in the case it was, apparently in 1999 the red version fared a bit better.

***

Château Musar Blanc 1998
  • Tasted on: 28th of May, 2016

A cooler-than-normal vintage resulting in lighter and more delicate wines with less oomph and more precision.

Mature deep golden color with a copper hue. Mature, but quite reticent and a bit muted nose with developed floral aromatics, sweet apple puree, some almond paste, a little dried yellow stone fruits and a hint of leather. Full-bodied and velvety smooth, even a bit oily mouthfeel with developed, complex and quite concentrated flavors that show pretty much ripeness. Rich, succulent notes of apple marmalade, ripe yellow plums, wizened peach, some vanilla, a little mature honeyed character and a hint of saline acetaldehyde tang. Moderate acidity that is in good balance with the body. Ripe, fruity and moderately long finish with flavors of pineapple, apple jam, wizened apricot, some dried peach, a little leathery brett character and a faint hint of saline tang.

This is a wonderful, balanced old white Musar with lots of elegance, showing a bit more ripeness than white Musars normally do with more emphasis on the sweet fruit than the depth and complexity that emerge with bottle age – or then it's just the concentrated richness that emerges with bottle age. Whatever the case, we have here really tasty and attractive stuff, albeit not as impressive as the best ones can be. 

91/100
Summary: This is a surprisingly youthful and supple effort with many years – possibly even decades – ahead and with good room for development. Although not as impressive as the best vintages, I wouldn't be surprised if this wine showed beautifully after another decade.

***

Château Musar Blanc 1995
  • Tasted on: 28th of January, 2016

A really high-quality vintage with great concentration of high-quality fruit, although the quantity of fruit was relatively low due to hailstorms that brought the amount of harvested fruit down by 30%.

The wine's luminous pale bronze color is showing some signs of age. Somewhat developed and incredibly complex nose exhibiting aromas of dried orange, roasted nuts, volatile notes of nail polish remover and balsamico, some tawny-ish oxidation, a little savory wood character, a hint of overripe apricot and a whiff of brett. It is full-bodied and rich on the palate, yet with tight and paradoxically almost austere structure. Layered, complex and mature flavors of surprisingly pronounced bitterness, wet rock minerality, wizened peach, some dry honey, notes of orange pith, a little browned butter and a hint of vanilla. Although the wine feels rich and developed, the racy acidity is surprisingly high and gives the wine a lot of freshness and focus. The finish is extremely long and layered with pronounced bitterness and very persistent aftertaste of wildhoney, dried pineapple, some beeswax, a little tangy salinity and a hint of nutty oxidation.

Now this is a fascinating example of a 20 years old white Musar showing some signs of age, but only in the nose and in the flavors – not in the tightly wound, almost austere structure, that seems to have remarkably long life ahead. If the wine is this tight and nervous after all this cellaring, I doubt that the wine will ever resolve into something more relaxed, even with extended aging. However, the wine is drinking beautifully now and will most likely keep for a number of years, probably even over a decade.

93/100
Summary: A very attractive and enjoyable effort; one of the better vintages of white Musar. However, the wine is starting to get a bit expensive at 65–75€ or even more.

***

Château Musar Blanc 1992
  • Tasted on: 24th of February, 2016

A difficult, super-wet vintage when especially the red grapes fared poorly and no red Musar was released, as the grapes were declassified to be used in lower-tier bottlings. Almost all of the Merwah crop was lost, so this is supposedly a 100% Obaideh.

The wine appears deep golden yellow with a deep bronze hue. It has incredibly complex, concentrated nose with aromas of dried aromatic herbs, nut paste, dried pineapple, peach marmalade, some créme brûlèe, a little vanilla, a hint of smoke, nuances of Amaretto and a touch of carrot purée. You don't even want to proceed to tasting the wine, as the nose is simply so absorbing. The wine is full-bodied, textural and slightly oily on the palate with obvious concentration from the age. There are layered, intermingling flavors of yellow apple, creaminess, some wizened peach, a little vanilla, a hint of bitter almond extract and a touch of spicy wildhoney without any of that honeyed sweetness. That good, bright acidity gives the wine terrific focus and structure. The midpalate segues into long, lively and mineral finish with complex, layered flavors of dried apricot, honey, some cream, a little vanilla, a hint of ripe citrus and a touch of sweet woody caramel. The aftertaste lingers on the tongue for minutes, evolving constantly into something new and intriguing.

Although the 1992 was not a vintage for the red Musar, it's white counterpart is truly a perfect example of this unique style. At this point the wine shows incredible complexity, texture, structure and depth without any signs of going past its peak anytime soon.

99/100
Summary: Perhaps the greatest white Musar (or any white wine for that matter) I've had to this date. Truly a dumbfounding experience. Simply spectacular.

***

Château Musar Blanc 1991
  • Tasted on: 28th of January, 2016

I couldn't find any background information about how the conditions were like in this year, but supposedly 1991 is a very highly-rated vintage. According to some sources, 1991 was a vintage in which the winery experimented with new French oak barrels when making the white.

Luminous bronze color with deeper, developed, slightly reddish copper hues. Developed and incredibly complex, yet slightly restrained nose that shows some signs of age in lightly oxidized nuances. Aromas of tangerine peel, dried orange, smoke, some wood bark, a little lanolin waxiness, hints of honeyed beeswax, a touch of hazelnut oxidation and a whiff of caramel; lots of everything. Rich and powerful on the palate, showing some concentration that comes with age. Developed flavors showing enormous complexity; even robust notes of Asian spices, roasted nuts, moderate bitterness, beeswax, some smoke, a little wildhoney, a hint of stony minerality and a touch of candied orange peel. With some aeration the wine seems to settle down in the glass. Good acid brightness and focus. Complex, intense, almost taut and very persistent finish with layered, intermingling flavors of ripe citrus fruits, raw red apple, pronounced bitterness, stony minerality, lanolin waxiness, some dry wildhoney, a little peanut butter and a hint of roasted chestnuts.

This is truly a brilliant old Musar that shows lots of mature characteristics, yet with remarkable freshness and energy. Hard to say whether the wine has already reached its plateau of maturity, or if it is still going up, but nevertheless it is drinking beautifully right now.

95/100
Summary: Wonderful balance, structure and depth; this is what old Musar is all about. Will keep easily for years, probably even decades. Not the greatest white Musar I've had, but very close. Truly spectacular. Priced according to its quality at 95€.

Our lineup from January 28th, 2016
Having tasted through these wines I've reached the conclusion so many Musarists have done before me: the white Musars really are some of the most distinctive white wines in the world, and with remarkable aging capability as well! Even though these wines are aged for a good number of years in Château Musar's cellars before release, they are still painfully young when they hit the market. Even though the best vintages can offer some immediate enjoyment upon release, tasting through these older vintages has shown me that the sweet spot of these wines does arrives not until some 15 years after the vintage, when the wines have passed the fruit-forward phase of youth and start to exhibit the waxy, concentrated complexity of an aged white Musar. It is no wonder Serge Hochar called the white Musars his "real red wines", and an oft-seen comparison of aged white Musar to a "dry Sauternes" actually does justice to this wine. After all, these wines do acquire remarkable richness, complexity and even hints of honeyed sweetness with long cellaring, making them feel very much like a good, old Sauternes – only without any of their residual sugar sweetness.

So, if you have never experienced a white Musar, I strongly advise you to get a few bottles in your hands! One does not suffice: you need to get one just to have a general idea of the wine, but let the rest of the bottles age long enough in the cellar! And if you have tasted only young white Musars, don't think you know much – although the best whites can be really lovely when young, the whole idea of these wines is to enjoy them when they start to show their true colors with enough bottle age.

But instead if you have tasted older white Musars and didn't like them – I honestly don't know what's wrong with you.

December 15, 2016

Nascetta

A few years back I ran into this energetic, wild-haired wine producer who introduced me to Nascetta, one of the most intriguing things from Piedmont to find its way into the wine market in the past few years. This talkative producer was Enrico Rivetto from Serralunga d'Alba (in the Barolo wine region), one of the greatest proponents of Nascetta, the forgotten white gem of the Langhe region.

Although Nascetta wines seem to be a recent thing in today's wine market, Nascetta itself isn't. It's a variety that has been long cultivated in the Barolo region – verified by documents that prove its history with the Langhe region at least until mid 1850's. In the past it was used in sweet quality wines, blended with local Favorita (aka. Vermentino) and Moscato (aka. Muscat à Petit Grains) varieties, but little by little its popularity waned. As a variety difficult to cultivate with unpredictable yields, its plantings were reduced drastically after the phylloxera hit the region and the variety was virtually extinct in Langhe after the WWII, surviving in only a few rows of vines grown sporadically here and there.

However, in 1990's things started to change as the variety was rediscovered in 1991 by Elvio Cogno, a wine producer from Novello (also in the Barolo wine region), when he tasted a freak Nascetta bottling from 1986. He started to experiment with this curious, forgotten variety and, little by little, it started to gather some following. In 2010 the efforts by the strong-willed Nascetta-growers were paid off as the variety was finally accepted as an official variety of DOC Langhe so that the wines needn't be labeled as vino da tavola with no designation of vintage or origin.

Nascetta might be a variety difficult to cultivate with unpredictable yields, but since its discovery over a century ago the variety has been noted from the high-quality wines it produces. Although not a particularly expressive variety, it is categorized as a semi-aromatic variety due to the high content of terpenes, especially linalool – the compound responsible for the floral aromas also found in Muscat grapes. The variety is known for its good structure, rather high acidity and great balance between the fruitier notes and the bitterness that seems to be a defining characteristic of the variety. Though many producers age their Nascetta wines in stainless steel, the grape seems to adapt well to both longer skin contact maceration and aging in oak barrels. What the variety lacks is a good marketing force behind it: last time I met with Enrico Rivetto he said that many producers believe in the high quality of Nascetta and also believe that it might be the next big thing to come out of Langhe region, but unfortunately there is very little co-operation among the producers of Nascetta. If the producers would co-operate, they could have their voices heard better, instead of being just lone singular voices lost in the noise. Seeing both how vehemently Rivetto believes in his Nascetta wines and how great his wines really are, I can do nothing but agree. Nascetta really seems to be that white variety that could bring in some welcome difference in the Nebbiolo-Barbera-Dolcetto-driven red landscape of Langhe hills.

I have tasted a handful of Nascetta wines over the past few years. Here are my notes on them:

Rivetto Langhe Nascetta 2013
DOC Langhe
  • Rivetto
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Price: 20€ / 0,75
  • Tasted on: October 16th, 2014



3 days of maceration with skins. Vinified with natural yeasts over 9 months in steel tanks.

In the glass the wine shows intense lemon color with pale green highlights.

The wine feels open and quite aromatic with aromas of red apple, hay, almond and honeydew melon. Underneath there are nuances of green herbs, some yellow plums and a slightest lifted touch of nail polish.

On the palate the wine feels quite full-bodied and supple, yet also dry and nicely structured. There are flavors of ripe red apple, yellow plums, some herbs, a little honeydew melon, a touch of honey and some rather intense, chalky minerality that turns a bit to salinity towards the finish. Overall the mouthfeel of the wine is soft and easily approachable, yet also really fresh and far from flabby or tired.

The wine finishes with a mid-length to lengthy, dry aftertaste with flavors of herbs, wet stones, sea salinity, some quinine bitterness and fruity hints of apple, yellow stone fruits and lemony citrus fruits.

91/100
Although my description might make it sound that this is a rich and fruity white, this is not. Rivetto Nascetta is more of a dry, bitter and mineral white only with notably large presence. The flavor profile is surprisingly stony and dry, with less emphasis on the fruit side, making the wine feel unexpectedly complex, balanced and intriguing. Not a big and showy grape variety, Nascetta is in turned here into a lovely, interesting and gastronomic wine that can be not only easily paired with a different variety of foods, but cellared for mid-term as well. Sophisticated and balanced effort, showing good value at 20€.

***

San Silvestro Ghercina Nas-Cëtta 2013
DOC Langhe
  • Cantine San Silvestro
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Price: 14€ / 0,75
  • Tasted on: April 20th, 2015



A wine made from the grapes sourced from the comune of Novello, the birthplace of Nascetta at the heart of the Barolo wine region.

The wine has a yellow-green lemon color.

In the glass the wine has a youthful and a bit reticent nose with fruity aromas of yellow plums, sweet apples, some floral acacia notes and a hint of peach.

On the palate the wine feels full-bodied, but with good acidity that gives the wine a lot of structure and even some tart crispness. Flavor-wise there are dry, pure flavors of apple, stony minerality and some apple peel bitterness.

The finish is medium-long, slightly warm and even more bitter than the midpalate with flavors of aromatic herbs, fresh yellow apples, some apple peel notes and faint floral hints.

85/100
Summary: Overall this "Nas-Cëtta" is a nice little wine that works perfectly as an aperitif sipper and a food wine with light antipasti. Despite showing the semiaromatic and slightly bitter characteristics typical of the variety, this seems to be at the end of the day a quite simple and one-dimensional effort compared to the better Nascettas. Though I must admit, the wine was very moderately priced at only 14€ in a restaurant in Castiglione Falletto.

***

Ettore Germano Langhe Nascetta 2013
DOC Langhe
  • Ettore Germano
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Price: 14€ / 0,75
  • Tasted on: April 23rd, 2015



The grapes are sourced from a 0,4 ha (1 acre) plot in Alta Langa, planted in 2004. The wine is macerated for an impressive period 5 days with the skins to extract more depth, complexity and structure from this semi-aromatic, yet often rather austere variety. Aged for 6 months in stainless steel and further 5 months in bottles. No malolactic fermentation. Annual production of only 2,000 bottles.

The wine has a deep green-yellow color of a barely ripe lemon.

Slightly reticent, cool nose with lots of understated complecity; aromas of honey, yellow stone fruits, some wet stones, a little ripe lemons and a hint of herbal greenness.

On the palate the wine feels full-bodied and rich with high, structured acidity, yet also with almost oily mouthfeel. Dry, quite intense and complex flavors of minerality, sweet stone fruits, succulent White Transparent apple, mirabelle plums, some spicy complexity, light ripe pear notes and a hint of smoke. Also a slightest touch of tannic grip can be felt, contributing to the structure of the wine.

The wine finishes with a crisp, tightly wound and rather mineral-driven aftertaste with dry flavors of tart green apple and lemon-driven citrus fruits, some greengage, a little astringent bitterness and a touch of wax.

93/100
Summary: This is easily the most impressive Langhe Nascetta I've tasted with remarkable depth, complexity and structure. Apparently the prolonged skin contact seems to suit this variety well. Germano's Nascetta is truly delicious stuff with a lot of cellaring potential. At only 14€ this is a real find. Highly recommended.

***

Diego Conterno Langhe Nascetta 2013
DOC Langhe
  • Diego Conterno
  • Country: Italy
  • Region: Piedmont, Langhe
  • Grape(s): Nascetta (100%)
  • Tasted on: April 25th, 2015




This wine is made from grapes sourced from plots located at the altitude of 400 meters a.s.l.; the wine is aged for 6 months in stainless steel tanks.

The color is pale watery green.

The nose exhibits bright, fragrant aromas of sweet yellow apple, grass, hay, some stony minerality and hints of gooseberry.

On the palate the wine is quite full-bodied yet nicely refreshing and high in acidity. The flavors are rich, yet not particularly ripe, with notes of wet stones, crisp lemony citrus fruits, sweeter red apple notes with less emphasized nuances of tart green apple, some steely minerality, a little vegetal greenness and a hint of bitterness. There is also a hint of sweeter stone fruit at the tip of the tongue.

The finish is dry and quite austere, but pretty lengthy as well with understated complexity. There are flavors of herbs, stony minerality, almost quinine bitterness, grassy greenness, some grapefuit pith and a little granite minerality.

91/100
Summary: In a nutshell, this is a really attractive little white with very dry, rather bitter and somewhat austere flavors, yet with nice weight and sense of complexity. A wine like this that seems to be lacking in fruit might not be everyone's cup of tea, but I really did enjoy the refreshing qualities, good structure and layered nuances this wine offered. It is a good food wine, but its austere flavors with at times rather pronounced bitterness may take toll on its versatility – it might not be easy to pair a wine like this so that it wouldn't either clash with the food or overwhelm it. Still, a nice little drop that might even age nicely for short-to-medium term. Recommended.

***

Overall Nascetta has taken me by quite a surprise: just two years ago it was a variety I had never even heard before, but only within a year I had managed to find a handful of very different, yet overall positive examples of the variety, reinforcing my positive impression of it. I've yet to taste a barrel-aged version, as they seem rather hard to come by – many producers feel that Nascetta fares best when aged in neutral vessels which don't come into the way of the aromatics of the variety. As this is a notion I can agree with, I'm actually not that keen on searching specifically for a barrel-aged Nascetta; however, should I ever come across a barrel-aged example of the variety, I would gladly taste it – in the name of science, wine journalism and curiosity!

I couldn't help but notice how some producers seem to favor skin maceration times that are rather long in traditional white wine vinification – most likely due to the fact that even though Nascetta is a semi-aromatic variety, a great part of its aromatic compounds are in its skins, not in the juice. This has made me wonder whether Nascetta could be a suitable variety in making orange wine as well? Something not unlike how Ribolla Gialla – occasionally considered a rather undistinguished white variety – turned into something profoundly complex and unique with extended skin maceration in the hands of such people like Josko Gravner and Stanko Radikon. Maybe amber Nascetta wines could be the next "outside the box" wine of Piedmont?

December 7, 2016

Vertical of the month: Burgaud Côte du Py 2006-2012

Beaujolais made great work in gaining worldwide recognition in 1970s to 1990s by creating the Beaujolais Nouveau phenomenon. However, at the same time they effectively managed to ruin their reputation of a respected region capable of producing tremendous, serious wine. When people started to associate the name Beaujolais only with that simple, inexpensive, fruit-forward swill redolent of banana and bubblegum aromas, no-one in their right minds touched a bottle of Beaujolais anymore.

And that is a great shame, because many of the best Beaujolais wines – especially many of those coming from the 10 specific Crus located in the northern part of Beaujolais – can easily match (and even surpass) the power, depth, poise and elegance of the esteemed Côte de Nuits reds from the neighboring region of Burgundy – and often at only a small fraction of their prices! Fortunately the serious Beaujolais reds are now regaining their recognition, but it has taken the quality-oriented producers several decades and a lot of effort to remedy the bad publicity rounded up by the Nouveau wines.

Beaujolais is also a region known not only of the Nouveau wines, but as one of the birthplaces of the so-called natural wine movement. Many natural wine producers follow the non-interventionist philosophies that originated some 50 years ago from a handful of Beaujolais producers and winemakers, spearheaded by a winemaker-scientist Jules Chauvet, and since developed further by prolific names like Guy Breton, Jean-Paul Brun, Joseph Chamonard, Jean Foillard, Marcel Lapierre, and Jean-Paul Thévenet. These are producers many new natural winemakers look up to and also names often associated with the best Beaujolais wines.

One of the members belonging to the top echelon of Beaujolais's natural winemakers is Jean-Marc Burgaud, the head of his eponymous winery, Domaine Jean-Marc Burgaud, founded in 1989. A great majority of his holdings spanning 17,5 ha are located in the Beaujolais Cru region of Morgon, known to be the sub-region capable of producing the most concentrated and cellarworthy examples of Beaujolais wines – along with the equally impressive Cru of Moulin-à-Vent. Furthermore, a big part (approx. 8 ha) of these Morgon vineyards of Burgaud are located in sub-sub-region of Côte du Py, generally regarded as the best location within Morgon.

Burgaud's approach to vinegrowing and winemaking is quite simplistic one: his extremely densely cultivated vineyards see no synthetic fertilizers or repellents and they are tended by hand, whereas the wines are vinified naturally with strict hands-off policy and they receive only a small dose of sulfites upon bottling. The wines are vinified in a "Burgundian" fashion: instead of using the traditional carbonic maceration-fermentation process so commonplace in Beaujolais, Burgaud vinifies his wines with traditional method of crushing the grapes and letting the skins, seeds and pips macerate in the fermenting juice. The wines are vinified and aged either in concrete vats or old, neutral 228-liter pièce barrels. Due to these methods, Burgaud's wines are obviously tougher, more brooding and concentrated than the Beaujolais wines are in general. As Burgaud's winemaking is quite reductive, his wines can be a bit muted or reductive upon opening a bottle – especially a young one – but they are also remarkably long-lived, capable of aging effortlessly for several decades.

Now here is a comparative vertical of Burgaud's Côte du Py wine spanning 7 consecutive vintages, shedding some light on how these wines age.

Burgaud Côte du Py
AOC Morgon
  • Domaine Jean-Marc Burgaud
  • Region: Bourgogne, Beaujolais, Morgon, Côte du Py
  • Grape(s): Gamay (100%)







The mid-tier wine in the range of Burgaud: this is definitely more concentrated and serious than a great majority of his production, but still a notch or two under the few, more serious "reserve" bottlings. The grapes come from very old vineyards (approx. 50 yo) located in the famous Côte du Py subregion within the famed Morgon Cru. The grapes are macerated with the fermenting must for 12–14 days and the aging takes place exclusively in concrete vats, keeping such elements as oxygen and oak from muddling the purity of the fruit. The wine is always bottled after some 6 months of aging, in spring following the harvest, normally around April. One of the Burgaud's longer-lived wines.

***

Burgaud Côte du Py 2012
  • Tasted on: 15th of December, 2014

A difficult vintage, plagued by continuous rains. As the grapes struggled to ripen, the yields were on average the lowest in 40 years, resulting in very structured and concentrated reds.

Translucent black-red color. Quite sturdy nose with complex and a bit wild aromas of bitter orange peel (think of Campari), brooding dark fruit, sweet kirsch and hints of fresh blueberries. Full-bodied, rich and structured on the palate with moderate tannins and high acidity that seems to grow in the mouth. Very youthful and intense flavors of ripe red fruits, some cherry and a little bitterness that might partially be just tannic astringency. The long and persistent finish is full of focused, complex flavors like barely ripe blueberries, pronounced stony minerality, some sharp cranberry skin notes and a little tannic bitterness.

91/100
Summary: A very serious, stern and, most of all, very youthful Morgon wine that shows tremendous cellaring potential, but is still so very tightly-knit that it doesn't really show much yet. Even with long air time the wine seems very forbidding, and although not austere per se, still something along those lines. Probably will be really beautiful as the wine unfolds and starts to resolve after some years in the cellar. The score is a bit on the conservative side now and will probably go up as the wine ages. Highly recommended.

***

Burgaud Côte du Py 2011
  • Tasted on: 15th of December, 2014

Generally regarded as a good, warm vintage resulting in quite big but balanced wines showing great ripeness. Especially the wines from Morgon and Moulin-à-Vent were very succesful.

Translucent black-red color. Very youthful, ripe and almost sweet nose with very red-fruit driven aromas of cranberry, lingonberry, some brambly notes and a little wild Campari notes with a darker-toned earthy undertone. Quite full-bodied, stern and even tough on the palate with very muscular and grippy tannins and high acidity. Darker-toned flavors of dark cherry, sour cherry, concentrated ripe dark berries, some savory crowberry notes and a little cranberry tartness. Very dense, chewy and robust finish with flavors of concentrated dark cherry, brambly blackberries, earthy spice and some stemmy notes with pronounced tannic bitterness and astringency.

92/100
Summary: A lot bigger, heavier and more muscular effort than the 2012 vintage showing very much cellaring potential, but also being almost inapproachable now. Super-concentrated and tough on the palate with the grippy tannins and high acidity keeping the fruit in a stranglehold. A very impressive effort, but in dire need of extended cellaring – probably will show beautifully after 10 years or so.

***

Burgaud Côte du Py 2010
  • Tasted on: 15th of December, 2014

A difficult vintage resulting in really impressive wines: the flowering started out poorly, reducing yield noticeably, and the whole summer in Beaujolais was very cool and the grapes struggled to ripen. However, the weather during the harvest warmed up considerably, ripening the grapes later than normally. Thus many of the wines show great balance and concentrated with remarkable depth of flavors as a result from the long growing cycle and late ripening.

Translucent black-red color. Very aromatic, perfumed and slightly wild, fragrant nose with aromas of crushed red berries, cherries, some plums and hints of dark-skinned berries. Medium-bodied and surprisingly dense and concentrated on the palate with very ripe, juicy and even slightly sweet fruit flavors of ripe cherries, crunchy dark berries, some meatiness and light aromatic hints of dried herbs. Moderately high in acidity with firm, structured tannins. Quite long, stern and very mineral finish with flavors of wet rocks, sour cherries, tart cranberries and some rough tannic astringency.

93/100
Summary: Not as forbidding and austere as the vintages 2011 and 2012, but nowhere as mellow and easy as the 2009 either. This wine is quite serious and structured, but shows some approachability as well: although the wine will easily hold for a decade or even more, it is also starting to drink nicely right now. It shows great balance between the ripe, crunchy fruit and firm structure. A textbook example of wonderful Morgon, very highly recommended.

***

Burgaud Côte du Py 2009
  • Tasted on: 15th of December, 2014

A very warm vintage throughout Europe. The producers in Beaujolais had no problem seeing their grapes attained full maturity and harvest was relatively early as many producers felt it was necessary to pick the grapes before they became overripe, losing their vital acidity.

Very deep, concentrated dark cherry color showing only very little translucency. Obviously very sweet and ripe nose showing highly aromatic, fragrant aromas of juicy red fruits, red cherries, some plum liqueur, a little raisin and a slight volatile hint of balsamico lift. On the palate the wine is very full-bodied for a Gamay with dense, spicy and almost chewy texture. Despite the sweet nose, the wine feels quite dry with flavors of ripe dark cherry, floral complexity and some juicy damson. Contrasting to the normal Burgaud's style, the structure here is rather mellow with moderate acidity and ripe, rather modest tannins. The finish is only medium in length with quite ripe, fruit-forward notes of dark plums, earth and a hint of stony minerality.

89/100
Summary: Overall this vintage is surprisingly easy and mellow in style – and not just for a Burgaud, but for a Morgon. The very warm vintage is very evident not just in the modest acidity and mellow tannins, but also in the sweet, almost raisined aromas. Although on the palate the wine is not as soft and sweet as the nose suggests, it is still feels a rather low point in this vertical. This is a thoroughly good high-quality Beaujolais, but still very far removed from the best vintages of Burgaud. It will probably age nicely and probably become more enjoyable with more age, but this is not a vintage I would age extensively.

***

Burgaud Côte du Py 2008
  • Tasted on: 15th of December, 2014

A really difficult vintage plagued by rain, hailstorms and diseases. Due to the cool conditions, the grapes ripened very late and often not in a good condition. Wines made in this vintage demanded a lot of work in the vineyard and lots of grape sorting in order to do any high-quality wine. Good wines from this vintage are few.

Quite deep and dark color of cherry marmalade, showing rather little translucency. The fragrant nose feels quite cool, yet suggesting a lot of sweet notes with ripe red cherry on the fore, supported by sharper notes of tart red berries and some green herbs. Noticeably light and ethereal on the palate; I'd even call it delicate and elegant, were it not for the robust tannins and angular flavors of sour and also slightly sweet cherry, some tart cranberry notes and a hint of iron. The tannins are not as ample as they can be, but they feel unpolished with quite noticeable grip. The acidity is quite modest not only for Burgaud style but overall for a Morgon wine. The finish is rather reticent and medium in length with flavors of ripe red fruit, fragrant floral nuances and a little pepper-driven spiciness.

88/100
Summary: A very restrained example of Burgaud, yet showing some unpolished roughness despite its lithe body and understated expression. Perfectly enjoyable, but definitely not a good example of Burgaud's style: probably won't develop that nicely in the cellar, but will instead just fade away with years. Although the wine is not as tightly-knit as most Burgaud's Morgons are, the structure feels a bit unbalanced in relation to the fruit. A wine better enjoyed during the next few years.

***

Burgaud Côte du Py 2007
  • Tasted on: 15th of December, 2014

A difficult vintage in Beaujolais with very cool conditions throughout the summer, reducing the yields under the average. However, the northern Cru regions fared a lot better with the warm and dry autumnal weather letting the grapes ripen fully, although very late.

Luminous dark ruby red color with moderate translucency. A fragrant and slightly developed, but also somewhat understated nose with aromas of dusty cherry, purple and dark berries, some sweeter cherry marmalade notes, a little meatiness and a hint of sappy green notes suggesting stemminess. Dry, quite full-bodied and rather acid-driven on the palate with focused and quite ripe flavors of ripe dark cherry, juicy red fruit, some herbal green notes, a little peppery spice and a hint of supple plummy fruit. Moderately pronounced, firm tannins. The finish is dry and rather taut with pronounced tannic grip, giving the aftertaste a bitter and slightly astringent feel, supported with acid-driven, tart flavors of lingonberries and cranberries with a slightly stemmy note of green wood.

91/100
Summary: Well, the difficult vintage shows here a little bit. Although there is good sense of ripeness to the fruit, the wine seems to suffer a bit from lack of focus and not altogether pleasant green notes peek through both in the nose and on the palate. Overall this is a very good and enjoyable Cru Beaujolais, but even with some bottle age it does not show that rough-hewn finesse of the best Burgaud reds. Probably will age nicely and develop further with age.

***

Burgaud Côte du Py 2006
  • Tasted on: 15th of December, 2014

A very uneven vintage of extreme weathers. On average not a vintage considered to be that ageworthy, although many producers have produced tremendous wines that still are in their youth.

Translucent dark cherry color. Sweet, aromatic and fragrant nose that is the first of these vintages that actually is starting to show faint signs of age: aromas of ripe dark cherry, blue- and dark skinned berries, some stony dust, light and ever-so-slightly sweet hints of red fruit marmalade and prunes concentrated by the age, and a faint nuance of wild, slightly lifted aromatics. Medium-bodied on the palate and obviously very concentrated for a Beaujolais; the complex flavors are dominated by a rather pronounced bitter, mineral and somewhat spicy tone with layered fruit flavors of ripe cherry and lighter hints of dark fruit. The structure is quite firm with balanced, high acidity and ample tannins. Although the tannins feel rather mellow and resolved at first, they gain power on the palate, becoming very grippy and powerful. Overall the wine shows nice, chewy texture. The finish is quite long and almost mouth-puckering with its firm, grippy tannins and high-ish acidity that emphasizes the flavors of bitter spices and sour cherries and the underlying stony mineral hints.

94/100
Summary: A superb example of Burgaud's style that shows his wines apparently start hitting their stride only at the age of approximately 8 years. The wine is obviously still on its way up with a lot of further improvement, but the wine isn't as stern and forbidding as the young Burgaud's so easily are. The fruit, that is showing very balanced and not excessive ripeness, isn't choked down by the structure, but instead is in wonderful balance as the structure has resolved a bit. With also some slightly developed nuances showing as well this is one of the greatest Burgaud's Côte de Py wines I've had. Highly recommended, a great testament to the benefit of cellaring these Cru Bojos.

The wines, from 2006 to 2012.

I'm so very happy that the Beaujolais wines are regaining the recognition they deserve. For such a long time a great wine-drinking majority thought that Beaujolais was nothing but simple, juice-like swill that smells of banana candies; as this vertical here shows, the best wines of Beaujolais are anything but! Especially the best Cru Bojo wines (Morgon and Moulin-à-Vent are names you might want to remember, if you enjoy stern and structured reds) from the best producers – like Burgaud here – can be really impressive and cellar-worthy, easily comparable to the great Burgundy reds, although, with a completely different, local character altogether. So, if you previously had misconceptions about the region, the next time you see a Beaujolais wine on the shelves of a wine store, don't just think of it as a simple, easy-and-early-drinking little red. It might be one of those stern and structured beauties you should be filling your cellar with.

November 26, 2016

Vertical of the month: Frank Cornelissen

In this day and age, when so-called natural wines are apparently all the rage, it seems that the people who haven't heard of Frank Cornelissen and his unique wines are quite hard to come by. But in the off chance that somebody unaware of him is reading my blog now, I thought it would be a good thing to start with an introduction of sorts on him.

Frank Cornelissen is a Belgian winemaker from Mount Etna, Sicily, Italy, whose wines have been popping up in articles and features here and there for the past decade or so. Before becoming a winemaker, he worked as a wine agent; however, in 2000, after having discovered the wines of Etna, he moved to Sicily, rented some vineyards and started making wine in a small cottage. Fast-forward a few years and Cornelissen has bought himself some very old, ungrafted vineyards from the volcano of Etna and is starting to make some name with his winery Azienda Agricola Frank Cornelissen and its characterful wines.

What makes Cornelissen's wines unique is his style of winemaking – or, perhaps more accurately, what the winemaking is lacking. Because even within these natural wine circles (where people make wines with as minimal interventions as possible) Cornelissen is regarded as an extremist of sorts. This is because he really doesn't do pretty much anything at all with his wines – the grapes are just crushed, the must is left to ferment and the final result is bottled, warts and all. Even within the natural wine circles this kind of total non-interventionism is quite rare. But despite being regarded as an extremist in relation to his winemaking, Cornelissen is hardly a fundamentalist. He is not making wines with a strictly set of rules, but instead with an attempt to learn from previous mistakes and constantly improve his end results. The only thing what is not changed is the principle that nature must run its own course with the wines, without any human intervention. Anything beyond that is improved year by year: whereas the older vintages of Cornelissen might have been notoriously unpredictable with heavy bottle variation, the more recent vintages are quite uniform with more precision and focus.

The 15 hectares of Cornelissen's low-yielding vineyards are cultivated in a non-interventionist fashion as well. The vineyards are planted with low density in order to ensure good ventilation and enough water for each plant. Cornelissen strives to use no treatments at all in the vineyard – a practice he has actually succeeded in with some vintages. Concerning the winemaking, the great majority of Cornelissen's wines are fermented and often also aged in fiberglass tubs while the most tannic and concentrated red and amber wines are fermented and aged in large, epoxy-coated clay amphorae that are buried in volcanic soil up to their necks. Cornelissen lets the wines ferment with indigenous yeasts and often employs very long skin maceration times – the crushed grapes are left to macerate with the fermenting must and the resulting wine is separated from the skins only after both the fermentation and the malolactic fermentation have run their course, normally after several weeks or even months. When the wines are finally bottled, they are bottled completely unfined and unfiltered. Cornelissen does not use sulfites at any point in the winemaking, not at the crush, not during or after fermentation nor upon bottling.

The wines of Cornelissen fall into four different tiers.
  • Contadino is the basic-level wine of the Cornelissen range. Originally this wine was a pale red or a funky rosé of sorts. It was – and still is – a multi-vineyard, multi-varietal field blend wine, into which Cornelissen uses all the grapes that do not go into his other wines. This includes both red and white grapes; originally the final varietal composition was about 70% reds, 30% whites, which explained the pale red color. However, nowadays the wine is almost exclusively composed of red grapes (mainly Nerello Mascalese) and from 2015 onwards the wine has actually been labeled as DOC Etna Rosso, instead of previous IGT Terre Siciliane. Although only "basic level" and the least expensive, Contadinos are still wines of remarkable depth, easily capable of aging for at least a decade. Annual production is 24,000 bottles.
  • Susucaru is another basic-level wine produced for the first time in 2007 and it has taken the place of old Contadino, in a sense. It is the "rosé" wine of Cornelissen and labeled as IGT Terre Siciliane Rosato, but in effect it is an orange wine (aka. skin contact white) composed of Catarratto, Inzolia, Malvasia and Moscadella with some red Nerello Mascalese to give the wine a red hue. Annual production is 18,000 bottles.
  • Munjebel is the mid-tier wine series of Cornelissen and includes wines both red and white. The red Munjebel Rosso is a pure Nerello Mascalese from four different, old (60 yo) vineyards, whereas the white is currently a blend of Grecanico (60%) and Carricante (40%) from four different, old (40 yo) vineyards. The white is made exactly the same way as the red wine, including prolonged skin contact until the fermentation and malolactic fermentation have finished, letting the wine age in clay amphorae for 15 months and bottling the wine unfined and unfiltered, resulting in a amber / orange wine with lots of visible sediment in the bottle. The annual production is 11,000 bottles for the red Munjebel and 4,000 bottles for the white Munjebel.
The penultimate tier spans one skin contact white and four red wines, all of them special bottlings of the regular Munjebel:
  • Munjebel Bianco VA ("Vigne Alte"; Grecanico 60%, Coda di Volpe 30%, Catarratto 10%) is produced only from the best grapes sourced from a single vineyard where almost centenarian ungrafted vines are cultivated at the altitude of 1,000 meters. Annual production is 500 bottles.
  • Munjebel Rosso VA ("Vigne Alte"; Nerello Mascalese 100%) is produced only from the best grapes sourced from three vineyards where almost centenarian ungrafted vines are cultivated at the altitude of 1,000 meters. Annual production is 1,800 bottles.
  • Munjebel Rosso CS ("Chiusa Spagnolo"; Nerello Mascalese 100%) is a single vineyard MunJebel from an almost centenarian, ungrafted vineyard located rather low ("only" 620 meters above the sea level). Annual production is 1,800 bottles.
  • Munjebel Rosso MC ("Monte Colla"; Nerello Mascalese 100%) is a single vineyard MunJebel from a very steep, terraced vineyard located at the altitude of 760 meters, where vines with 70 years of age are cultivated. Annual production is 1,800 bottles.
  • Munjebel Rosso PA ("Porcaria"; Nerello Mascalese 100%) is a single vineyard MunJebel from a vineyard located at the altitude of 640 meters, where the grapes often struggle to reach optimum level of ripeness. Annual production is 1,800 bottles.
  • Magma is the legendary flagship wine of Frank Cornelissen, produced only in the best vintages. Previously it has been produced from a variety of vineyards, but now it is produced from a single Barbabecchi vineyard, located at the altitude of 1,000 meters above the sea level, where ungrafted, centenarian vines are cultivated. Only the best, hand-selected, ripe (but not overripe) grapes from this vineyard go into Magma, whereas the rest are used in MunJebel Rosso. The grapes are foot-crushed and fermented in wooden containers, then moved into buried terracotta amphorae to age and finish malolactic fermentation naturally. After the MLF is finished the wine is racked off the lees and then aged in amphorae for 15 months. Annual production 1,300 bottles.
Curiously, most of the Cornelissen's wines are priced at less what their actual value should be, if production costs and all that should be taken into account. As Cornelissen realized that the MunJebel wines would be prohibitively expensive for a great majority of wine drinkers – an idea which he didn't like – he raised noticeably the price of Magma and lowered respectively the prices of MunJebel wines. The reasoning behind this was that there will always be people who can afford wines they want to drink, whatever their prices are, he could price his extremely limited flagship wine accordingly – not to make money, but instead make the rest of his production more affordable to the greater public!

***

Contadino 4
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014

A field blend of different white and red varieties, based on the vintage 2006, made completely without sulfites.

Initially cloudy, almost murky pink color with purple highlights, but quickly settles into a pale, translucent cranberry juice red color. Rather subtle, but very complex, lifted nose of leathery funk, sweet volatile notes, dried prunes, some lambic-like sourness and a hint of diethyl ether from the alcohol (15%). The nose is definitely sweet and ripe, but far from overripe and jammy. On the palate the wine is full-bodied, but unlike the nose, also bone-dry and really bracing with high, racy acidity. There are flavors of sunny red fruits, juicy figs, tart lingonberries and a hint of leather. The slightly grippy tannins are quite modest, but the high alcohol remains completely hidden. Only in the finish the alcohol becomes rather evident with quite pronounced warmth. There are long, juicy flavors of crunchy cranberries and lingonberries, some robust animal notes and hints of dusty, sun-baked earth and rocky minerality.

All in all, this wine is an interesting paradox: you'd expect something heavy and sweet by the nose, but the wine is surprisingly dry and structured on the palate. It is also quite full-bodied and high in alcohol, yet it drinks like a cool-climate Pinot Noir or Gamay with high drinkability! I'm confused, but also very charmed.

90/100
Summary: Despite being the "basic" wine of Cornelissen, there is nothing "basic" in this one! Definitely an antipole to the modern, industrial wines. Considering that the wine was over 7 years old at the time of tasting, this wine has held together remarkably well, not showing the least bit signs of tiring – or even aging, for that matter!

***

Contadino 6
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014



A field blend of different white and red varieties, made completely without sulfites. The bottle does not state the vintage, but I'd assume the wine is either based completely on the vintage 2008, or then it is a blend of 2008 and 2007.

The color is very similar to the Contadino 4 – initially cloudy, murky pink with a purple hue, but settling quickly into pale, translucent cranberry juice red. I'd say the hue of this one is a bit darker, perhaps veering slightly into brown or pomegranate. Very unique and characterful lifted nose, that feels more darker-toned than that of Contadino 4. Lots of brooding VA notes bringing aromas of cough medicine and floral "violet marmalade" (yes, I couldn't get more precise than this) that are backed up of ripe, plummy fruit, something almost porty and a hint of perfume. On the palate there is striking similarity to Contadino 4: this is full-bodied and packed with sunny fruit, not unlike an Australian Shiraz, but with poise and acidity of a cool-climate Pinot Noir. There are flavors of wild strawberries and sweet red cherries, but with some sour cherry bitterness and something that I'd describe as "malty". Although the tannins are not very ample, they are quite grippy, giving the wine stern structure along with the high-ish acidity. The finish is dry and somewhat coarse, but with delicate and persistent flavors of tart lingonberries, wet forestland, some earthy spice and again that curious hint of maltiness.

Contadino 6 is very similar to Contadino 4, but still very different by its aromas and flavors. Despite having some age to them, they are still very youthful and energetic wines – a testament to the aging capabilities of non-sulfited wines.

90/100
Summary: A bright and youthful "basic" Cornelissen wine with almost Kriek lambic -kind of character with its wild and malty notes and bracing, mouth-puckering acidity. Probably not the easiest wine to pair with food, but definitely very enjoyable with its through-the-roof drinkability!

***

Contadino 8
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014



Based on the 2010 vintage.

In the glass the wine is pale pomegranate red with some haziness; in the rims the wine is quite clear. With a little wait, the haziness settles down as sediment in the bottom of the glass and the hue of the wine turns a bit darker. The nose is more open and fruit-forward than with Contadinos 4 and 6 with very ripe and sunny aromas of sweet strawberries, floral notes of violet and jasmine, crushed forest fruits, some smoky, volcanic minerality and a hint of tree bark. On the palate the wine is quite full-bodied, but also rather tightly knit with pronounced bitterness and good tannic grip. The juicy flavor department is dominated by crunchy red berries like cranberries and goji berries, but there is also a quite prominent streak of almost jammy red fruit and a hint of sweet volatility, giving the wine a really sweet edge, almost making it appear off-dry. This sweetness is, however, offset by very pronounced, racy acidity of almost lambic-like tartness and quite modest yet somewhat angular and astringent tannins. The alcohol level is a bit lower (13,5%) than those of Contadinos 4 and 6, yet it shows through ever so slightly. The finish is somewhat warm and medium in length with juicy flavors of cranberry-driven fruit, some dusty earth and hints of slightly bitter, sooty volcanic minerality.

Overall Contadino 8 is an attractive, succulent and highly drinkable little red(ish) wine, but paradoxically this wine seems a bit hotter than Contadinos 4 and 6, even though the alcohol is lower here. This was obviously a bit sweeter than the two previous ones, but it really didn't matter, as the acid-driven tart red fruit character served as a great counterpoint to the sweetness.

89/100
Summary: It is funny how often one can hear how wines made without sulfites can't survive for long, whereas these Contadinos – the "simplest", least expensive wines in the Cornelissen range – seem to hit their stride only around 5 years of age! This is based on how this wine seemed to be a bit less complex and more awkward than the Contadinos 4 and 6 tasted right before this – although this is really nice and interesting as well, I'd say it is very slightly behind these two older efforts.

***

Contadino 9
Vino da Tavola
  • Azienda Agricola Frank Cornelissen
  • Country: Italy
  • Region: Sicily, Etna
  • Grapes: Alicante, Carricante, Catarratto, Inzolia, Nerello Cappuccio, Nerello Mascalese
  • Price: ~30,00€ / 0,75 l
  • Tasted: February 26th, 2014

Based on the 2011 vintage.

The color is very similar to the Contadino 8, but both with a bit darker hue and with slightly less haziness. Overall Contadino 9 seems a bit more clear and less hazy than Contadinos 4, 6 and 8. Amongst these four Contadinos, number 9 is the richest and most expressive one with very fruit-forward aromas of sunny red fruit, ground green herbs, some alcohol, a little volcanic smokiness and a hint of chinotto orange (think of Campari). On the palate the wine first shows a hint of CO2 prickle, which blows away almost instantly. Flavor-wise Contadino 9 seems a lot more youthful than the three earlier iterations with quite juicy, succulent and even a bit sweet flavors of wild strawberries, tart cranberries and a hint of malt. The acidity is quite high, keeping the sweetness and structure in check, but compared to the earlier Contadinos, the acidity seems slightly lower than what is normal. The wine is moderately high in tannins, giving the palate some chewy texture and also a hint of astringency, that offsets the sweetness nicely. 15% of alcohol stays away nicely. The finish is dominated by rich, sunny red fruit flavors with hints of alcohol warmth, some tart lingonberry character and a little hints of leather and animal. However, there seems to linger a slight note of mousiness towards the end of aftertaste, giving the finish a slightly unpleasant note.

A wild, lively and vibrant natural wine, but also a bit softer and easier-to-approach than the Contadinos 4, 6 and 8.

87/100
Summary: Definitely an interesting and unique wine, but somehow this one feels a little unpolished compared to the Contadinos 4, 6 and 8 (how on earth can wines as natural as these feel polished?) and showing some not-only -enjoyable funkiness. This is quite complex and interesting, but definitely not the best one of Contadinos. It might shed some of that excess sweetness and baby fat with some years in the cellar, so probably the wine will show better after a few more years in the cellar.

***

Munjebel Bianco 4
Vino da Tavola

Based on the vintage 2007. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

A slightly hazy, honeyed yellow color with a hint of pale brown – by its appearance this wine reminds me more of IPA beers than anything vinous. Lots of sediment in the bottle. Quite reticent nose with rather subdued aromas of ripe apricot, some matured honeyed notes, a little hint of candied orange peel and a whiff of nutmeg with an elegant, minty lift. On the palate there is an initial prickle of CO2, that dissipates almost instantaneously . Flavor-wise the wine reminds me quite much of lambic beers – not just because of this prickle, but also because of the funky and somewhat earthy, wild flavors and pronounced, high acidity. The flavors are somehow quite neutral, yet still full of power and depth – there are nuances of green apples, tart green gooseberries, some balsamico vinegar volatility, a little unripe peaches and a hint of nutty oxidation. Despite its acidity, the wine feels quite full-bodied with almost oily mouthfeel. Tannins are quite light, but they still give nice bite. The finish is quite light in flavor, but rather long and remarkably fresh with flavors of green, bitter herbs, some lambic-ish green apple sourness, faint animal hints and a touch of tart lingonberries.

At over 6 years of age, this completely sulfite-free wine is in pristine condition and full of life! Only the slightest hints of oxidation suggest that maybe the wine has some years under its belt.

93/100
Summary: A wonderful skin contact white that has already some age to it and seems to be drinking wonderfully now, although – based how the wine seemed to just evolve in the glass – I can imagine it will develop further at least for a handful of years. Decanting is recommended; not only does the wine become more expressive with air, the bottle is also packed with deposit. All in all, this is not an easy wine, but instead one that has more in common with gueuze lambic beers than a great majority of modern white wines. Some might consider this wine faulty and undrinkable, but for me, this was a thoroughly tasty and refreshing experience. Recommended for acid-loving adventure-seekers.

***

Munjebel Bianco 7
Vino da Tavola



Based on the vintage 2010. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

By its appearance Munjebel Bianco 7 is almost identical to Munjebel Bianco 4: this is as hazy yellow with a similar pale brown hue. Decanting recommended due to the big amount of sediment. However, nose-wise Munjebel Bianco 7 is completely different: this wine is quite expressive and rather funky with somewhat waxy aromas of peach, farmhouse cider, some herbal thyme notes, a little pepper-driven spice, some volcanic smoke, a little of chinotto (think of Campari) and a slightest hint of honeyed dessert wine notes. With some air, the nose gains even further complexity, starting to exhibit nuances of fresh tomatoes and slight vinegary VA, giving the nose a slightly ketchup-y tone. The nose department is so complex it feels almost silly and you really don't want to move on actually drinking the wine – not because the nose would be off-putting, but because it is so interesting you just want to keep sniffing the wine! On the palate the wine is – like so many Cornelissen wines are – bone dry with bracing acidity. There are flavors or really tart Granny Smith apples, some whitecurrants, light grapey hints of Sultana, a little saline minerality and a slightest touch of cherry-driven red fruit. The finish is really refreshing with very high, mouth-puckering acidity and with gueuze lambic-like flavors of whitecurrants, aromatic green herbs, some wet stone minerality, a little green apple and a hint of coarse bitterness. The bright and crisp aftertaste persists for moderately long.

The white Munjebel 7 seems to be a lot tighter-wound, rougher in the edges and overall more youthful than Munjebel Bianco 4 – although without the CO2 prickle. Probably some age would soften the wine a little bit and bring some more complexity to it.

91/100
Summary: Overall this is remarkably fresh and charming a wine, but probably quite hard one to approach as well; after all, this wine is mainly about acidity and structure with very little of anything fruit-related. Probably this wine will suit best the fans of lambic beers. Judging how the Munjebels are capable of aging, I could see this wine benefiting from 4–5 more years in the cellar.

***

Munjebel Bianco 8
Vino da Tavola

Based on the vintage 2011. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

By its appearance this wine is a bit more pale than Munjebel Biancos 4 and 7; if these two previously tasted wines looked more like IPA beers (without the head), this wine looked more like a Belgian tripel beer (also without the head). Whereas the aromas of Munjebel Biancos 4 and 7 were more restrained and herbal, this wine is more expressive and fruit-forward with aromas of bruised apple, peach, some pithy grapefruit and a hint of passion fruit, with some volatile, minty lift and something resinous, reminding me of new world hops. With some air, faint nuances of wildhoney and autolytic brioche emerge. By the nose one might expect the wine to be very ripe and full-bodied; instead it is lithe, bone-dry and bracing in its high acidity. Although the flavors exhibit generous tropical fruit aromas, they still feel austere and mouth-puckering, supported by notes of herbal greenness, freshly pressed apple juice, some bitter orange peel, a little bretty leather character and a tart hint of something like Weissbier. The light tannic grip further emphasizes the already tightly knit structure of the wine. The aftertaste is really crisp and tart with intense flavors of green apples, dried herbs, tart passion fruits, some wildhoney and bitterness that turns towards something malty and slightly nutty in a slightly rancid kind of way, maybe a hint of mousiness going on here?

Whereas the white Munjebels 4 and 7 were quite lambic-like, this wine seems to diffuse that line between white wines and beers even further, not just being really tart in a lambic-kind of way, but also showing some malty characteristics more reminiscent of some wheat beer than white wine! Although some of that malty character turns to slight roughness towards the end of the aftertaste, making me wonder whether the wine is suffering from a mild case of mousiness?

92/100
Summary: Mousy or not, this wine is an extreme wine by any standards – and extremely tasty at it! Most likely this is not a wine for most of wine drinkers, because understanding this wine fully requires you not to understand just natural wines, but also appreciate Belgian sour ales and dry farmhouse ciders. I can understand that because of these characteristics many people can deem this one outright faulty, but maybe this is like a clever pun – some people just don't get it. With its fruit-forward aromas and flavors, Munjebel Bianco 8 is more approachable than many other, less fruity iterations, but still I wouldn't consider this easily approachable wine. This is an adventure and experience of the extreme sort.

***

Munjebel 4
Vino da Tavola



Based on vintages 2006 and 2007, blended together. Aged in underground clay amphorae.

There is more than an inch of deposit in the bottom of the bottle, thus the wine is decanted carefully into a decanter. The color is translucent, medium-deep pomegranate red. Quite restrained, but really attractive nose full of character: initial aromas of sour cherries, sweet maraschino cherries and red fruit preserves, with more nuanced hints of dried flowers, sun-baked earth, pungent volcanic smoke notes, a little pipe tobacco and a lifted touch of ginger underneath. Like so many times before, the nose and the palate are at odds against each other: even though the nose is sweet and juicy, the wine is however bone-dry, bitter and tightly-wound on the palate with the purest of flavors of sour cherries and tart cranberries on the fore, followed by notes of sun-baked earth, stalky and woody herbal notes and hints of minerality. The mouthfeel is quite full-bodied, but also very well-defined and muscular, thanks to the high acidity and pronounced tannins. However, the midpalate seems to lack some intensity to balance out the full body – it feels as though the wine is a big, lean and robust framework, which is filled only halfway through by the rather austere fruit. Despite its quite light flavors, the 14% of alcohol remains perfectly hidden. The finish is very grippy and almost unforgiving with its pronounced herbal bitterness, astringent tannins, very tart lingonberry and sour cherry flavors and hints of vegetal greenness.

Munjebel 4 shows lovely focus and purity, and it also is a lot less rustic and "wild" than many other Cornelissen wines with focus on pure, sour cherry-driven fruit and racy acidity. However, the wine feels like it is lacking a bit intensity, thus making the wine feel a bit out of balance.

89/100
Summary: Despite its great focus and purity, the wine lacks a little power and oomph: even though the flavors have laser-like precision, it feels they don't show the intensity one would expect from a wine like this. Even though the wine doesn't show any bit of tiredness or oxidation, the fruit might has diminished a bit, leaving behind a wild Etna red that is more about just structure without much fruit. Although Cornelissen wines tend to age tremendously well (especially considering they contain no sulfites), I wouldn't hold on to this much longer. Drink up.

***

Munjebel 5
Vino da Tavola



Based on vintages 2007 and 2008, blended together. Aged in underground clay amphorae.

There is more than an inch of deposit in the bottom of the bottle, thus the wine is decanted carefully into a decanter. The color is clear, pale pomegranate red with almost colorless rims; by its appearance this is obviously lighter in color than Munjebel 4. The nose is not that expressive, but instead quite complex, expressing aromas of sweet, sunny dark cherry aromas, cherry marmalade and some bretty farmyard funk. Also the alcohol (14%) shows a little. On the palate the wine is quite intense, vibrant and sinewy with bone-dry flavors of raspberries, sour plums, tart red fruits and very acid-driven lingonberry brightness. Underneath all that red and dark fruit, there is some complex spiciness and bitterness from the rather prominent tannins. The wine seems a bit smaller than Munjebel 4, with only medium-bodied mouthfeel, but also showing more power and robust character with great balance between the fruit, the body and the structure. The finish is not that long, but it is clean as a whistle with mouth-cleansing acidity and intense, vibrant flavors of tart red berries, sour cherries, some volcanic smoke and hints of complex, roasted spiciness.

Even though might one expect this one to be markedly lighter than the previous Munjebel, this one actually shows a lot more focus, balance and intensity. All in all, this is something not unlike a big, vinous kriek lambic – only without the carbonation.

93/100
Summary: A quite tightly knit, grippy and structured Munjebel with high acidity and grippy tannins, resulting in a bone-dry wine that might be quite hard-to-approach for many. As the wine still seems very fresh and youthful, more years in the cellar definitely couldn't hurt. I suggest not only giving the wine more age and decanting it carefully (because of the big amount of deposit) before serving, but also pairing it with something hearty enough to let the acidity and the tannins mellow down a bit.

***

Munjebel 6
Vino da Tavola



Based on vintages 2008 and 2009, blended together. Aged in underground clay amphorae.

Slightly hazy, pale pomegranate red color. Whereas all the other Munjebels I've had have been aroma-wise more or less sweet and fruity, the nose here feels burned, with somewhat acrid aromas of burnt sugar, smoked meat, something resinous, a little burnt rubber and a hint of sour cherry. Something must be off here. On the palate the wine is bone-dry and rather bitter with flavors of sour cherries, earthiness, peppery spice, some acrid smoke and tannic astringency. The flavors really don't feel lively and vibrant, but instead quite dull and the wine feels lacking balance with its withered fruit character, high acidity and prominent tannins. The finish is short with flavors of tart cranberries and lingonberries, some dusty earth and hints of acetone VA, giving the aftertaste a somewhat chemical feel. The high alcohol (14,5%) gives a lot of warmth to the aftertaste.

In a flight of four different red Munjebels, this definitely wasn't on par with the three others – probably there was something off with this bottle, as the wine was so very much unlike any other Munjebel. Probably the wine had been stored in not-so-optimal conditions at one point or another.

84/100
Summary: I really can't say for certain whether the wine was really off, or if this was only a bad vintage (well, two vintages), so you really need to take the score here with a pinch of salt. In this wine the nose and the palate were dominated by rather overwhelming (and not really that pleasant) smoke character and the fruit really didn't offer much challenge for the high tannins and acidity. I heartily recommend enjoying this wine with some food, just to tone down the acidity and the tannins down to the level of the fruit – although it might be that this really was an off bottle and in a pristine bottle the fruit is much more expressive and better in balance with the structure!

***

Munjebel 8 MC
Vino da Tavola



Based on vintage 2011 with grapes sourced exclusively from Monte Colla vineyard. Aged in underground clay amphorae.

Translucent, but very deep dark cherry color, giving rise to speculation whether the "MC" actually stands for "Much Concentration". The nose is not very expressive, but instead quite restrained, but also obviously more brooding compared to the other red Munjebels, that have been brighter and lighter in style – there are dark-toned aromas of dark cherries, cranberries, some wild and funky notes, a little meatiness, a hint of exotic spice and a floral whiff of violets. Alcohol (15%) shows a little, and with some air, a lifted hint of VA starts to show as well. On the palate the wine is very intense, full-bodied and concentrated; even though the wine is very bright and high in acidity, this wine is obviously heavier, more concentrated and more brooding than normal Munjebels are. There are flavors of plummy dark fruit, peppery spice, some tart lingonberry and perfumed hints of violet. Even though the wine is obviously very ripe and succulent, with almost sweet fruit flavors, it does not feel one bit too ripe or heavy, all thanks to the high acidity and rather prominent tannic bitterness. Wonderful focus, freshness, purity and energy. The high alcohol (15%) gives some obvious heat to the midpalate and aftertaste. The finish is very long, dark-toned and robust with brooding flavors of sunny plums, blackberries, acid-driven red berries and almost quinine tannic bitterness.

This Munjebel 8 MC is was very primary and extremely youthful compared to the older, regular bottlings of Munjebel. Even though the pronounced fruit character and concentration might make this wine a bit more approachable than those lighter Munjebels, this is still quite relentless in its racy acidity and firm, mouth-coating tannins. Overall this is really delicious and pure stuff that really calls for long aging.

95/100
Summary: This is obviously a lot richer and more concentrated a wine than the regular Munjebels with lots of ripe, dark-toned fruit and weight – yet the wine feels remarkably balanced, thanks to its high acidity and grippy tannins. Although very drinkable already with food heavy enough to tone down the grippy tannins, this wine seems to be mainly about aging potential – no need to open this one within the next 10 years, if you happen to have a good, cool cellar. By far the most impressive wine in our Cornelissen tasting of 11 wines.